Friday, February 3rd, 2012

Winter Photography Tip # 9 – Camera care

camera Winter Photography Tip # 9   Camera care

Most cameras work just fine in cold weather but their batteries don’t so you’ll treat your camera one way and batteries another.

To avoid condensation affecting your camera it’s best to keep it cold rather than taking it from warm to cold all the time. So, don’t tuck your camera inside your jacket, and if it’s wet use a rainproof covering for it only.

If you get the camera covered in snow just brush or shake it off – don’t rub so it melts into the camera!

On the flip side, a battery’s chemicals will simply not work efficiently if the batteries are cold so tuck them close to your body in an inside jacket pocket until you need them. And expect to consume more batteries in winter as they won’t last as long as they do in warmer months.

 

 

Tuesday, January 31st, 2012

Winter Photography Tip #8 – White balance

whitebal Winter Photography Tip #8   White balance

When you are photographing in snow conditions there are situations where you’ll need to adjust the white balance so that snow is white and so it doesn’t have a blue cast.

On the other hand the colourcast you get when you shoot in the early morning or at sunset is desirable so don’t remove it or your sunsets and sunrises will be ruined.

To capture the colour of the light set the camera’s white balance setting to sunny day – the camera makes almost no adjustment to white balance when you do this. This makes it a good setting to use when capturing sunsets, for example.

However, when there is a colour cast that you don’t want to capture such as blue light on snow, then adjust the white balance setting in your camera to remove it. To warm up an image, set the white balance to shade as this adds a pink/ orange warming cast to the image and counteracts the blue/colder light.

Thursday, January 26th, 2012

Winter Photography tips #7 – Work with what you have

winter frost and ice Winter Photography tips #7   Work with what you have

Winter scenery typically lacks the bold colors of the other seasons. However, there’s still plenty of good subject matter to photograph. Look for the contrast of bare trees against wintry skies or soft snow hanging from the boughs of prickly conifers.

Contrast in line and texture make a great focal point for your images.

In the city, look for winter fogs and mists that partially hide buildings and in the country, look for elements which break the landscape drawing your eye to them such as a stream running through snow, a fence, hoof prints in icy paddocks or early bulbs.

Sunday, January 22nd, 2012

Winter Photography tips #6 – Light and Shadow

winter light shadow Winter Photography tips #6   Light and Shadow


The light in winter is different to light in summer and because the sun is lower in the sky you get longer shadows.

When taking photographs in winter, take notice of where the shadows are falling.

If you photograph with the sunlight falling across the scene you can capture detail in not only the light but also in the play of light and shadow.

This contrast adds detail and interest to a landscape or anywhere where you have objects large enough to cast shadows and the sun to create them.

Thursday, January 19th, 2012

Winter Photography tip #5 – Play with Depth of Field

winter depth of field Winter Photography tip #5   Play with Depth of Field

Winter is a great time to capture images taking advantage of your camera’s ability to create depth of field effects.

Get close to your subject and use an aperture setting of f2.8 or f4. When you use a wide aperture you achieve a very small depth of field so there will be a small amount of the image in focus and most of it out of focus. This is a great way to turn an otherwise humdrum subject into something a lot more interesting.

Saturday, January 14th, 2012

Winter Photography tips #4 – Capture Reflections

winter  reflections Winter Photography tips #4   Capture Reflections

When you’re looking around a scene for photographic opportunities take the time to look down as well as out and up.

Winter brings with it not only stiller waters but also puddles created by rainfall.

On any day when rain has fallen a wealth of photographic opportunities exist at your feet. Capture a scene in a puddle to get a reflected image with artistic qualities that simply aren’t there when you take a photograph of the object itself.

Tuesday, January 10th, 2012

Winter Photography Tip #3 – get in close

winter photography closeup Winter Photography Tip #3   get in close
Often it is the small things that offer the most creative opportunities in winter photography.

Look for the little things around you such as a drop of water hanging from a leaf, or a steaming cup of cocoa.

