Thursday, April 12th, 2012

Customize the Quick Access toolbar in Word 2010

customize the quick access toolbar

The Quick Access Toolbar or QAT runs across the top left edge of the Word 2007 and 2010 window. It also appears in other ribbon compatible programs like Excel 2007 & 2010, PowerPoint 2007 & 2010.

The QAT is a handy place to put icons that you use all the time. It can be customized through this Quick Access Toolbar option.

Click this icon to show the QAT editing options. Click Show Below the Ribbon to place the Quick Access Toolbar below the ribbon – I think most people will find its current position acceptable but if you want to move it that’s how to place it elsewhere.

Choose More Commands to add more commands to the Ribbon. From the Choose Commands From list you can select commands to view. These include Popular Commands, Commands Not In The Ribbon, in other words commands that are available in Microsoft Word but for which you have no other easy way of accessing, All Commands or Macros. The remainder of the dialog gives you access to the individual tabs in Word so that you can get access to icons listed there.

Some options you may want to add to the Quick Access Toolbar include the Close/Close All Button, Quick Print and I like to add Switch Windows which is available from the All Commands list. Other tools that you use frequently can be added to the Quick Access Toolbar making them instantly accessible.

You should note that you can set the features for all documents or for just an individual document so that you can, for example, set a different toolbar for a specific document. When you choose this option the specific document will get all the tools on the standard quick access toolbar plus those that you’ve added to just its toolbar.

 

Helen Bradley

Wednesday, April 11th, 2012

Photo editing with Photoshop Express on the iPad

download: Photo Express on the iPad – free

When it comes to apps sometimes you get great value in free apps and other times you get rubbish. Photoshop Express falls somewhere between the two extremes – it isn’t rubbish but it’s far from great.

Photoshop Express has a very strange interface which left me tapping furiously on the screen trying to get it to do something – anything!  The problem is you have to swipe the screen to adjust the intensity of the edit? So, to increase saturation you choose the Saturation option then swipe across to the right to increase it or to the left to decrease – Ok – where exactly did that interface metaphor come from? I feel like I missed class that day and there is nothing  on the screen that makes this behaviour easy to discover.

Interface complaints aside this app lets you crop and fix your images and apply some effects to it.

Here is the crop/straighten/rotate/flip options:

Here is the image with contrast and saturation improved:

The noise reduction tool requires you to buy an add-in – OMG Adobe just gets some things sadly wrong and this is one of them! Either give the program away or don’t but why do they make one fix a pay for feature? It makes no sense – and they could just have easily left out noise reduction altogether. If you want this feature, expect to pay a hefty $4.99 for it.

In the border area there are a handful of free borders and others you can buy but which you can preview on your image first – this is useful so you get to see how they look before you commit to buying them. They come as an all in pack of 22 borders for $1.99.

There is also a small range of effects you can apply by selecting the effect to add to the image.

A lot of folks will download this app because it is from Adobe. Lots of these same folks will be wondering why they bothered to do so. This app is competent but it is hard to look past the silly in-app purchases and the screwball interface – Adobe is better than this – this app damages the company’s reputation – why not do something like they have at photoshop.com?

You don’t have to reinvent interfaces for the iPad and you don’t have to make up new interface gestures for adjusting images when a slider will do just fine – if you use sliders folks can see the slider and work out quickly how to use it – instead here with the swiping you really have to guess how to make the thing work and you shouldn’t have to do that.

Helen Bradley

Monday, April 9th, 2012

Grunge an image with Pixlr-o-matic on the iPad

Download: Pixlr-o-matic on the iPad free

I love this app but wish it worked in landscape and didn’t force me to work in portrait. It is from Autodesk who are the unsung heroes of the iPad photo editing app world. They do great stuff – way better in general than Adobe when it comes to iPad stuff.

Not only that but this app is also available online so you can use it on your desktop in a browser or download a standalone version – all cool and all free! You can buy extras if you like so you can buy extra frames and effects and you get lots for your money.

Start by capturing an image or import one from your gallery. Then click the first of the options across the foot of the screen – these are filters. Here you can browse the gallery of options – you can instantly view the filter on the image or keep scrolling to try something out if you don’t like the result of your first choice. I chose Lucas for this image:

Then select the Lightbulb icon and apply a lighting effect to the image. I added Bubble to this image.

Then click the frame option and add a frame – I chose Flowery.

I would like a tool for cropping the image as I really prefer to use square images for these types of effects and you cannot do it in Pixlr-o-matic so you  have to do it before you come to this program.

The icon in the top right of the screen lets you apply a random mix of settings to your image – it’s a sort of “I feel lucky solution” – worth trying if you just want to see what the program can do.

