Learn to paint graffiti without a risk of being arrested
See how easy it is to create a graffiti effect on a wall in Photoshop. The video shows you how to use a graffiti font to create graffiti writing and how to use styles and colors to format the test to make it look like real graffiti. Then see how to use the Vanishing point filter to place the graffiti text onto a wall in a photo. Finish the effect by blending the text with brushes, blend modes and textures all created using layers and masks so that the effect can be edited in future.
Learn how to download and install free fractal tree brushes and a texture and see how to use these to create your own Photoshop art.
Covers how to install brushes in Photoshop. How to add new layers, how to use masks and a gradient fill. Also shows how to add a drop shadow and an outer glow layer style. The land is created using a filled shape and made more organic using the Warp transform feature.
Transcript:
Hello, I’m Helen Bradley.
Welcome to this video tutorial.
In this tutorial I’m going to show you how you can download and install the fractal tree brushes from projectwoman.com and how you can use them to make art in Photoshop.
Before we get started with this project let’s look and see what we’re going to do.
We’re going to create an image that’s something like this.
It uses one of the fractal tree brushes and also uses part of the brush to create a sort of highlight effect that is the result of the sun going down.
So we’re going to add our tree and then we’re going to make this sort of background look with this blue fill background and we’re going to use the texture that we’ve downloaded.
So I’m going to show you how you can put it all together using the brushes and a texture file.
I’m just going to tuck this away for now and let’s have a look and see where we’re going to get the bits and pieces that we need.
Well first of all we’re going to flicker to some images that are offered by a gentleman called Skeletal Mess and we’re going to download this image.
And it’s in his 2009 texture of the day.
So here it is, texture of the day 2009, and this is the one that you want.
So just click on it, from Actions choose View All Sizes and then you can just go and download the largest size of this image or the original.
It doesn’t really matter too much.
I’m just going to work on the larger size one for now.
So I’m going to open the folder that it has been stored in and its here.
And I’m just going to open it in Photoshop so I’m going to right click and I’m going to open with Photoshop CS6.
Well it’s not in the list there so I’m just going to go and grab Photoshop and we’ll just drag and drop it in there.
Okay, so the image is now in Photoshop and now we need to get our brushes.
And they’re available on my website so that is at projectwoman.com.
So you’re going to projectworman.com and click here on the Free Photoshop Brushes option and just scroll down because the ones we’re looking for here are the rendered fractural tree brush set.
So click on that and then click here to download the brush set and that’s going to download to your Download folder.
And what you’ll do then is just double click on the file so that you can locate and expand the fractal tree brushes file.
And you need this in Photoshop so again I’m going to tuck this just out of the way for now and open Photoshop because there’s a quick and easy way of installing brushes in Photoshop that I want to show you.
So the way I install brushes in Photoshop is to first go and get the brushes option here.
So I click on Brushes and I’ll choose the brush dropdown list here and then click here and go to Save Brushes.
And what that does is it shows me the folder where Photoshop brushes are saved and you can see here that it’s a long string of folders that you need to go through.
But it’s easier if you just open this up in Photoshop and then what you’ll do is you’re go and get your file, your brushes file that you downloaded and then just drag and drop it.
Now my machine is playing games with me right now so I’m just going to make Photoshop a little bit smaller and bring up my brushes file at the same time which is hiding all the way around here.
So let’s just go and get the brushes again and we’re going to open this up.
I’m going to go to Save Brushes.
So I open this folder.
Here are my fractal tree brushes and I’m just going to drag and drop them in there.
So that’s done now.
The brushes are installed where Photoshop can find them.
So what I need to do now with my brushes palette is to go and open that set of fractal tree brushes.
So here are the fractal tree brushes and when Photoshop asks me if I want to replace the current brushes, cancel or append I’m just going to select append because that’s going to add them to the very end of my brushes collection.
Now, I’ve added them twice but they’re here now.
So we’re ready to get started and create the effect that we had on this image here.
