Saturday, December 22nd, 2012

Wedding Photography – How to

 photo credit: arki www.sxc.hu

Here’s what to do when a friend asks you to photograph their wedding.

If you’re even a passable photographer, chances are that one day, someone will ask you to photograph their wedding. Before you take the plunge, here are some things to think about when shooting a big event like a wedding.

The demands of wedding photography

Photographing a wedding is different to just about any other photography you’ll do. You only get one chance at it and you run the risk of severely disappointing everyone if you don’t pull it off.

Wedding photography is a job that professional photographers charge a lot of money to do and, for good reason. So, it’s not a task you should take on lightly – if you really don’t feel up to the task say no rather than doing a bad job of it.

However, that said, it can be a rewarding experience if you get it right. And the key to getting it right is preparing well and having a well thought out and practiced plan.

Scoping the job

Talk to the bride and groom well before the wedding. Ask how many photographers there will be, if there are a few, determine who will be responsible for what so you aren’t tripping over each other on the day and missing out on key shots because you thought someone else was taking them.

photo credit: Mike Clarke
Wedding photography involves photographing everything from reception guests to decorated tables.

Make a list of the photographs that the couple want taken. Have a detailed checklist printed up with the images they want you to capture. If you order this in the approximate order of the ceremony and reception it will be easier to make sure you get everything you need.

There are some good web sites that have information on wedding photo lists including this one: http://spreadsheets.google.com/pub?key=ppuF_0dv6H8zTjdPjs4D4MQ

Enlist the help of a skilled assistant. You need someone to help you organise group pictures and run around getting batteries and holding things for you. Your assistant can also double check to make sure you don’t miss any photos on your list.

Before the wedding visit the locations that will be used such as the church and the venue for the reception. Check these at around the same time of the day as the wedding will take place so you can get an idea as to what lighting will be available.

Finding a location in the shade saves the effort of having to diffuse the sunlight when it is very bright.

If possible, place your assistant where the bride and groom will stand and shoot some sample images to check the lighting and your camera settings.

Photo credit: theswedish www.sxc.hu

Also check locations inside the church and the reception venue where you can take photos, particularly places with clean or interesting backgrounds. If you can’t find clean backgrounds to work with, plan to use a wide aperture lens so the background won’t be in focus.

If you’re not able to use a flash such as in a church, you will need to use a fast lens and you will need to know how to use it before the day. If you don’t have a lens, consider borrowing or renting one but test it thoroughly before the big day.

You need to be very familiar with how it performs and how to configure it for best results. However, that said, avoid changing lenses too often as you risk getting dust into the camera which can ruin your photos or cause you a lot of work cleaning them up.

Photo credit: www.sxc.hu

Checklist of kit

Make a checklist of the kit that you will need. This includes cameras, batteries, memory cards, tripod, computer, diffusers and so on. If you will be shooting out of doors a diffuser will help to control bright light and your assistant can hold it for you.

If you’re shooting indoors you’ll need an off-camera flash if not a special lighting rig. Make sure that both you and your assistant know how to use every piece of equipment. A second camera body is essential as a backup if something happens to your main camera.

photo credit: Alexey Ivanov

A large aperture lens throws the background into soft focus minimising its impact.

Photographers are never late!

Arrive in plenty of time to set up before the wedding. In many cases you will be expected to photograph the bride as she and her attendants get ready and leave her house.

You may also be asked to photograph the groom and his groomsmen before the ceremony. Make sure you have scouted an appropriate location and you have sufficient time to do everything required of you.

If you’re the sole photographer, don’t expect to see any of the ceremony or to enjoy the reception – you’ll be working pretty much full time capturing images. Carry plenty of bottled water if it is a hot day and some energy bars too.

At the reception, move around the guests capturing a good range of photographs both candid and posed images as well as small detail images such as those of the table settings and the cake and so on.

Check your camera settings regularly throughout the day and every time you change locations. Check the camera’s white balance setting, check the image size and compression and exposure compensation and ISO to make sure nothing has altered.

If possible, shoot RAW and process the images into JPEGs later on. Take lots of photos – it’s too late at the end of the day to realise you should have shot more ‘film’. Count on taking anywhere between 500-1000 photos so you have plenty of images to choose from. Avoid setting any fancy in camera settings and shoot in colour knowing you can always convert to black and white later on.

