Tuesday, December 21st, 2010

Lightroom: Embracing Brightness

brightness opener Lightroom: Embracing Brightness

In previous posts I’ve advocated using the Exposure slider to lighten an image but lately I’ve added the Brightness slider to my workflow. I’d encourage you, if you haven’t already done so, to experiment with it on your images.

However, before we begin a word of warning about Brightness/Contrast in general. Brightness adjustments in some programs aren’t as good as in others. If you’re using Photoshop CS2 or earlier, for example, use Curves or Levels to lighten an image not Brightness. In Photoshop CS3 the Brightness/Contrast tool was re-engineered and instead of adjusting all pixels equally as it used to do with the result that highlight areas were routinely destroyed in the process, it now protects the lightest pixels as it lightens the image. Before trusting your image to a program’s Brightness and Contrast tool, check your histogram before and after using it and make sure you aren’t blowing out highlights in your quest for a lighter/brighter image.

Now, back to Lightroom.

brightness step1 e1291597077534 Lightroom: Embracing Brightness 

Take a look at the image shown here. If I leave Brightness at the default value – which for my camera is +50 but which may be different for yours, and if I crank up the Exposure to the maximum value, a lot of the lighter  pixels in the image get blown out.

Of course I would never adjust an image to this value but it’s a useful exercise to see how Exposure works.  

brightness step2 e1291597126453 Lightroom: Embracing Brightness 

When I do the same thing in reverse and leave Exposure at its default value of 0 and crank Brightness up to its highest value only a small number of pixels are blown out.

Using the Brightness slider lightens the image while at the same time protecting the lightest pixels in the image from being blown out as a consequence.

So what does this knowledge mean to you in a typical Lightroom workflow? Well, my new Lightroom workflow for lightening and brightening an image involves using the Exposure slider first of all to adjust the overall exposure of the image but I stop short of where too many highlights get blown out.

Next I test the Recovery tool on the image. Hold the Alt key as you drag on the Recovery slider to check to see if there are blown out highlights (they show as varying colors on the black background). Drag to the right to see if they can be recovered . If they can’t be recovered ease off on the Exposure and check again.

If I have shadow areas in the image that are still overly dark I’ll adjust these using the  Fill Light slider. This tool helps recover detail hidden in shadows, but it’s not a tool I’d use for an overall brightening effect.

Finally, I use the Brightness slider to increase the overall image brightness. Somewhere between the Exposure slider and the Brightness slider is the sweet spot for lightening an image.

From there, I’ll adjust Vibrance and Clarity and sharpen the image.

While we’re on the topic of the Brightness slider, check out the default value on an unedited image so you know where your starting point is. For most raw images, Lightroom defaults to a Brightness of +50 and Contrast of +25 as its starting point.

brightness step3 e1291597160650 Lightroom: Embracing Brightness

Also take care when working with images you had processed in Lightroom 2 with Lightroom 2 settings. When you upgrade to Lightroom 3, you’ll have a choice of Updating your images to the new Lightroom 2010 Process. My experience is that this can result in a significant lightening of images which were processed in Lightroom 2 so I apply this update on an image by image basis so I can reverse it or adjust for it as I go if necessary.

Thursday, December 16th, 2010

Using Lightroom Compare View

lr compare view starter Using Lightroom Compare ViewIn an earlier post, I showed you how to use Lightroom’s Survey View to choose one image from a selection of images. In this post I’ll show you how to use another of Lightroom’s specialty views – Compare View which has a similar purpose but which operates very differently.

lr compare view step1 Using Lightroom Compare View

Start in the Library module, select an image and then click Compare View or press C. When you do, Lightroom shows two images, the one you had selected and the one you most recently selected before this one in this same folder.