So any time that we work with an image like this we’ll want to be working on a new layer to paint our tree so I’m going to add a new layer.
I’m going to go and get my tree.
I’m just going to choose a tree to use.
I think this one this time.
I’m going to size it up using the open square bracket key and I’m going to select black.
So I want to be looking at my swatches.
So I’m going to select black as my foreground color and let’s also go and get our tools so that we can see what we’re doing here.
So I’m going to paint with black on this layer and I’ll probably press it a couple of times in the same place so I make sure I get a really dark tree there.
Now what I’d like behind the tree is some sort of a sort of land mass if you like so I’m going to select the Rectangular Marquee tool here and on a brand new layer I’m just going to drag out a rectangle behind the tree.
I’ve add a new layer below.
And I’m going to select a sort of dark reddish color as my foreground color.
That’s a sort of maroon.
Let’s go a bit more for dark red.
And I’m going to fill that layer with this.
Since it’s my foreground color I can press Alt Backspace, Option Delete to fill that layer.
To blend it in I’m just going to use the multiply blend mode because that gives me a darker sort of effect.
Now this is probably not dark enough for me so I’m just going to open the color up and let’s select a much darker version and again Alt Backspace, Option Delete.
So now I’ve pressed Command D to deselect the selection.
Now the land mass is a little bit too regular for me so I’m going to Ctrl Click on this layer and choose Edit and then Transform and then Warp because warp allows me to create a sort of a bit more organic land mass.
So I’m just going to do that very, very simple, not very much happening there at all.
Now we need our setting sun so again a new layer.
I’m going to select a sort of lighter color.
Let’s go for a sort of lighter orange color.
I’m going to use the Elliptical Marquee tool and drag a circle by holding the Shift key to constrain the ellipse to a circle.
I want to move it into position so I’m going to hold the Spacebar as I move the circle down into position, let go of the Left Mouse button and then let go the Spacebar and the Shift key.
Again, this orange is my foreground color so Alt Backspace, Option Delete on the Mac will fill the shape with this orange color.
Again, I think it’s way too light so I’m just going to redo that with a darker color.
Now I want my sun to be behind my land mass so I’m just going to drag on the sun layer and move it behind the land mass layer.
Now I think I’ll blend my sun in a little bit so I’ll probably select multiply as the blend mode to darken it.
And I also want to add a slight glow around the edge so I’m going to select the Add Layer Style option.
I’m going to add an outer glow here.
The white is not the color I want.
I really just want to grab the color that I had for the sun and maybe just go a little bit lighter than that as my outer glow.
Size is really the sort of ambit of the glow.
It’s not really how many pixels it is.
It’s a bit more feather than anything.
And spread is a bit more pixels.
So I’m just going to add that glow in.
And I can also multiply it if I want to so I can get a sort of darker glow.
Now I’m trying to keep things pretty light right now because I don’t want to be working on a totally dark image.
But what I do want here is I really want the tree all over.
Again, I want a sort of drop shadow for the tree.
So, one of the ways that I can do this is by just adding a light drop shadow layer.
2,368So I’m going to add a layer style.
I’m going to choose drop shadow but instead of doing a darker drop shadow I’m going to do a lighter drop shadow.
In fact let’s just sample the color from the sun for this and maybe just go a little bit lighter than that.
Maybe a little bit more yellow still, okay.
And this is going to be a drop shadow.
And we want it to look as if it’s coming from the sun so it’s going to be out this direction.
But we’re going to screen this because we want it to be lighter and we also don’t want it to be both sides of the tree.
So we’re going to just play around with the spread and the size until we get the slightest suggestion of lightening on this side of the tree but not too much, probably about 4 pixels.
Something like that looks pretty good to me so I’m going to click Ok to select it.
Now what I want is to be able to work on this shadow independent of the tree itself so I really want to move the shadow to a new layer.
So I’m going to right click that and choose Create Layer.
And what that does is it creates the drop shadow as a new layer so I’m just going to click Ok.
