Thursday, June 6th, 2013

Photoshop – Line Drawing Techniques for Maps

Learn how to create uneven lines that look hand drawn to use for cartography and other uses in Photoshop. Make use of Hue/Saturation adjustment to add vintage color, use brushes to create a pattern for the lines. Also, show how to render lines in black and white without any shades of grey and, lastly, how to distort them slightly. This video also shows how to add shadow around land mass and multiple lines of edging for a land mass.

Transcript:
Hello, I’m Helen Bradley. Welcome to this video tutorial. In this tutorial I’m going to show you some line drawing techniques for creating maps in Photoshop. In this video I’m going to show you how you can create the effect that we have here around the edge of this chart. We’re going to draw the edge. We’re going to add this shading and also create these lines so that we can see how this could be created. The pattern in the middle is just a very simple pattern fill. We won’t be covering that, but we’ll be covering everything else in this video tutorial.

So to get started I’m going to start with a new image. And I’m going to choose File and then New. And I’m going to create a very tall image. So it’s going to be 2,000 pixels tall, RGB color. Background contents of white is just fine, so I’ll just click Ok to create that image.

And what I want to do first of all is to create these lines. And we’re going to do that using a paintbrush. So I’m going to click on the paintbrush and let’s select a brush to use. And what I want is something relatively small so I’m going to start with something like this 4 pixel brush. And then I’m going to choose Window and then Brush to open this brushes panel here. And what I want to do is to set up the brush so it’s going to paint the lines for me. So first of all I’m going to adjust the spacing so that there’s increased spacing between the brush tips. And I’m going to leave the size at about 4 pixels. Then I’m going to shape dynamics because I want the size of the brush to vary.

So I’m going to increase this quite a bit so we start seeing that there’s some variety in the brush here. Minimum diameter I don’t want to change at all. And that’s pretty much all I need to do with the brush right now. And then I’m going to test it. So I’m going to make sure that I have black set as my background or foreground color, which it is here. And then I’m going to click with my brush here and I’m going to Shift click at the bottom because that will create a straight line of brush strokes. And let’s just have a look in here a bit closer at this.

You can see that we now have this sort of dotted line which is different varieties of line. Now if that’s not quite what I want I can just zoom out and we can start again. So I’m just going to undo the brush and perhaps we’ll go back and make the brush just a little bit bigger than it was. So let’s go to brush tip shape, increase the size just a little bit, and perhaps bring down the size jitter or up the minimum diameter so that we haven’t got quite so much variety in our brushes. I’m going to click here and then Shift click to finish my brush stroke.

Now what I want is a sampling of this. So I’m going to use this tool here which is the single column marquee tool, one of the few times you will ever find a need for this particular tool. I’m going to zoom in here so that I can see exactly what I’m selecting and I’m just going to click to select a single line through this image. Now that’s not the world’s best. So let’s just try again. My brush stroke is not completely vertical so that’s causing me some problems here. Let’s start this again. I’m going to click here, and again let’s Shift click to create a straight line. And let’s see if that’s a bit straighter. That will be when we click just to one side of it. So that’s going all the way through the dot.

So I’m just going to choose Edit and then Define Pattern because this is going to be a pattern. And it will be just this dashed line as our pattern so I’ll click Ok. I can now close this image because I don’t need it any longer. And let’s see how our pattern will work.

I’m going to create a new document, this time 2,000 by 2,000 pixels in size. And this time I’m going to fill it. So I’m going to choose Edit and then Fill. And I’m going to fill it with a pattern. So I’m going to select Pattern. And the very last pattern in this container here will be the pattern we’ve just created so I’ll click Ok. And there are our lines. And that’s a starter for our map.

Now with our lines we can make these bigger. So I’ve got a background layer here but I can click to make it into a regular layer. And we can just enlarge this. So if we want larger lines all we need to do is to just drag up and down on this to just make the lines a whole lot wider than they are. And because they’re lines we can just size everything like this.

