Learn how to make your own brushes from your photos in Photoshop and a trick to make sure brushes paint correctly with light paint on a dark background and vice versa!
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Complete transcript of video:
Hello, I’m Helen Bradley. Welcome to this video tutorial. In this tutorial I’m going to show you how you can create your own photo brushes in Photoshop, and this works in practically any version of the Photoshop. For the brush that we’re going to create today I’m going to use a photograph. And I shot this in Singapore and we’re going to use this god shape as our brush. So the first thing I need to do is to make my selection. And I’m going to use the Quick Selection Tool because that’s going to work reasonably well here. And what I want to select at this stage is either the statue itself or anything that’s not the statue. And it’s actually going to be easier for me to select the not a statute pieces. So I’m going to start with those. And then I’m going to fine-tune it a little bit because I can see that there are areas here where I have captured part of the statute and not the other bits. So I’m going to add back in the statute bits that I’m missing here by just selecting over these at a bigger zoom. And anything that’s been selected that shouldn’t be selected I can remove. So I’m going to work around this shape and just make sure that everything that should be selected is selected. You can see that there are some missing bits here as well. With the Quick Select Tool I can switch between selecting and not selecting by holding down the Alt key so that effectively reverses the tool that lets me work very quickly through this shape to make sure that I’ve got everything I want and nothing that I don’t want. I’ve got some small problems here. But really the Quick Select Tool does a really good job of making your selection for you. I think I’m just going to remove this bit here. Again, it’s taken too much so we’re just going to go back and just fine-tune around the edges to make sure that we’ve got the bits that we want. So let’s call that done. And let’s just zoom out again. So now I have selected the bits that I don’t want, and I don’t have selected the bits that I do want. So I’m going to choose Select and then Inverse and that’s going to give me my shape. So this is the area that I want to convert into a brush. Now a brush is a grayscale shape, but that’s okay because Photoshop is going to take care of that for us. So to convert this into a brush all I need to do right now is to choose Edit and then Define Brush Preset. And here you can see that the brush preset is created for us. Now I’m a little bit worried because it doesn’t look like there’s quite enough contrast in that. So I might just cancel out for a minute. We might build a little bit more contrast into our brush. Perhaps Levels will help us. And yes it certainly will. Let’s just lighten this. And I’m not worried about the background because I don’t intend using that for the brush. What I am interested in is a little bit more contrast in the shape itself. I don’t mind that I’ve got some black blacks but I do definitely want some contrast and a bit more lightness in this brush. So let’s click Ok and now lets recreate out brush, Edit Define Brush Preset. You can see it looks a bit better now. So I’m going to call this Hindu 1. Now the reason why I’m going to call it Hindu 1 is because I’m going to need Hindu 2 in just a minute. Let’s put that to one side and let’s create a new document. This is 3,000 x 3,000 pixels in size, and I’m just going to flood it with black. Now let’s go and get white paint and go and get our brush. So I’m going to click the brush preset here and go down to the very last brush because that’s my brush, and I’m going to just size it up nice and big and just paint with it. And you can see that the problem is that I’ve got a negative brush. Now that wouldn’t be an issue if we were painting on a white background. So let’s just create a white background. And now let’s go and switch colors, and this time I’m painting with a black brush. And you can see that that’s just fine for a white background but as soon as I try to paint light on dark I have some issues. That’s why I left this image open still because if I invert this I can now create a second brush. So let’s just go back to something that’s not a brush here, and what I’m going to do is invert the image. So I’m going to choose Image Adjustments Invert. And that turns it into a negative of itself. And now if I create a brush from it, I’m going to call this Hindu 2, and click Ok, we’re going to get a very different brush. Let’s go back now, add a new layer, fill it with black, again because black is the foreground color, just Alt Backspace on the PC, Option Delete on the Mac, switch to white as my foreground color, pick up my brush, go and get my new second version brush to size it up nice and big for my image here, and click once. And you can see now I’m getting a positive brush so I have a positive and a negative version of this image that I can use as a brush from now on in Photoshop. There is one thing to be aware of with brushes and that is that you’re going to lose this brush if you reset your Photoshop preferences. So for any brushes once you’ve created them from time to time you should come in here and choose Edit and then Presets and Preset Manager. What you want to do is go to brushes. Although there are presets for everything that you can create in Photoshop go to your Brush. And I’ve got two of them here, actually I’ve got a third one that I created earlier today. So I’m just going to select all three of these brushes and I’m going to save these. And I’m going to call them Helen set. They’re save as ABR files, and I’ll click Save. Now not only are they saved to disk but they’re also now in a format that I could share with others. So there you have photographic brushes in Photoshop. Don’t forget to make a positive and a negative one so that you can paint with any color on any color background in future. I’m Helen Bradley. Thank you for joining me for this Photoshop video. Look out for more of my video training on this YouTube channel.