So here’s my drop shadow on a new layer.
And because it’s on a new layer I can add a mask to it by clicking the drop shadow layer and click the Add Mask icon.
I’m going to select my brushes.
Let’s just go and grab a brush.
And this time I’m going to select a soft, round brush, something like this, make it a bit larger.
I want to be painting with black because I want to paint out this shadow area and make sure I have the mask targeted and on this side of the tree I’m just going to remove the shadow.
Now because this is a mask layer I can switch and paint with white and I can bring the shading, the highlighting back anywhere I want it.
So I can just paint it on or off as I wish.
I think too I’m going to soften this edge because I think it’s a bit harsh.
And again a mask will do that.
Just click on the layer, click on the layer mask, click on black paint.
This time I’m going to reduce my opacity way down and just gently tip over the edge here, press X to go back.
So I can make that as dark or as light as I want and I can just sort of blend that in to the background by just switching colors, painting with black on the mask to blend it, painting with white to bring it back again.
Now what I did on the original image that we haven’t done right now is to add a blue to white layer over the top of this background layer to just blend everything in so I’m going to that now.
I’m just going to add a new layer.
I’m going to select the Gradient tool and then I’m going to select a sort of darkest blue.
I’m thinking it needs to be a bit darker and a big grayer than that.
So that sort of color blue to white.
So I’m just going to select white here or a light blue.
It doesn’t really matter too much.
And then we’re going to use the gradient to apply that.
So let’s just have a look.
We’re on this foreground to background gradient.
We have linear gradient selected.
We have the layer here and I’m just going to drag to fill it with the gradient.
And I’m holding the Shift key down as I do so my gradient goes in nice and level.
Now it’s going in blue at the top, white at the bottom and I’m just going to blend it using the multiply blend mode.
You can see that my edge here is way too much but we can go back and fix that, again with brush and again, painting with white this time.
I’m just going to be painting on this mask and just bring back that edge a little bit and then we could fix the tree up.
So there you have a small project that you can do using the fractal tree brushes to create a sort of sunset landscape image in Photoshop.
You now know how to download and install the brushes.
And you can find this interesting texture online at Flickr to use and you can go and create your own art in Photoshop.
I’m Helen Bradley.
Thank you for joining me for this video tutorial.
Look out for more of my video tutorials on this YouTube channel.
And visit projectwoman.com for more tips, tricks and tutorials on Photoshop, Lightroom, Illustrator and a whole lot more.
Here I show you how to create works of art using your images in Photoshop. Included is how to find and select texture images to use, how to blend these into the image and, how to add a lightening effect to highlight areas of the image to draw attention. Also, included is one method of adding a vignette to an image.
Transcript:
Hello, I’m Helen Bradley. Welcome to this video tutorial. In this tutorial I’m going to show you how you can make art from your photos using textures in Photoshop. Before we get started with this video tutorial let’s have a look and see what we’re aiming for. This is the image that we’re aiming for. And quite often when I’m doing these tutorials I’ll play around with a few images before I come up with something that I really want to share. But today it was just this one image, this one texture and the whole thing just blew my mind. So here it is in video form.
To start off with I’m going to show you where I got my textures because these textures are totally awesome and I love this guy’s work and I want to introduce it to you. So this is a Flickr photo stream and the guy is called Skeletal Mess. And he has a whole lot of textures that you can download. Now I downloaded this one. It’s very big but I just want to show you his set that he has on Flickr so you can see the sort of potential for what there is available. Now with this particular image I was having a look through his sets and just having a look to see what I might use. And this one really spoke to me and I’m going to show you why because we’ll go back to the image that I have and we’ll see why blue worked particularly well for this image. So let’s just wind back what I’ve done.