If you want to make sure that that there are no gray areas to the lines, as you can see they’ve got slightly fuzzy sides here, just use Image and then Adjustments and then Threshold. And that just makes the lines black and white. They’re pure black and white now. And if you want a bit of variety, Edit, Transform and then Warp. And you can just adjust the lines with a little bit more of a curve or something through them so that they look a little less like they’re straight lines and perhaps a little bit more hand-drawn feel about them, Ok. Now let’s add our map part.

So I’m just going to grab the Lasso tool and for this exercise just draw a very wiggly sort of coastline that we’re going to use for our map. And white is my foreground color so I’m going to Alt Backspace, Option Delete on the Mac, to fill this with white. Now I want an edge around here so I’m going to choose Edit and then Stroke. And I’m going to stroke the edge with black. I’m just going to get all my tools over on this screen. So I’m going to select Black. And I’m going to make this a 6 pixel to begin with. And it’s going to be on the inside of this shape so I’ll just click Ok. And there’s our 6 pixel stroke.

Now I’m going to bring in this size. So I’m going to choose Select, Modify, Contract and I’m going to contract this by 10 pixels because I think that will be enough and then add another stroke. So again, Edit, Stroke. And this time I’m going to just use a 3 pixel stroke, but again on the inside. And then we’ll repeat that again, Select, Modify, Contract by 10 pixels and then repeat the stroke, Edit, Stroke and just click Ok. And then when I press Ctrl D you’ll see that we have the edges around here. But I’m actually just going to undo that Deselect right now because I have another piece to go in here.

What I want to do is to fill this shape with the grass so I have that as a pattern. So I’m going to choose Edit and then Fill, and again still pattern but here is my grass pattern here that I created earlier. And I’m just going to fill it with the grass pattern. Now we’re going to see how to create the shading around the edge. So I’m going to deselect the selection. I’m going to make sure I’m selected on the land, which is where the shading is to go, and I’m going to choose the Add Layer Style button here. And we’re going to choose an outer glow.

Now outer glow sounds like it should add some lightness around the edge but we can use it to add darkness. All we’re going to do is to select a dark color. Well we’ll stick with black right now. Now we can’t use screen as our blend mode. We’ll have to use something that will darken. So we’re going to choose multiply. And we’re going to set this if we want it to be full strength at 100 percent opacity. And we can adjust the size which is really the feathering around here. And the spread is how big it is. It would sound better to me if spread were really the feathering and size was the actual size. But that’s what you’re going to use.

So I’ll just click Ok. And now if we want to add this sort of sepia tone to the image, I’m going to make sure I have the image selected, and we’re going to do that with the hue/saturation adjustment layer, Layer, New Adjustment Layer, Hue/Saturation, click Ok. We’re going to select Colorized because we want to colorize this. And then we’re going to go and pick up our sort of brown color, increase the saturation and adjust the lightness. And you’re just looking for that sort of effect that is going to say vintage map to you. So I’m probably just going to select that for now.

And then I would finish off by cropping my image. We probably don’t need quite as much sea visible. In my image I have a one to one crop set here. That’s why it’s behaving a bit strangely. And there is our final result.

We’ve created lines using a brush in Photoshop. They’re all different size lines and we’ve created this sort of effect of an old-fashioned map. And actually if I just drag this adjustment layer up over the top of the fill we’ll really get that look of a vintage map.

I’m Helen Bradley. Thank you for joining me for this video tutorial. Look out for more of my Photoshop tutorials on this YouTube channel. Subscribe to the channel. If you enjoyed it please comment and like this video. You’ll find more videos, tips, tricks and tutorials at my website at projectwoman.com.

Helen Bradley

Tuesday, April 9th, 2013

Illustrator – Creating Halftones with Hearts

Learn how to make half tone effects with hearts (instead of dots), in Illustrator. Uses the Blend and the Transform tools for this effect. This is part 1 of a two part series on halftone hearts.

Transcript:
Hello, I’m Helen Bradley. Welcome to this video tutorial. In this tutorial I’m going to show you how you can make halftone hearts in Illustrator.

Before we get started creating our halftone heart effect let’s see what it is that we’re aiming for. And this is the effect that we’re going to create by the end of this video tutorial. And if you look at the link below for the next video tutorial in this series I’m going to show you have to create this effect and this one too.