Learn how to create a half drop repeating pattern in Photoshop. Also see how to fill a layer with a pattern and how to scale a pattern in Photoshop.
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Complete transcript from video:
Hello, I’m Helen Bradley. Welcome to this video tutorial. Today I’m going to show you how to create half-drop repeating patterns in Photoshop. To create a repeating pattern I’m just going to create a new document of a fixed size. So I’m going to make mine 100 x 100 pixels in size, RGB color with a transparent background and I’ll click Ok. I’m going to zoom in here so we can see it a little more clearly on the screen. And I’m going to use a path for mine but you could start with anything you like at all. And I’m just going to click and drag and then click and drag in this direction because I want to make a sort of boomerang shape and click back over the starting point. Now I’m going to select my Direct Selection Tool, click on this point because I want to adjust it and Alt drag to split these two handles from each other, Alt drag again so that I can create this sort of boomerang shape. And I’m thinking that that looks pretty good. So now I’m going to turn this path into a selection by clicking here on the Load Path as Selection. I’m going to display my Layers palette so we can see what’s going on here. I have a color already selected so I’m just going to Alt Backspace Option Delete on the Mac to fill this shape with my color. Now I’m thinking I would like a stroke around this as well so I’m just going to stroke it. I could stroke it from the work path but it’s easier just to stroke this selection. So I’ll choose Edit and then Stroke and then let’s select a darker version of this color for the stroke. And we’ll stroke it in the center. And we’ll stroke it by 2 pixels and just click Ok. So there’s my shape and now I can deselect my selection using Ctrl D or Command D on the Mac. So now I have my shape I’m ready to create my half-drop repeat. To create a half drop repeat I have to break this up into four pieces and put it in the corners of the image. Luckily Photoshop can do that for me. So I’m going to start by making a duplicate of this layer and I do that by dragging and dropping it onto the New Layer icon. So I now have two copies of the image. I’m going to turn off the background copy so I have only the top version visible. And now I’m going to choose a filter that’s going to do all the splitting work for me, Filter Other Offset. And the offset filter will break the shape up for me. All I need to do is to tell it what half the distance is of the vertical and horizontal size of this image. Now I set up my image to be 100 pixels by 100 so half of that is 50 x 50. And all I need to do is type 50 and 50 into these boxes. And you can see that Photoshop has now broken this image up into the required pieces. I set the undefined areas to wrap around and just click Ok. And there is the breakup for my half drop repeat. And all I need to do now is to drop this middle shape back into position. And this is exactly the pattern I need for a half drop repeat. So I’m going to choose Select All and then Edit Define Pattern. And I’m just going to click Ok. I could call it something if I want to. I’m not going to bother at this stage. Let’s hide this. And now let’s create an image with that half drop repeats in it. So I’m just going to get rid of these tools over here and let’s create a brand new image File New. Let’s choose a US paper, let’s do it letter size. But I’m going to do it landscape. No background, we’ll just do a transparent background and click Ok. And here’s our image that we’re now going to fill with our half-drop repeat. And we do that using Edit Fill. And here we have in the Fill dialog the option of choosing a Pattern. And your pattern is always going to be the very last one in the list. It’s the last one because you just created it and click Ok. And here’s our half-drop repeat. Now I’m just going to drop a layer in behind this and we’ll fill it with white so I’ll just make white my foreground color, Alt Backspace or Option Delete on the Mac. And there we have our shape filled with our half drop repeating pattern. Now if that’s not the half drop repeat that you wanted but it’s too small or too large we could use a different way of doing this. I’m going to choose Layer New Fill Layer Pattern. I’m going to create it just as pattern fill layer, just click Ok. And now what we’re doing is we’re filling it with our pattern. But since we decided our pattern was either too small or too large, let’s say it was too small, we can now scale it up to 200 percent by typing 200 percent in here and click Ok. And now we have a pattern that is much larger than the original. So there are different options that you have for using your half-drop repeat pattern once you’ve created it in Photoshop.