Your save options are to the Photo Gallery or iTunes – it would be nice to see some integration with, say, Facebook or Twitter too?

I love Pixlr-o-matic on the desktop and the iPad. I have bought all the extras because you can never have too many cool features and I am willing to overlook some minor frustrations like no crop and portrait mode for the sake of art!

Helen Bradley

Thursday, April 5th, 2012

Cool hand drawn frames for Photoshop

Here at Projectwoman we’ve been busy with our sketchbooks creating some great looking hand drawn frames for Photoshop. These frames are available for Photoshop, Gimp and Photoshop Elements and we’ve included instructions for all the applications.

The frame sets sell for ninety-nine ¢ which is way less than your morning coffee — in fact you could buy three sets and have change left over.

We’ve created two sets of square frames because we think you just can’t get enough of square frames. We have a luscious floral set and a great set of speech bubble frames from our newest illustrator all ready for your photos.

There are circles, rectangles, simple frames and complex frames. Every one of them is hollowed out in the middle so that you can easily place your image in it and they are created as PNG files with opacity built into them. All you do is open your image, drag it in and it all works! And just in case you need a little more help, the step by step illustrated instructions will get you going instantly.

All the frames are lusciously sized at somewhere around 2,500 pixels in length or height so they’re a perfect size for framing all your images. Digital SLR images will pop straight into the frames and if you’re shooting with an iPhone or your brand new iPad 3, just size them down a little bit and you’re ready to go. Here are the framesets that we’ve got linked to the shopping cart page. Click a set and you’re ready to go.

Floral Frame Set

floral frame set

Simple Frame Set

simple frame set

Square Frame Set

square frame set

Circle Frame Set

circle frame set

Heavy Line Frame Set

heavy line frame set

Speech Bubble Frame Set

speech bubble frame set

Rectangles Frame Set

rectangle frame set

Square #2 Frame Set

square two frame set

Helen Bradley

Thursday, April 5th, 2012

Photo fixing and painting with PhotoPad

Download: PhotoPad by Zagg for the iPad free

This app is interesting and would be useful if it were more functional. It has a few problems and most annoying is the inability to preview changes on the image before you select them. So you have to apply the effect and then undo it if you don’t like it. It just seems a whole lot more cumbersome to use than many other apps of this genre.

The rotate tool has no grid so lining up a rotation is total hit or miss. And worse still the program adds a colored matt background around the rotated image – wtf? Most photographers won’t want an image on an angle with a colored background showing up just what you did to the image. In reality what we need and want is the option to rotate the image and, at the same time to crop or resize the image to get rid of this skewed background.

There are a range of paint tools which let you sample colors from the image or select your own color and paint onto the image. This paint goes on a layer above the image so you can erase it if desired. There are 4 brush types – soft, hard, square and line but they’re not really different enough or a wide enough range to do much – you’d go to another program if you were serious about doing real painting of an image. Here I just did some fun brush lines.

The fixing tools are limited to color levels, saturation and hue, contrast and brightness and things like redeye.

There are a few filters but the thumbnails don’t indicate well enough what they do so you have to apply them to the image to test them. Basically they’re a pretty lacklustre range of filters which just about sums up this app – lacklustre and hardly worth bothering with – there are far better apps out there which do all this does and more and way more to boot.

Helen Bradley

Wednesday, April 4th, 2012

Find the best photo and graphic editing software

If you’re in the market for some new graphic software the first thing you’ll want to know is what’s the best for you. The folks at findthebest.com have done a lot of the work for you.

Visit the website and you can select to compare a range of applications. I’ve selected Photoshop, ArtRage and Lightroom – 3 very different applications, and then I ran a compare on them. You’ll get a heap of information including the Smart Ranking, what the purpose of the software is, the latest version and all sorts of details including ratings from the key sites such as PC World, PC Magazine, CNET and MacWorld. There’s plenty of information about supported file types, color spaces, help and online resources and whether or not the application runs on Windows or the Mac.

Findthebest.com is a great resource when you’re looking to compare different programs. Use the slideshow tab to view simplified information about each selected application and click the chart to see how the applications compare.

There’s plenty to like about this site when you need to get an overview of the kind of programs that you may want to use.

I think the interface looks a bit similar to those airline ticket site where you can sort by price, category and all sorts of things. Only here, you’ll get the best photo editing programs not a ticket to London!

Helen Bradley

Wednesday, April 4th, 2012

Photo-editing in Photogene

Download: Photogene for the iPad $2.99

I have had Photogene now for a while but just cranked it up today to see just how it performs. I have to say it has some cool features – sort of an all-round app that could be all things to some people but which hasn’t a huge amount of depth.