Click Here to View Part 2

But for now let’s get started on this effect. I’m going to create a new file by choosing File and then New and click Ok. I’m going to view my rulers so that I can drag a guide in that I will use as a guide for drawing my shape. I’m going to grab the Pen tool. I’ll click and drag on the guide. I’m going to add a curve over here, another one here, and one finally back here down on the guide. And I’m just going to Ctrl click outside to disable that Pen tool. And here is my shape. And obviously I need to do something with it before we go any further.

I’m just going to adjust these points so that we get something looking a little bit more like a heart shape. I’m going to get rid of my guides so I’m just going to clear my guide. And let’s go back over, select this shape and let’s give it a stroke. So with the shape selected I’m going to give it a pink stroke, and I’m just going to make that a bit of a larger stroke so we can see it clearly. To flip this shape to make the rest of my heart I’m going to first select the shape and then I’m going to click the Reflect tool which shares a toolbar position with the Rotate tool.

The first thing to do with this tool is to click on the anchor point across which you want to flip it. So that’s going to be either this top point here or this one here. It doesn’t matter which. I’m going to Alt click on it. Now I’m getting that reflected shape sort of across the vertical access and all I want to do is to click Copy to make that a heart shape. And now I’m going to join it together by selecting it and choose Object Path Join. And here is now my heart shape.

Now I want to size this down a bit. Actually I’m going to scale it in proportion. And I’m going to make a duplicate of it so I’m going to hold it as I drag a duplicate away. And I just want to tuck this duplicate out of the way for the minute. I don’t want it around but I’m but I’m going to need it a bit later on. So let’s go and select this one and let’s size it down to be the starting point for our halftone heart. So I’m just going to fill this with pink. And I want another duplicate of this so I’m just going to Alt drag a duplicate away. And this is going to be the top one of my hearts. And I want these to line up, although right now is not the time to line them up. I’m going to size it down first of all. So this is going to be my little heart. This is going to be my big heart. And now I’m going to place it in position.

So I want these to align perfectly to their mid lines. They’re not doing that right now. There we are. This is the line that I want. I want to make sure that they’re perfectly aligned so that the point of this heart lines up with the point of this one. And I’m going to change the color so this one I’m going to make quite a sort of dark crimson color. Only I wanted that for its fill and not its stroke. So we’ve got a dark large heart and a very pale pink small one. What we’re going to do now is to blend these two shapes together so we’re going to blend the little and the big heart together. So we’re going to use the Blend tool here on the toolbar. So I’m going to select it and then I’m going to click on the first of the shapes and click on the second. And that blends these two shapes together.

Well it does such a good job that it looks nothing like what it is that we really want. So I’m going to double click the Blend tool to open the Blend options dialog. First of all I’m going to enable Preview and I don’t really want Smooth Color. I want Specified Steps. At the moment there are 127 steps to blend these two shapes and colors together. And I don’t want that. I want to actually see the shapes. So I’m thinking I’m going to start with something like 25 steps and see how that looks. That’s pretty good. Probably let’s just try down to 20 on this one. The other thing that you can do is you can also use Specify Distance as well as Smooth Color. So we don’t want Smooth Color. We definitely want to see these shapes. And we can either go with steps or distance. But I think that’s pretty good so I’m going to click Ok to accept that.

So now we’ve got the first of our lines of hearts and we just want the rest. And we get the rest with a Transform effect. So I’m going to click Effects and then choose Distort and Transform and we’re going to choose Transform. And here’s the Transform dialog. Again I always want to click on Preview so I can see what’s happening here. And let’s do 15 copies. And what I want to do is to make each copy a little bit to the side of this one. So I’m just going to choose Horizontal Move here. And I’m going to move these apart until they are looking like what I want them to look like. Now I quite like that but I think I don’t have enough copies. So I’m going for 25. What I want here is I want these hearts to run into each other. I made it so that the ones would run into each other in the vertical direction. And I want these in the horizontal direction also to run into each other so that I get this final effect. So I’m just going to click Ok.