Hello, I’m Helen Bradley. Welcome to this video tutorial. In this video I’m going to show you have to recolor spirals in Illustrator and we’re going to do it the easy way. Before we start this tutorial I want to show you what we’re going to end up with. I have a shape here that I have been creating in the last few video tutorials. And I’ve showed you how to turn an oval and a circle into a shape like this using Pucker and Bloat and then Transform. And in this video tutorial I’m going to show you how we can recolor this shape. It may not be easy to see unless I point it out but this basic shape actually has a gradient fill in it. It’s a yellow to orange gradient. But the center of each of these flowers is colored orange. And some of these petals have been individually colored with solid colors. And I’m going to show you how you can create not only this Gradient Fill effect but also isolate different areas in this shape to apply different effects to them. So let’s get started. And here I have the basic shape that we’re going to work on. The trick with working with a shape like this spiral here which hasn’t been expanded so right now if I affect the colors on this particular shape I’m going to affect the colors in the entire spiral. The trick is being able to isolate the component parts. We’re going to start by applying our gradient. So I’m going to select the foreground fill and click Gradient. I’m actually going to select one of the built in gradients and we’re going to use orange to yellow gradient. Now it’s not working particularly well. But that’s fine because I’m just going to hide that dialog and go back to the Gradient Tool because now I can drag over the shape to apply the gradient the way I want it to be. If I drag from the outside across the shape the inside of the spiral becomes red and the outside is yellow. If I go the other way the outside of the spiral is red and the inside is yellow. And I just need to pick exactly what I want this shape to be. And by dragging smaller gradients I can affect more of the shape with red and less with yellow or drag the other way to add more yellow and less red. So I’m just going to find a sort of good intermediate position and call that good. The next thing I want to do is to isolate the middle of the shape and then isolate some of these petals. The easiest way to do that is to go to Window and then Layers. Now you may find that the Layers palette is a little bit confusing but it’s actually going to help us a lot here. So this is our main layer and it contains a group and the group has lots of little bits in it. So I’m just going to click these fly out menus so that I can see exactly what’s in my shape. And the thing I’m interested in right now is this bit because it’s the bit in the middle of my flower. So if I click this icon here I’ve isolated just that middle shape. And now I can fill it with whatever I like. So I’m going to choose green because it’s going to be really obvious that it’s happening. And this color is changing throughout the entire shape. Now I can isolate individual bits of my shape so I can select for example this piece here. And this is going to be this object. So I could apply a solid fill to it. I could also apply a gradient fill if I wanted to but I just want to isolate a few of these petals and just change their colors. Let’s have a look at this one. This is two around the path and that’s a good area for me to affect. I’m going to make that blue. And let’s have a look and see which this one is. It’s again two more around and I’m going to make it red. And now that I’ve finished with my layers I can just hide it. And let’s just click outside the shape and this is what we came to do. You can see that we have our gradient fill across the flower. The center of the shape is green and some of these petals have been refilled with solid colors. In future if I want to affect this shape I’m now going to have to be a little bit more discreet. If I want to affect my gradient I can come back in here, target my shape, go back to Window and then Layers and this time I’m going to hide the pieces that I don’t want to affect. So I’m going to hide the blue and the red and the green pieces. Now I have selected only the objects that are filled with the gradient fill. And now I can go back and grab my Gradient Tool and try and build up a different gradient effect for the image. I could even change the entire gradient, change the colors in it. And then when I’m ready to go back I can just redisplay these other pieces so that they are now visible. But you can see that because they weren’t visible when we applied the gradient they’re not actually being affected by it. So there we have our recolored shape. I hope you’ve enjoyed this video tutorial. I’m Helen Bradley. Look out for more of my Illustrator tutorials on this YouTube channel.