So I’m just going to the layers palette for this image and let’s go and create a brand new image. Okay, so here’s our duplicate image that we’re going to work with. That was what we were aiming for so now I’m going to take away the pieces that went to make up this image. Now you’ll see why I thought that that blue texture would work particularly well here because this image has no sky and if we can borrow the blue from this texture then that would give us an awesome result. We could have used this one too or this one and perhaps just rotated them. But this one really spoke to me so I downloaded that. So I’m just going to grab it now because whenever I download an image even though I can just drag and drop it into Photoshop I’ll also save it just in case I want to use it again later on.
So I’m just going to bring it in here. It’s a whole lot smaller than my image but because it’s a texture that doesn’t really matter. So now I’m going to grab the move tool and just size it to fit all the way across my image. And again because it’s a texture it doesn’t matter that it’s pulled a little bit out of square. So it’s been pulled a little bit wider than it was tall. The next thing I’ll do is just run down these blend modes and just see what it gives me because this is like totally the most exciting thing that you get to do. So I’ll just select Dissolve and then we’ll just run down these blend modes until we get what we’re looking at. And Multiply I think is probably the one I’m going to come back and use but let’s just see what there is in this list. And it was at the point at which I got to that Multiply blend mode that I thought I actually had something I really wanted to work with but you might find other things here that are speaking to you. There’s a whole lot of potential. I usually run down the list and then come back up and by then I’ve pretty much made my choice as to what is working for me. This one possibly but it’s not nearly as good as the Multiply one. So here’s the Multiply blend mode applied to this image.
Now having achieved that I thought in actual fact the middle of the image could be a bit lighter. So what I did was I added a brand new layer and from my tools palette which has gone walkabout here I just grabbed the elliptical marquee tool and just dragged out an oval on that image. I switched so that white and black would be my colors and I also added a feather to this. So I’ll choose Select and then Modify Feather. This is not a very sophisticated feather option but I’ll just add a 100 pixel feather radius to it. That just really softens this edge so now when I fill it by pressing Ctrl Backspace, Command Backspace on the Mac, it’s going to have this feathered soft edge. So now Command or Ctrl D to deselect the selection.
Now I have a big white splat right in the middle of image. That’s obviously not going to work but what I’d want to do then is to blend it in so again I’ll just select the first blend mode in the list and then just run down until I find something that works for me. And here’s Overlay blend mode. That’s lightening that image really well in the area where the lightening effect was. I’m thinking that’s probably the blend mode of choice. But let’s just go and check these others particularly in this lighter area with soft light, hard light, vivid light and pin light. You’re never really sure that they’re not going to give you something so I always run through those just in case one is better than the other. So we’re pretty much to the end and Overlay is going to be our choice. So I’m going back up to pick up Overlay. Now this is too white for me so I’m just going to drag down on the opacity of that layer just to make it a little less opaque. I’m also going to test around this area. I’m thinking that some of this lightness is coming through from this layer and it’s probably a bit more than I want.
So again I’m going to add a layer mask to this layer, go and grab a paintbrush and just paint with black with a very small opacity brush, you can see it’s only 26 percent opacity, just to knock out the bits where I think the lightening effect is too much. I really just want it on the front part of this boat. So once I’ve neatened that effect up now I’m thinking a vignette around the edge. Now there’s umpteen ways of adding vignettes. I’m just going to show you one of them. So a brand new layer, I’m going to go back to my marquee tool, this time the rectangular marquee, I’m just going to drag in around about probably an inch into the image and then I’m going to invert the selection, select Inverse so everything that was selected is now not selected.
So I’ve got this outside edge selected. Now I’m going to sample a color from the image by clicking the eyedropper. I’m thinking one of the colors around here is kind of pretty good. It’s sort of dark but not really, really dark. I’m thinking that color was pretty good. And now I’ll Alt Backspace, Option Delete on the Mac, to create that as my fill color. Now I can deselect my selection with Ctrl or Command D. Now this is not looking like a vignette but that’s fine because we’re going to again run down our blend modes and look for something that is going to give us a darkening effect at the edge. Things you would look for are going to be in this light field. Obviously Overlay is going to do it. Multiply will do it as wells. That will always darken everything up a little bit.