And there is my effect that we came here looking for. This is a halftone set of hearts. And they vary from light at the top, very small too dark at the bottom. And if we want to create these so that we can work with them we’ll expand them. So with this line selected I’m going to choose Object and then just Expand Appearance. And these are now grouped but their appearance is expanded so we can work on them a little more time. Here is the Link on working

Click Here to View Part 2

Helen Bradley

Thursday, March 28th, 2013

Photoshop – Create Fractal Trees online for your Collage

Learn to use recursivedrawing.com to create a fractal tree that you can then use in a Photoshop collage. This video shows you step by step how to create the fractal tree and then how to copy and paste it into a Photoshop collage. Also, how to blend it seamlessly into the collage document.

Transcript:
Hello, I’m Helen Bradley. Welcome to this video tutorial. In this tutorial I’m going to show you how you can create fractal trees online that you can then use in collages and other images in Photoshop. This is the kind of recursive tree that we’re going to draw. And one of the benefits of this is that we can grab it and use it in a Photoshop image.

So let’s have a look and see how it’s put together. It’s put together with a single rectangle that’s a long rectangle and then we’re just going to draw it as a fractal tree. So I’m just going to click down here, this plus sign, to get started with a new image and let’s start with our first tree.

To create a tree we’re going to start with a rectangle or square and drag it to make a nice long thin rectangle which is going to be the trunk of the tree. And I’ll just place it in position at the bottom here. Then I’m going to go and drag this element which is the element I just created but this time I’ve got multiple versions of it. I’m going to push it so that I make this sort of recursive element.

Now it is really easy for this tree to get away from you. And if it does just stop it and just go and start again until you get really used to the tool and what it’s going to do it because it can behave really, really recursive and go everywhere really, really quickly. So I’ve now got that part of the tree. Now I’m going to go and grab the tree back again because I want it in here. And this is usually where if I’m going to lose it I’ll lose it at this point. But let’s call that good for our tree because that actually is quite a good tree. You’ll watch it until it’s finished drawing and when it’s finished drawing you won’t see any more changes around the edges.

So this is looking pretty good to me so I’m going to press the Print Screen key to take a screen print of it. And now I’m going to launch Photoshop. In Photoshop you can see I’ve already got a few trees hanging around. I’m going to choose File and then New and then click Ok because that is an image now the size of my clipboard. So all I have to do is do Edit Paste. And here is my tree.

So the first thing I’m going to do is make a selection around the tree itself and then I’m going to choose Select Inverse so the rest of the image is selected and I’m going to delete it just to get rid of it. I’m also going to get rid of the background layer so all I have right now is the tree itself. I’m going to select the magic wand tool and I can just click on the white and just press Delete and that will get rid of all the elements except the tree itself. And at this point I can just crop it down to size.

Now I would save it at this point because that means I’ve got a tree then I can use in anything in future. Now I have a texture image here and it’s a pretty big texture. And this image is pretty small so I’m probably just going to reduce the size of this down say 50 percent so that our tree is going to look a little bit better on it. With the texture image and the tree image both visible I’m just going to drag the layer of my tree image onto my texture. And here it is. I’m just going to make sure that I move the tree and not the background.

Now if you find that there’s a little bit of haloing around the edges of your tree so if you brought in a little bit of white that you want to get rid of you can do so. And the easiest thing probably is just to set this blend mode to darken because what that does is the white pieces on the tree anything that was a sort of legacy piece of white isn’t going to be brought in because it’s going to be lighter than the background.

So there are all sorts of trees that you can create using that tool. You can be successful and less successful depending on how you go. You can see I’ve got some really nice trees and I’ve got some pretty horrible ones as well. But that tool can be used to create fractal trees that you can then access to use in your images in Photoshop this way.

I’m Helen Bradley. Thank you for joining me for this video tutorial. I hope you enjoy the recursive drawing tool. Look out for more videos on my YouTube channel here and visit projectwoman.com for more tips, tricks and tutorials on Photoshop, Photoshop Elements, Illustrator, Lightroom and lots of other handy graphics techniques.

Helen Bradley