Learn how to make spirals in Illustrator using the Transform Effect. This is part 2 of a series of tutorials on making shapes in Illustrator, making spirals from them and then coloring them.
Hello, I’m Helen Bradley. Welcome to this video tutorial. Today I’m going to show you how to make spirals in Illustrator the easy way. Before we go ahead and make a spiral I want to show you exactly what it is that we’re going to be doing. Here I have a basic shape in Illustrator. I’m just going to show you this shape that I started off with. That’s this one here. I created it in an earlier video. And what I’ve done is taken the shape and created a spiral from it. And it’s very, very easy to do. So let’s go. I’ve got a brand new document here with my shape on it and we’re going to create a spiral. So I’m going to select my shape and choose Effect and then Distort and Transform. And we’re choosing Transform. Transform Effect allows us to do all sorts of things with our shape and we’re going to do quite a lot of the things that we have available to us in this dialogue. The first thing is I’m going to turn preview on so we can see it as we work. And because we want a spiral shape we want some additional copies of this shape and so I’m going to type in here 20 copies. So right now we have 20 copies of this shape but we can’t see them because they’re all stacked on top of each other. So we’re going to start by rotating them. And let’s rotate them through about 30 degrees. Let’s just type in 30. And as you can see already we have something happening. What we’ve got is 20 shapes each rotated by 30 degrees which has given us a something. Now we could stop at this point if we get exactly what we want, but since we came here to do a spiral this is only halfway there. The next thing I’m going to do because my spiral is actually a series of shapes which all have some movement in them I’m actually going to move these 20 copies. And I’m going to move each of them around 24 pixels horizontally and vertically. And what that’s going to give me is something sort of spiral like. We’re almost getting to where we want to be. My next step with my spiral is I would like things to get smaller as we go so I’m going to scale these in a negative direction. I’m going to reduce the size of them to 85 percent of what they were in the first place. So I’m just going to type 85 here and 85 here, and so each successive shape is 85 percent of the size of the one before. Now I think this is going to be all right but I need to do a couple of things to make this spiral look a bit better. Right now the shapes or the copies are rotating and coming out from the center of this original shape. If I change the location I’m going to get a spiral that’s a little bit more offset. The locations that are of more interest to me are anything that is sort of away from the original shape. So any of these would be just fine. I am however quite liking this one because that’s giving me a nice spiral shape. So there’s a spiral shape. One of the options I have selected already and that would make a big difference is this Scale Strokes and Effects. As you can see here I have a really strong, very wide stroke around my shape to begin with. And if I don’t do Scale Stroke and Effects than everything is going to have a 4 to 5 pixel stroke around it. And it’s very heavy when the shapes become very small. If I scale a Stroke and Effects then each of these little shapes has a much smaller stroke around it. Now there are other options such as Reflect Y or Reflect X. This is Reflect X by itself. This is Reflect Y by itself. This is Reflect X and Y. And you can see that we’re getting a sort of different spiral but certainly everything is going around and it’s getting smaller in the middle. That would be an option that you could choose. Once you’ve got the spiral that you want you can go ahead and just click Ok. So this is what we’ve come to. This is our shape. The spiral shape that we’ve created now it’s all based around this original image so if I click and drag on it with the Move tool I can move it into position. So don’t worry as you’re creating your spiral if it goes off the edge of the art board because you can bring it all back in later on because it’s all just attached to this one original shape. Of course if we want to treat it as an entire shape so that the whole spiral becomes the shape then we would just select Object and then Expand Appearance. You can see now that that our shape is in actual fact everything here. So all of these little nodes are editable. So we could come in later on with for example the A tool, the Path Selection tool and we could start working on these areas if we want to do something a little bit different with it. And we would need to expand its appearance to have access to these nodes or these anchors on our lines. But there’s the basics of drawing a spiral in Illustrator. Thank you for joining me. I’m Helen Bradley. You’ll find more of my Illustrator videos on this YouTube channel.