If you didn’t previously select an image, for example if you selected Compare View immediately after you selected a folder, the first image in that folder will be the only one selected so Compare View will show the first image and the one immediately to its right in the Filmstrip.

lr compare view step2 Using Lightroom Compare View

The two images you see are labeled Select and Candidate. The Select image is fixed and the Candidate image can be changed. To do this, click the left or right arrows underneath the Candidate image to move in the direction of the arrow through the folder. This replaces the Candidate image each time you click an arrow with the next image in the Filmstrip.

lr compare view step3 Using Lightroom Compare View

When you find an image that you want to use as your new select image, click the X<Y (Make Select) button and the Candidate image moves to become the Select image and the next image in the filmstrip in the direction that you had been moving will be the new Candidate.

lr compare view step4 Using Lightroom Compare View

To simply swap the two images, click the Swap button to swap the two images. The current Select image becomes the new Candidate and vice versa.

Continue to work through the images on the filmstrip comparing them until you have the Select image that you want to use.

lr compare view step5 Using Lightroom Compare View

In Compare View, unlike Survey View, you can zoom the images. The lock icon on the toolbar, when locked, lets you scale both images at the one time using the Zoom slider.

lr compare view step6 Using Lightroom Compare View

If you unlock the padlock icon by clicking it, just the currently selected image (which can be either the Select or Candidate image) will zoom when you click the Zoom button.

You can also use Compare View with just one image by deselecting one of the images in the Compare View. Each image has a small X under its bottom right hand corner, which you can click to remove it. If you remove the Select image this way, you can work through images as Candidate images until you find a Candidate worthy of being a Select image and, when you do, click the Make Select button and the Candidate will become the Select image and the next image in the sequence will become the Candidate.

Click Done to exit Compare View with the Select image selected.

How Compare View and Survey View compare

While Survey View allows you to compare multiple images with each other and to remove images you do not want until you get the one that you do what, Compare View works a little differently in allowing you to view only two images. The Select image always remains in place, but you can scroll through multiple images very quickly to determine if any of them are a better candidate for your needs than the select image. If it is, you can replace them and continue your comparison.

While Compare View allows comparison between only two images, it is more complex to use and understand than Survey View. However it’s a useful way to make a choice from two images as to which is the better and then continue to compare your current ‘best’ pick with others in a sequence.

Wednesday, May 26th, 2010

Step 10 Simple Photo-editing workflow – Fixing redeye

redeye fix e1274922289633 Step 10 Simple Photo editing workflow – Fixing redeyeRedeye is caused by the camera’s flash and is often difficult to avoid. Some photographers, and I count myself in that group, would prefer to have to deal with redeye if that means we get good photos. Often the redeye reduction feature on a camera signals to your subject that the image has been taken before it has – they relax and start moving and you get unwanted movement in the shot. When there is a balance to be struck between redeye and movement – I’ll take redeye everytime.

If your photograph has a subject with redeye you can fix it using the redeye tool in Photoshop Elements.

Click the Zoom Tool and click and drag over the eyes in the image to make them large enough that you see them clearly.

Click the Redeye removal tool and click on the red part of the eye. If necessary, adjust the Darken amount and the Pupil Size on the toolbar to get a good result. Fix each eye and then save the image.

Monday, May 24th, 2010

Step 11 Photo-editing workflow – Getting to black and white

black and white Step 11 Photo editing workflow – Getting to black and white

Some images look much better in black and white than they do in colour.

Increasingly photo editing programs are shipping with very good tools for converting to black and white. These allow you to select which portions of an image become black and which become white which is necessary when you want to differentiate between colours which have the same intensity such as green and red values which would, otherwise, be converted to the same shade of gray.

In Photoshop Elements, choose Enhance > Convert to Black and White and select a style from the list at the left of the dialog. These include Infrared, Newspaper, Urban Snapshots, Scenic Landscape, Vivid Landscape and Portraits. While the names suggest the type of image they are well suited to it is a matter of personal preference as to which you use.

Once you have chosen the image type you can select from options at the bottom of the image to adjust the various colours to darker or lighter shades of grey. You can also select the more or less contrast options to adjust the image contrast.

When you have a result that you like, click Ok.

Wednesday, March 10th, 2010

Step 9 Photo-editing workflow – Fixing imperfections

imperfections 767481 Step 9 Photo editing workflow   Fixing imperfections

If you have a photograph of someone who has blemishes on their skin you can remove these by using the Spot Healing Brush tool.