So they’re the ones to look out for but also look out for any surprises as you run down. You might see something that gives you an effect that makes you go oh, wow, that is just too amazing. So I’m headed towards probably Overlay. So now it’s still not the vignette effect that I want but I’m going to blur this. So with that layer selected I’m going to go Filter > Blur > Gaussian Blur. Gaussian Blur is an awesome blur for just blurring things to almost oblivion. So here it is at zero radius effectively and now we’re just going to wind it up to soften this edge and pretty much just blend it into the image. And at some point it just becomes a really, really nice soft vignette effect for our image. So I’m just going to click Ok.
So there we have the effect. It’s very, very simple. This is a throwaway image. It’s just the sky is gone. It’s Hong Kong. It’s smoggy. It’s an overcast day. The sky is just nonexistent and I really wouldn’t have given this image a second look except that I was looking for a challenge. Add a really nice texture from Skeleton Mess free online textures from Flickr, add a bit of a highlight in the middle and then add this vignette effect and we’ve got an image that is now a keeper.
I’m Helen Bradley. Thank you for joining me for this video tutorial. Look out for more of my tutorials on this YouTube channel. Please subscribe and also visit my website at projectwoman.com for more tips, tricks and tutorials on Illustrator, Photoshop, Lightroom, iPad and a whole lot more.
Learn how to combine two images to make a collage. Includes use of Blend modes in Photoshop, color range color selection, clipping mask, layer mask, hue saturation adjustment layer, drop shadow layer style.
Transcript:
Hello, I’m Helen Bradley. Welcome to this video tutorial. In this tutorial I’m going to show you how you can create some simple collage effects using blend modes in Photoshop. This is the effect that we’re going to create in this video tutorial. I’m going to show you how you can put the pieces of this together in just a few minutes using a couple of images and some blend modes.
We’re going to start off with this image and another one that I shot at the neon boneyard in Las Vegas, and that’s giving us the texture. And we’re going to combine these two images with a blend mode. And then we’re going to extract the color from this original image, this sort of orange color. And we’re going to recolor it using a Hue/Saturation adjustment layer. But if we wanted to leave it at this point we could leave it just with that additional color. And we’ll also going to add a drop shadow with a different color behind it.
So let’s see how we would create this effect. And I’m going to start with my two images, and I’m going to put one image into the other. So I’m going to grab this neon boneyard image and I’m just going to drag and drop its background layer in on top of this original image. I’m just going to size it so that it’s right over the top. And the first thing I would do with a collage like this is look and see what sort of opportunities I had with blend modes.
So I’ll generally select the first blend mode in the list, Dissolve, which generally gives me nothing at all. And now I can just arrow down and see what happens when I click on each of these blend modes. And all I’m looking for is something interesting. And you’ll generally get a better effect with this if you use images that are a little bit more textural and a little less like something where you don’t really particularly want to bring out of the image exactly what was in it. But you want to discover how these two images can interact with each other and what you can do with them as they interact. So that’s all the way down through the blend modes. And so I’m going to go back up and I’m going to settle on something that I want to use. And generally the most interesting bits are going to be in the overlay or the contrasty area. So in this area and sometimes even with lighten and darken.
So let’s just go up through these and find something that we like. And I’m thinking actually I might like something like this perhaps with the Opacity dragged down a little bit. Now what I want to do is to bring out the orange color in the original flower so that I can lighten them a little bit in this layer here. And what I’m going to do is create a duplicate of the background layer. And I’m going to drag it above the image. So right now all we’re seeing is this original background. And what I want to is to select the leaves in it.
Now the leaves are really bright colored here. So I’m going to choose Select. And in this case I’m going to use Color Range because it’s going to be the easiest way to select these leaves. Now either I can select on the sampled color and add to it this way by just clicking on these leaves or I could use just the reds and just grab the reds. But I think Sampled Colors is actually going to give me a slightly better effect here.