To capture small objects use the macro setting on your camera which is indicated by a flower shape icon. Get in close to the item that you want to shoot – your camera’s manual will tell you how close your camera can focus with macro enabled.

Saturday, January 7th, 2012

Winter photography Tip #2 – Grab the Color

color Winter photography Tip #2   Grab the Color

Any splash of colour in a winter scene will show up beautifully and can be the makings of an attractive image.

Look out for things as simple as a blue sky over a snow covered mountain or a skier’s jacket.

The colour will be the first thing that the viewer’s eye will go to in the photograph so make sure to place it in an appropriate position in the shot. Draw an imaginary tic-tack-toe board across your view finder and position the colorful item where two lines intersect to get a more vibrant photograph.

Wednesday, January 4th, 2012

Winter photography tip #1 – B&W

winter1 Winter photography tip #1 – B&W

Most digital SLRs and point and shoot cameras can capture black and white images. Winter is a good time to experiment with this feature because of the general lack of color.

Find and enable this feature on your camera and then head out looking for suitable subjects.

winter2 Winter photography tip #1 – B&W

This early morning scene shows the mystery of the branches lit by a streetlight against the dark predawn sky.

Because you will not be capturing any color from your images, look for a scene that shows the contrast between light and dark elements. You may also find that foggy scenes where everything is not only by nature monochromatic but also biased towards mid tones is a great option for black and white photography.

Another topic which can be rendered interestingly rendered in black and white is texture and repeating elements – the lack of color will enhance the texture and draw attention to the repeating elements.

winter3 Winter photography tip #1 – B&W
In this image the texture and contrast between the rough wood and the metal letters is more apparent when captured in black and white.

Monday, October 10th, 2011

Recover images from a damaged SD card

A friend turned up recently with a curly question. She’d been using a SD card in her point and shoot camera for some time and now the card had stopped functioning. If she put it in her computer she was told to format the disk to use it – sensibly she didn’t do this. However, she was sure she’d lost the shots she’d taken on her recent vacation.

She took the card to a camera store and was quoted $25 to look at the card and then $15 for every 25 pictures recovered from it. Even though she only wanted the most recent images – some 30 or so – she’d have to pay for all the images they recovered. As she had over 1,000 images on the card – the math wasn’t pretty – over $600 to get her images. The shop owner explained the process was time consuming and complex – hence the cost.

For my friend, the thirty or so photos just didn’t justify the expense. Luckily she called by to ask if she should she simply put the disk in the trash or was there an alternative? I grabbed the disk and sent her to get coffee – before she got back I had her images off the damage disk and burned to a DVD.

Here’s what I did:

The program I used is called Zero Assumption Recovery or ZAR. You can find it at www.z-a-recovery.com. I opted for this program because it allows you to recover digital pictures from digital camera memory free of charge – for other uses it is a for fee program.

Start out by downloading an installing the ZAR Recovery software. Insert the damaged disk in the card reader and launch the software. When prompted that antivirus software may impact performance, click to accept the warning and go and disable your antivirus software.

zar photo recovery step1 e1318279846613 Recover images from a damaged SD card

When prompted, click the Image Recovery (Free) option.

zar photo recovery step2 e1318279872614 Recover images from a damaged SD card

The program looks for devices that are installed. This is probably the most confusing portion of the exercise because you’ll need to identify which of the devices in the list is your camera card. It’s not really that difficult and, in my case, Disk 4 shows as an SD card with 1,876 MB of data on it – pretty clearly it is the SD card. Select the disk and click Next.

zar photo recovery step3 e1318279888876 Recover images from a damaged SD card

Wait as the program analyzes the disk. You’ll see a list of the recovered files. In my case I wanted all of them because not only did I not know which images she wanted but this dialog really isn’t the place to start getting fussy about which images you want and which you don’t – it’s simplest to take them all. So click the Root checkbox to select all the images.

zar photo recovery step4 e1318279906688 Recover images from a damaged SD card

Click Next and you can then select the folder into which the recovered files will be placed. Because I selected the Root folder on the SD card these images will all go automatically into a subfolder called Root. Make sure you always recover files onto a disk other than the one they came from – it sounds self-evident but the busted SD card is not the place to put the recovered images.