Select the Zoom tool and zoom in onto the areas that require fixing.

Click the Spot Healing Brush tool and adjust the brush size so it is just big enough to cover the problem area.

Click once on the area and the blemish will disappear. If the fix is not perfect choose Edit > Undo Spot Healing Brush, adjust the brush size and try again.

Sunday, March 7th, 2010

Step 8 Photo-editing workflow – Fix skin tones

skin 783434 Step 8 Photo editing workflow   Fix skin tones

Often you will encounter difficulties when fixing colour problems in an image where there are significant areas of skin tones. Skin tones are more difficult to fix than general colour casts, in part because we’re all so familiar with what skin tones should look like that we ‘know’ immediately when they look wrong.

Luckily Photoshop Elements has a good tool for fixing skin tones. To apply this fix to your image choose Enhance > Adjust Color > Adjust color for skin tone. The mouse cursor will change to an eyedropper and you should use this to click on an area of skin tone in the image.

If you don’t get good results sampling from a person’s face, try sampling on their neck or arm – sometimes makeup on the face can give poor results and skin not covered in makeup gives better results.

Once you have selected the skin tone, if the fix isn’t good enough, use the Blush and Tan adjustments until you match what the skin should look like. The Ambient Light temperature slider lets you warm up or cool down the colour fix.

Thursday, March 4th, 2010

Step 7 Photo-editing workflow – Fixing colour problems

color 718691 Step 7 Photo editing workflow   Fixing colour problems

Whenever you believe that there is something wrong with your photo’s colour or tonal range a good place to start fixing it is with your software’s automatic fix options.

In Photoshop Elements choose Enhance > Auto Smart Fix and preview the result. If you do not like it choose Edit > Undo and try one or all of the Auto Levels, Auto Contrast, Auto Colour correction options under the Enhance menu.

Each of these adjusts the image in a different way and if they work on your image then they’re a simpler way of fixing it than having to do it manually.

Sunday, February 28th, 2010

Step 6 Photo-editing workflow – Fixing muddy images

muddy 742089 Step 6 Photo editing workflow   Fixing muddy images

Images which lack a full tonal range (a range of colors from very light/white to very dark/black), often look muddy and the colour in these images will also look flat. To adjust the tonal range of an image to darken the dark areas and lighten the light areas thus stretching the colour you have over the widest possible range.

In Photoshop Elements choose Enhance > Adjust Lighting > Levels. The levels histogram shows the tonal range of pixels in the image – ideally the chart should stretch the full width of the area it is contained in. If it doesn’t reach from the very left edge to the very right edge, drag the sliders underneath the chart inwards so that they sit under the points where the chart data begins and ends. You can adjust the middle slider to lighten or darken the midtones in the image.

Thursday, February 25th, 2010

Step 5 Photo-editing workflow – Fixing over and underexposed images

overexposed 795427 Step 5 Photo editing workflow   Fixing over and underexposed images

If you have an image which is under exposed or over exposed you can recover some of the detail in the light and dark areas using the Shadow/Highlight adjustment.

In Photoshop Elements choose Enhance > Adjust Lighting > Shadows/Highlights. The default setting lightens the shadows but leaves the highlights untouched but you can adjust each of these areas using the sliders to bring back into the shadow and highlight areas.

Adjust the Midtone Contrast slider if necessary to get the desired result.

Monday, February 22nd, 2010

Step 4 Photo-editing workflow – Straighten

straighten 784865 Step 4 Photo editing workflow   Straighten

A photo where an obviously horizontal line like the horizon or the foot of a building runs at an angle instead of straight across an image is disconcerting to the eye.

To straighten a photo click the Straighten tool on the toolbar and drag a line across what should be the horizon in the image. In Photoshop Elements when you let go of the mouse, the photo will automatically be straightened using the line you have drawn.

Before you draw your line you can choose one of the options on the toolbar to configure the tool. These include choosing CropToRemoveBackground which ensures that uneven edges of the image are cropped away in the straightening process.

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