Convert an image into vectors using Live Trace in Illustrator and then paint it using Illustrator Live Paint feature.
The Complete text from this video:
Hello, I’m Helen Bradley. Welcome to this video tutorial. In this tutorial we’re taking an image that we already prepared inside Photoshop and we’re going to use it with the Live Paint tool in Illustrator to color the image. If you haven’t previously seen the Photoshop video and if you’re not sure how to isolate and prepare an image of the kind that we’re way using in this tutorial you may want to watch that one first. But here we’re going to open up our image in Illustrator, trace it and then use Live Paint. To work on the image that we’ve already pre-prepared in Photoshop I’ve created a brand new portrait size image. I’ll choose File and Place and we’re going to bring in the isolated bathing box image that we worked on in Photoshop and we’re going to trace this. But one of the things that you can do in earlier versions of Illustrator that you can’t to do in this version is actually blur the image at the same time as tracing it. And I think this image would be helped if I blurred it a little bit before I actually trace it so I’m going to choose Effect Blur and apply a Gaussian blur to it. And I’ve experimented and about a 3 pixel blur is pretty good for this image so I’m going to click Ok. And what this does is blur some of the noise so I’m going to get a chunkier tracing result. So I’m going to click Image Trace. The initial result is not very spectacular but I’m going to click here for the Image Trace Panel and I’m going to make some additional selections which is going to improve my tracing. But I’m going to start by turning off my preview. I’m going to select Color and I’m going to set this to, for example, six colors. I’m going to set up a low paths and corners setting so that we get chunkier pieces in our image and I’m going to increase the noise reduction to 100 pixels. I’m going to ask to ignore white. I’m going to click either preview or trace. Preview would let me see see these options in place to see if I like it. I know I’m going to like it so I’m just going to click Trace to get all the way there right now. And now we’re done. I’m going to expand this by clicking Expand and now we’ve got an expanded image. I’m also going to ungroup it with Object Ungroup. I’m going to make sure that there is no white in this image. And their actually is white behind it so I’ve actually now selected the white and I’m just going to press Delete to remove it. So now all that’s left in my image is not white so it’s all colored so I’m going to regroup it. And I’m going to convert this for Live Paint so I’m going to choose Object and then Live Paint Make And this converts the object so that I can use the Live Paint tool on it. So let’s go and get our tools. And this is the Live Paint tool here. It shares a toolbar position with the shape builder tool and its letter is K so that might help you to find it a little more easily in future. Now we need our swatches so I’m just going to make sure that my Swatches are visible here. Nope, they’re not, so let’s go and get. Here they are. And I would like to get a special swatch to use here so I’m going to go find some Kuler colors. I’ll choose Window Extensions and then choose Kuler. I already have some Kuler summer colors here so I’m going to select a color combination here that is reminiscent of summer and that will look good on my image. I’m going to choose something that’s quite a ways from the image we already have so let’s choose iGadgets. I’m going to click here and add it to the Swatches panel. That puts it in my swatches so I can now use it. With the Live Paint Bucket tool selected I can click on a color here in this Kuler swatch here and and now watch as I hold my mouse over the image. The areas that are colored in this salmon pink are the areas in which I’m going to be dropping that blue color in. This is my selected color and blue is over the cursor so if I click here we’re going to start painting in blue. The color purple is to one side of the blue and the color yellow is to the other side and you can see them here on the screen on my cursor. If I want to change to use the purple I can just use the left arrow key and start painting now with purple, dropping purple in wherever I want it to be. And if I want to change and paint with a different color such as that green then I can go back over with the right arrow key and drop that into a different position and then perhaps go to the orange and drop that in and even the red. So I can go all the way around this color swatch and if I go all the way around I’m just coming back to the exact same color. So let’s go to red. I’m just going to circle around these colors. Now in some cases you may want to go for something a little bit different so you may