Post Processing

After the wedding download all the photos to your computer and, if possible, don’t delete them from the camera cards until you have them checked and backed up. If you are giving the photos to the bride so she can print her own album, you should still perform some basic image editing tasks.

Check each image and only give the bride the best of them culling the bad ones. If the images need lightening or contrast enhancement, do this. Rotate the photos so they are so all in the correct rotation, and crop away any obvious problems.

Burn the images to a DVD and make a backup copy of these disks too. Do this before removing the images from your PC or from the original memory cards, if possible just to be safe.

If you’re well prepared and focused on the task at hand you have a good chance of doing a good job.

Helen Bradley

Monday, July 6th, 2009

Big Occasion Photography


When you are a deft hand at taking photographs you’ll find that you’re asked to help out or be the main photographer at big occasions. If you’re helping out, you can focus on taking candid shots leaving the professional photographer to take the rest. If you’re “it” then you have a big job ahead. So, when you’re about to photograph group of people at an occasion such as a wedding, birthday party, graduation, or retirement party, here are some ways to ensure a successful assignment.

Know Your Place
At a wedding where there is a professional photographer already employed, leave the photographer to take the big shots of the bride, bridal party, and key guests and concentrate on everyone else. At key events during the ceremony such as the cutting of the cake and the bridal waltz, use your camera to capture the reactions of the other guests to what is going on.

At the reception, concentrate on taking candid shots of guests and casually composed shots of groups of guests interacting with each other. Ask small groups of people to take a minute or two to organize themselves into a close huddle in front of a mutual or some other attractive background. Take two or three photographs, first warning them that you intend to do so. Don’t hesitate to ask people to stop and pose for you, you’ll find that, with a little extra care, you’ll get much better quality shots of the guests and your photos will complement the more formal photographs taken by the professional photographer.

When You Are It
When you are the key photographer for an occasion when there are lots of people involved, your key responsibilities will be to get a mix of group and individual shots and some photos that set the overall scene for the occasion. Organize larger groups by having everyone line up in two or three lines with the front row seated and, if necessary, a group seated on the floor at their feet. Again, warn everyone that you intend to take a number of photos so that everyone is well prepared. Frame the shot carefully, ensuring you don’t leave out the people at either ends of the group and making sure you don’t chop off the heads of the people in the back row.

Where very small children are involved, encourage the parents to hold the children on their knees to keep them steady for the photograph. If the occasion is a birthday party or, for example, a retirement party, take one or two photos with everyone else looking at the guest of honour. Don’t forget to take a photo of any special food or gifts like a retirement plaque or the birthday cake. If it is a child’s party, take some photos of the decorations and the table so the child, in the years to come, can recall what their party was like.

© AngelIce, istockphoto.com

In addition to the main group photos, work around the occasion asking smaller groups of people to pose for you. If you are knowledgeable about who’s who in the guest list, you can encourage partners and close friends to pose for a photograph together making the finished spread of photographs a more attractive collection not only for the people who were at the event but also the guest of honour. Often occasions like birthdays and weddings are times for families that rarely see each other to come together so look out for opportunities to capture family groups and photos of multiple generations.


Image © Rosemarie Gearhart, istockphoto.com

When you’re organizing people to pose for you, ask them to stand close together and, where appropriate, to put their arms around each other or interact in some way. The warmth of the composition will show through in the final photograph. When posing two people, have them stand side-by-side and arrange three people into a loose triangle for ore visual interest.

Know Your Equipment
Before embarking on any project involving groups of people at an occasion that is unlikely to be repeated, make sure that you know and understand your equipment. Practice taking photographs indoors if that is where you will be taking them or out of doors in the full sun if that’s where the party will be. Pack your supplies carefully ensuring that you have a camera card with plenty of space available on it, a backup card, backup batteries, a tripod, and everything you need to take great photos.

Having an assistant or a volunteer to assist you in getting everyone organized will let you focus on composing the photograph and getting a good shot without needing to manage a large group of people at the same time.

When you’re done, download all the photos to your computer and burn them onto a series of CDs. If you hand a bunch of CDs to the party organizer or guest of honour, everyone who wants one can have one. You’ll find it easier and cheaper to burn a few disks than print mountains of photos for everyone.

Helen Bradley