So let’s just go back to this and let’s choose Sampled Colors here and just click Ok. Now that has isolated the leaves here and what I want to do is to keep these leaves but drop the rest of the image out. And I’ll do that with a mask. And because my leaves are selected, all I need to do is to click on the Add Layer Mask icon. And what happens is that the leaves are then masked and left behind and the rest of the image is just dropped away. So this is the before and this is the after. And you can see we have brought in the color from these leaves.
Now if we wanted to we could even lighten this color. We’ve got some of the orange color in. But we may want to brighten it up even more. So I’ll make sure that my image layer is selected and choose Image, Adjustments. And then I could use levels or curves. I’m going to use levels, and I’ll just lighten this is a little bit and click Ok. Now in the earlier image that you saw we had actually colored these blue and it’s very easy to color them blue.
To do that we’ll choose Layer, New Adjustment Layer and we’ll choose a hue/saturation adjustment layer and just click Ok. Now I want this adjustment layer to only affect the red leaves so I’m going to clip this. So with this adjustment layer selected I’m going to choose Layer, Create Clipping Mask. And so anything that I do to this adjustment layer here is only going to affect the layer below, just these red flowers. So now let’s double click on the Hue/Saturation adjustment layer and now we can go and make some changes to it. And I’m looking for a blue color which will either be at this end or this end of the hue slider. So I can get to either this sort of greeny blue if I wanted or I can get to a sort of purplely blue. I’m thinking the greeny blue will be pretty good here. And now I can adjust its saturation and its lightness from here. So when I have what I like I’m just going to close that dialogue. So that has recolored those leaves to a bluey color.
And finally let’s add a drop shadow behind the leaves. So I’m going to select the leaf layer, and I’m going to choose a drop shadow effect. Now drop shadows might start out being dark but they don’t have to end up being dark. So what I’m going to do is go and find a really cool color for this drop shadow. And I’m thinking a really, really bright pink will do me. So let’s choose that. And I want to up the opacity of this. I could set it to normal so it’s going to be a very, very pink shadow. And then I’m going to adjust the settings for this. Spread is going to be the size of the shadow and softness or size is going to give me some softness. But there’s a very small sweet spot here on this that I can very, very easily exceed. So I’m just going to add my shadow in. And I think I’m going to multiply blend mode my shadow, not apply it with the normal blend mode. Although I could use normal for example with a much lower opacity if I wanted to give it this sort of pinky color. I might leave it at that.
So there’s a way of creating some interesting collage effects. And all we’ve done is grabbed a couple of images and put them on top of each other and blended them with something that counts as being an interesting blend mode. And then I isolated the orange flowers in the image and brightened them up. I also added a drop shadow in a very contrasty color. And I added to a hue/saturation adjustment layer that only effects these orange flowers to use the brightness of them but to color them a different color. And you can do all sorts of things by just combining images. And that gives you lots of practice at making color selections, using clipping masks, using masks, using blend modes and just having a little bit of playtime and a little bit of fun creating interesting effects in Photoshop.
I’m Helen Bradley. Thank you for joining me for this video tutorial. Look out for more of my tutorials on this YouTube channel and please like and comment on the tutorials if you would. Also visit my website at projectwoman.com where you’ll find more tips, tricks and tutorials on Illustrator, Lightroom, Photoshop and a whole lot more.
Learn how to make a collage or montage in Photoshop using fractal trees, a texture image and some masks.
The images used in this video are free to download and an earlier video shows you how to make fractal trees so you can make the collage yourself. The tutorial covers beginner level masking to help make the collage and two pieces are created from the same basic elements.
Hello, I’m Helen Bradley. Welcome to this video tutorial. In this tutorial we’re going to look at using masks, textures and some fractal trees to create composite images in Photoshop. In this video tutorial I’m going to show you how you can create a couple of interesting effects just using images that you can find online.