I left all the options set to their defaults and simply clicked Start Copying the Selected Files. The software copied 1099 files to my hard drive in a few minutes.

zar photo recovery step5 e1318279925339 Recover images from a damaged SD card

Open the folder in Windows Explorer and set it to view thumbnails to see what you have. I found a handful of images were unreadable and a few images were only half full of data with half the image missing but well over 1000 of the files were there and most of those my friend remembers taking on her vacation.

The moral of this post is to never throw out a camera card until you’ve tried to recover the data from it. There is good and free software out there that can do the recovery for you and it isn’t difficult or time-consuming to attempt it yourself. Oh! and don’t format a card if it has images on it that you want to download -  even if your computer prompts you to do so – it’s not being helpful and the results might reduce your chance of recovering your  images.

 

Monday, August 8th, 2011

Port Isaac Cornwall – home of Doc Martin

In spite of some minor hiccups in getting here, I am now in Port Isaac, Cornwall. I’ve walked for miles up hill and down and here are the shots from the first day – click here or click the photo: portisaac1 Port Isaac Cornwall   home of Doc Martin

Monday, August 8th, 2011

Amsterdam – Day 1

Here is a slideshow of images from Day 1 in Amsterdam – click the image or click here to view it:
amsterdam day1 Amsterdam   Day 1

Monday, June 13th, 2011

A tripod that works with you!

tripod3 A tripod that works with you!
I want one of these tripods. No more bending down to look through the viewfinder because it never winds high enough. No more adjusting the camera to change from shooting landscape to portrait.

This tripod works with  you. It does just what you want it to when you want it. It’s on my list for Santa this year, for sure.

P.S. What the heck was this girl thinking? I never once saw the tripod touch the ground. It really was very funny to watch. Here she does another portrait orientation shot with it – notice how she’s rotated the camera to get the tripod in a more accommodating position.

tripod2 A tripod that works with you!

Sunday, June 12th, 2011

Have Patience – it will be rewarded – guaranteed!

paitence rewarded Have Patience   it will be rewarded   guaranteed!

Something I’ve been thinking about lately is patience. The secret to this image isn’t the place although it was pretty cool or the weather – a hundred feet above the buildings are surrounded with grey fog. It isn’t my camera – it’s good but not great or my skills, anyone on Aperture priority sitting where I was would have got the same shot. No! the secret of this one is patience.

I spent about an hour shooting kids playing in 1 inch of water at this fountain. Waiting. Watching. Hoping for something to happen. I found a good location, got comfortable, and waited. I got a lot of good shots but when this kid opened the umbrella I knew I was onto something. I pressed the shutter and kept going – I didn’t stop when I thought I had the shot I just kept shooting. When I got home, the shots I thought were great were good.  This was the winner,this was the shot that keeps me going out every day… looking for magic.

Next time you’re out shooting – be patient. Find a good spot and wait until magic happens for you.

Saturday, June 11th, 2011

When is the art yours and when is it not?

myart e1307824580447 When is the art yours and when is it not?

I’m not talking copyright here but rather, when is a photo about your vision and when it is just recording someone else’s. I think that when you take a photo of something someone else created it’s probably more about the recording process than that the result is truly art. Take this image below – it’s a piece of building art that I photographed but really, beyond placing myself in position to capture the image I didn’t contribute any of my vision to the result.

yourart When is the art yours and when is it not?

However, the image at the top of this post is something else indeed. Here the same piece of art appears but it looks very different. I had to find this image – it was a reflection in the windows of a building across the street. Here I made a creative choice about what I captured and what I left out, where the reflection appeared and how the result would look. I contributed my artist’s vision to the photograph.

Ask yourself next time you’re out photographing – are you recording someone else’s work or creating your own?

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