It doesn’t have layers but it does have a mask you can paint on to paint on features such as the dodge and burn fixes. I got a bit confused with the presets – they are great for applying effects but they seem to have been added on rather than integrated with the program itself. It’s a minor complaint but you feel like filters and frames appear  in two different places – as regular tools and as presets. Problem is that if you use the presets you get access to some frames that you can’t get to elsewhere – which is a little frustrating if you are a DIY person and like to have better control over your images.

This image was shot in NY and I shot it specially to use for iPad editing. Here I gave it the treatment in Photogene. The image wasn’t perfectly straight so I started with the rotate tool and straightened it.

I cropped it using a 1:1 crop with the Crop tool.

Then I added a vignette using the Burn brush which is a Retouching tool. The built in vignettes didn’t give me the control I wanted and being able to paint the vignette on is great.

When you are dodging and burning you can change from paint to erase by tapping twice on the screen and there is an Intensity slider you can use to dial down the effect.

You can also choose to see the mask overlay which helps you when you’re trying to work out where you painted.

I used the Dodge brush retouching tool in the middle to lighten the image and then applied an effect from the effects collection.

Then I applied a cross process effect. You can do this to the entire image or it can be painted on using the retouch tools.

To finish some adjustments were made to the image saturation, vibrance and clarity.

This was the end of the process in Photogene but I felt the image needed a little something extra. I saved it out of Photogene to the Photo Library.

Then took it to Scratch Camera to add the final touches you see here.

Helen Bradley

Sunday, April 1st, 2012

Scale a Pattern in Photoshop

I use patterns a lot in Photoshop to fill backgrounds and to apply effects to my images. Problem is that ahead of time I never really know how big the pattern needs to be. If you fill an image with a pattern using Edit > Fill then you get the pattern in the image but at the size it is in the pattern swatch so you get zero control over it.

Instead, if you prefer to add your pattern in a scalable way, apply it using a fill layer. To do this, choose Layer > New Fill Layer > Pattern, click Ok and then select your pattern to fill the layer with.

You will see a Scale slider and you can use this to scale the pattern to suit the image.

If you don’t want it to stay a fill layer, right click the pattern layer and click Rasterize Layer to rasterize it so that you can then do other things with it.

While it remains a pattern fill layer you can double click the layer and rescale the pattern if desired.

Helen Bradley

Friday, March 30th, 2012

Print Contact Sheets in Lightroom

By Helen Bradley

Historically a contact sheet was a page of images each printed at the same size as the film negative – they were used as a reference for the images on the film roll. They were called contact sheets because the film was placed in close contact with the paper when printing them.

These days the term contact sheet loosely means an arrangement of multiple, small, same size images on a single page usually with some identifying information such as the image filename placed under the image. The purpose is to provide reference to a larger number of images. You may print them to keep or give to a client as a catalog of the images from a shoot, for example.

You can create a contact sheet inside Lightroom and here’s how to do it:

Select a template

Start by selecting the folder or the collection that contains the images that you want to add to the contact sheet.

Launch the Print module and, from the Template Browser, select one of the contact sheet options. There are a few grid layouts including two with square image cells – a 4 x 8, and a 5 x 8. There are two with landscape orientation cells – one 5 x 9, and one 5 x 11.

I chose the 5 x  8 one.

Set up the print job

If you plan to ‘print’ the contact sheet to a jpg file, from the Print Job panel on the right of the screen, choose Print to JPG File. As contact sheets are just that – a contact sheet and not full scale images – select to use Draft Mode Printing to speed up their creation.

The page dimensions will be preset for 8.5 x 11in. You can set your own Custom File Dimensions but increasing the size of the page simply changes the page size not the size of the cells – you have to adjust them separately.

Adding images

If you have only one image selected in the Filmstrip then the contact sheet will only display one image.

You’ll need to select all the images on the filmstrip to add them to the contact sheet. To do this, either click on the first image and Shift + Click on the last or select All Filmstrip Photos from the Use: list on the toolbar. If the Toolbar is not visible, press T to display it. You can also select Flagged photos, if desired.

The Toolbar shows you how many pages you will use and you can click the arrow keys on the toolbar to navigate the pages.

Add image captions

To add information below the images, from the Page panel on the right, select the Photo Info checkbox and choose the field to display. You can use one of the preset options such as Caption, Date, or Filename or click Edit to create your own field.

In the Text Template Editor, you can access to fields such as the filename, a sequential numbering or date as well as EXIF and IPTC data. You can also type your own custom text to create detailed photo info to add to the contact sheet. Here I typed some text, added a sequential number and the filename.