want to bring in a color that’s not in the current color scheme here. And we can do that too. So let’s go and get another color. Let’s say that we want to add to this particular color scheme a sort of well let’s go and get some color we don’t already have, say this green here. So I’m going to click on that green and now I’m working in this area of the palette. So now I can add that green to my image. And if I press the left and right arrow keys I’m going to move around the colors in this part of the swatch, no longer in this part. So I’m going to call this good for now so let’s just say that we’re going to use this image. So I’m going back to my Selection Tool. Now the fact that we’ve used Live Paint on this image doesn’t preclude us from doing other things that we’re used to being able to do. I’m going to select the image and I’m going to make a new color group from it. I’m going to choose Selected Artwork and I’m going to include swatches for tints. So these are all the colors that I’ve been using in this image so far. Now with this selected I can click the Edit or Apply Color Group option. I’m just going to move my image out of the way a little bit so that we can see it as we’re working. And the same options that are available to us when we’ve been in this dialog before are still available. I can use this option to rotate around the colors that we have so we’re remapping the colors. What was pink is now some other color within our fixed color scheme. We can also use this one to randomly change saturation and brightness, again within the same colors and we can use edit. And this allows us to move the colors around to make them more pastel, to make them more saturated. And we can even unlock the colors to then apply different colors to our image by just dragging these colors around. And if we get something that we like and that’s not what I’ve got here but let’s say that we like it I’m going to click to create a New Color Group from it and then click Ok. And this is the new swatch for my image. So there we’ve used Live Paint to paint a traced image in Illustrator and all of shapes remain vector objects in Illustrator.
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Learn how to use Photoshop to prepare an image for tracing and painting in Illustrator with Live Paint. Shows how to make a selection on an image, how to use the Refine selection tools to refine a selection then how to convert the selection to a mask. See how to paint on the mask to fine tune the selection. See how to touch up the image to remove white by painting over it and then how to flatten and save the image as a jpg file to take into Illustrator.
The full text from the video:
Hello, I’m Helen Bradley. Welcome to this video tutorial. This video tutorial is part of a series and it’s involving using Live Paint in Illustrator. But we’re going to start in Photoshop because what we’re going to do in Photoshop is to isolate the image and get it all ready to take to Illustrator where we can trace it and apply live Paint to it. In a minute we’re going to take the image of this bathing box into Illustrator and recolor it using live paint. But before we do there’s a fair bit of work that we can do on this image to prepare it in Photoshop. The first thing I’m going to solve is the fact that this image is crooked so I’m going to select the Ruler tool. And from experimentation I already know that this image is going to look better if I straighten it based on the horizontal lines in the image so I’m just going to select that horizontal line and click Straighten Layer. And the image is now straightened and I can just crop it to get rid of the worst of the excess. The next thing I’m going to do is to isolate this bathing box. And to do that I’m going to start with the quick Selection tool because it’s just a very easy tool to use. I’m just going to click and draw on the image. And you can see that it’s jumped a little bit and gone in places that I didn’t want it to go and it hasn’t gone in places that I do want it to go. So I’m just going to drag over the bits that I want to expand it into. And in the places that I don’t want it to be I’m just going to hold the Alt or Option key down to turn it into an eraser so that we’re erasing that area from our selection. That’s a pretty good selection so I’m going to sit with that right now and choose Select and then Refine Edge because this allows me to refine the edge. I’ve got a few problems down this edge here and this edge here and there’s a bit of an issue where the tree line was. So I’m going to have Photoshop have a better look at this image and I’m going to choose the Refine Radius tool. At the moment I’m viewing the selection against white but I could see it as a black and white image. I could see it on black. That’s not actually helping me a lot. I could see overlay or marching