Customize the Contact Sheet

The template contact sheets are a starting point but you do not need to strictly adhere to their design if you don’t want to and they can be easily customized.

For example, from the layout panel if you click the Keep Square checkbox you will find that in some layouts your images may change orientation so the page will be a mix of portrait and landscape images.

You can adjust the maximum cell size and width using the Cell Size Height and Width sliders in the Layout panel. As you adjust the cell size, notice that the Cell Spacing values will change.

You can decrease the number of rows and/or columns using the Page Grid options. By decreasing the number of rows or columns, you can increase the cell size.

Adjusting margins

If you increase the Bottom or Top margin you can give yourself room to, for example, place an Identity Plate on the page.

Here I’ve reduced the number of rows and increased the bottom margin and added an Identity Plate from the Page panel options. In the Page panel, select the Identity Plate checkbox and then select the Identity Plate to use.

The Identity Plate will appear, by default, in the middle of the page so drag it into position on the page. Adjust its scale by dragging on the Scale slider.

You can adjust its Opacity if desired and, if it is a text identity plate (rather than a graphic), you can also select Override Color to make it any color you like.

Print the result

When you’re done, you’re ready to output the result. If you selected to print to a JPG file click Print to File and type a name for the file and select a location for them. The pages will be printed to a JPG file and if there are more than one they will be sequentially numbered.

Print to PDF

If you want to print to a PDF on a Windows machine you will need to have a PDF printer driver installed such as Adobe PDF or one you have downloaded from the web.

Select Page Setup, select the pdf printer driver and configure the page size so it matches the template size – such as letter paper portrait orientation. Then set the Print to: option in the Print Job panel to printer and click Print to print to a pdf.

Save the Template

If you have customized a template and want to be able to use it again in future, save the design as a new template.

Click the plus symbol opposite the Template Browser panel header and type a name for your template. You can store it in User Templates or create a new folder for it. Click to create it.

In future you can save yourself the time setting up the template by starting with your customized version.

Helen Bradley

Sunday, March 25th, 2012

Use Lightroom Presets in Adobe Camera Raw

If you’re like me, you have some presets that you’ve created in Lightroom that you would like to use in Adobe Camera Raw. Unfortunately the format of the preset files in each program is different so you can’t just install a Lightroom preset in ACR. However you can make an ACR preset from a file that has had that same preset applied to in Lightroom. Here’s how:

Apply the Preset

To begin, open an image in the Develop module in Lightroom. Without applying any other changes to the image, apply the Preset that you want to take to ACR. Here I have applied one of the free Wonderland presets from wonderlandpresets.com.

Export the Image

Now export the image as a DNG file so that the changes will be written to the file. To do this, right click the image and choose Export > Export to DNG and export the image to folder of your choice.

Open in ACR

Launch Windows Explorer and locate the image on disk. Right click it and choose Open With > Photoshop CS5. Because it is a DNG file, it will open automatically in ACR.

Create the Preset

Click the Presets tab and click the Create New Preset option at the foot of the Presets panel. Type a name for your preset and then select the options that you want to include as part of the preset. Type a name for the preset and click Ok.

The preset will now be available from the Presets panel in ACR and will be able to be used to adjust any image.

Features not included

You should note that while most of the Lightroom adjustments that can be stored in a Lightroom Preset can also be saved as an ACR Preset, one exception is any Graduated Filter adjustment.

In Lightroom any adjustments you make using the Adjustment Brush cannot be saved in a Lightroom preset and in ACR those made using the Graduated Filter cannot be saved either. You will see the Graduated Filter adjustments that you made in Lightroom in ACR if there are any but you cannot save them in your preset as a Graduated Filter adjustment. What you can do however, is to save the settings for the Graduated Filter but not its placement as a separate setting. To do this, click the Graduated Filter icon in ACR to select the tool then click the Graduated Filter to save the settings for. Click the icon in the top right of the Graduated Filter panel and choose New Local Correction Setting and save it giving it a name.

You can apply this to an image in future using the Graduated Filter tool – just select the setting to use from this menu and drag to create the Graduated Filter for the image. The solution isn’t perfect but it can save you some work as shown here with the two Graduated Filters which are part of my Orton Preset for Lightroom. I can apply the preset then switch to the Graduated Filter and quickly apply the two Graduated Filter adjustments with their individual settings.

Advantages of taking Lightroom presets to ACR

One of the reasons you may want to take presets from Lightroom to ACR using this process is to take advantage of the free presets available for Lightroom. There are lots more of these than there are presets for ACR. If you use ACR as well as Lightroom then having your favorite presets available in both program will be useful.

Helen Bradley