ants. But I’m pretty happy with on white. I’m just not totally happy with my selection so I’m going to paint over the areas that I think Photoshop needs to have a better look at. And it needs to have a better look at there although that wasn’t a particularly good result so I’m just going to Ctrl Z to undo that fix and see if I can do a better selection. I think there’s a bit of a fix needed there and a bit of a fix needed down this edge here as well. It wasn’t a very good line so we’ll just undo it and try again. And this is particularly useful when Photoshop hasn’t done the best of selections. You can get it to fine-tune that selection and see if it can do a little better job. I’m relatively happy with that but I’m going to see if contrast will help me. And it seems to firm up that edge a little bit so I’m going to apply some contrast and I could see if radius is going to help. Virtually what I’m looking for here is a pretty good selection that I don’t have to do much with in a minute. I’m going to output to a New Layer with Layer Mask because that will give me a bit of flexibility and I’ll just click Ok. This is now a new layer in the image. It has a layer mask on it. I can zoom into any areas that need some more fixing such as this corner here. I’m going to bring in my tools, select the letter D for default colors, select a brush, I’ve got a fairly hard edge brush, make sure I’m painting onto the mask itself and just paint out any of these areas that I think need fixing. If I want to paint in white I’ll just press the letter X to bring that color back in and press X again to remove the color. And I’m just going to tidy up a couple of little bits here. I want to paint with white. I’m going to click and then Shift Click to paint a line to bring in this roof a little bit better. I’ll just zoom out again and just check around the image to make sure that everything is looking pretty good. I’m still not convinced that this image is straight but we’ll worry about that in just a second. I’m going to add a new blank layer to this image and I’ll press Ctrl Alt Shift E, that’s Option Shift Command E on the Mac, and that will give me the isolated image on its own layer. Now I can straighten it again if I think it needs a bit of straightening. I’m still convinced this is crooked so let’s see if this fixes it. We’ll just straighten this layer. That looks a little better to me. And I’m just going to apply an adjustment to this layer. I’m going to use Levels because this image is extremely dark and it will behoove us to lighten it a little bit before we head to Illustrator. So I’m just going to fix it a little bit. What I am a little concerned about here is these white areas so let’s just click Ok and let’s zoom into those white areas. And I’m going to select these with the Quick Selection Tool or with the magic Wand. Actually I’m thinking Magic Wand will be better here so let’s get the magic wand. It’s got a tolerance of 30. I’m just going to click on that area, click on this line here, this bit here, and there’s another bit over here. I need to Shift Click on those because they’re not being added automatically. Let’s just add them automatically so we don’t have to keep holding the Shift key down. Now that I’ve got those all selected I’m going to enlarge the selection a little bit because it’s a little on the small side. I’ll choose Select Modify Expand and Expand it by just 2 pixels. Now I’m going to add a new layer to this image, go and grab my paintbrush, I’m going to Alt Click on some paint that I’m going to copy and now I’m just going to paint over these areas on a brand new layer. Now this is just flat paint going in but that doesn’t matter because that’s just going to fix this area for us. And now I can select a blend mode and I’m thinking that darker color will be a good one, that we’ll only use the green when it is in fact a darker color. And I can just drag down the opacity of this layer a little bit too because it was a lighter area of the image. But I don’t want it be pure white because I just don’t want white in my image when I get to Illustrator. So Ctrl D to deselect the selection. And let’s just zoom out again. And that’s my finished image and it’s ready now to head to Illustrator to actually do something about recoloring the image. This is the image that we started off with here and this is the one that we’ve ended up with here. So I’m going to save this, choose File, Save As and I’m going to save it as a JPG image. And then we’ll come back in a next video in Illustrator and do something with this image.
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Learn how to selectively recolor a portion of an image using the Hue/Saturation adjustment layer and to do so without having to make a complex timeconsuming selection to do so.
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