The background image here is from Flickr and details are in the end of the video. And the house image is actually from sxc.hu, and again I’ve got details at the end of the video. The tree is a fractal tree and you can see one of my other video tutorials for how to create fractal trees. And this is just done with my masking so that’s one of the images we’re going to create. We’re just going to reverse the mask here to create this image. So let’s see how we would do that and I’m going to start by showing you the two images we’re going to use. This is the one from sxc.hu which is free for download online and this is the background from Flickr.
The first thing I’m going to do is just to bring this image in so I’m just dragging on the background layer and just bringing the image into my sort of collage area. Now what I wanted to do was actually line up this background and it actually worked perfectly. These images haven’t as far as I’m aware actually been adjusted from their downloaded original. But the horizon line just works perfectly on the back of this texture image so I’m just going to do that and then we’re going to mask the house. Now the easiest way to mask this house is probably to grab the quick selection tool. And with the quick selection tool you can select over those areas of the image that you want to select. And if it’s not perfect you can just go back with the Alt key and just drag over the areas that you want to take out of the selection. But it does a reasonably good job. And because we’re doing masking anyway it’s a little bit forgiving. So having done that we can choose Select and then Refine Edge. And Refine Edge will allow us to refine the edge of this and we can do this with marching ants or on black or whatever.
Now I’m going to ask Photoshop to have another look at some of these edges here because it hasn’t done the world’s best job of getting them right and particularly these edges around the bottom here. And once we’re happy with that if we are happy with it we can just make this into a selection or a new layer with layer mask. So I’m going to choose New Layer with Layer Mask and just click Ok. And that has created the image here this house image as a new layer with its own layer mask. And I can determine how much of this inside that I want to bring in.
So I’d actually thought in the past that actually bringing these windows in would be attractive and perhaps a little bit more worked on the door. And now I want to fill these areas with black in the mask. So I’m going to select or target the mask layer, black is my foreground color so I’ll do Alt Backspace and that allows me to see through the building to what’s behind. And then I’ll just go and open one of my trees. And I have some trees here and I’ll just grab one of my fractal trees, drag it into the image here.
I’ll make sure I’ve got the tree layer selected and drag it into position here. And when we were looking at these fractal trees we determined that actually using the darker blend mode or darken blend mode blended the trees into their background a little bit better because that meant that any residual white in the tree that was left over from the process of bringing it into Photoshop would be eliminated that way. So there’s the first of our images.
So having completed our first image the second one is done in a very similar way. In fact we can borrow the first to make the second. So I’m just going to make a duplicate of the image layer here. And what I’m going to do is just invert the mask so I’m just going to press Ctrl I on the mask and effectively that was pretty much the beginnings of this image. I then brought in the tree so it would be a little bit over the edge and then we’re going to create a shadow for the tree. So the first thing I’m going to do with that is on the tree layer once it’s already set, I’m going to add a drop shadow. And I’m just going to go with whatever I get here because I’m actually not going to use it exactly as it is here so I’m just going to click Ok.
And now I want to take the drop shadow layer off onto its own layer so I’m just going to click Create Layer and click Ok. And that takes the drop shadow back onto its own layer which means I can do things with it such as sizing it down, putting it in position and then rotating it so it becomes more like the kind of drop shadow that it should be. And I want it to come over the background there so I’m just going to click Ok and actually position it a little closer and perhaps even kill down its opacity a bit, multiply blend mode is what I wanted there.
Now on this layer too I had a drop shadow so let’s just go and add a drop shadow to this. Yes, it was a drop shadow but it was a lot smaller than that. So I just gave it a little bit of a softening effect that I wanted, not quite as harsh as it had been. And we could change the color of that if we want to. But I’ll just click Ok.
So there are the two possible effects that we can create using this particular image. It’s just done through layer masks and you can create all sorts of fun collage effects using layer masks in Photoshop. And I’ve combined these with nice textures and these fractal trees. And the beauty of all of this is that these images can be grabbed online. So you can go and create these image effects if you want to yourself by grabbing the images and playing around with these effects.
I’m Helen Bradley. Thank you for joining me for this video tutorial. Look out for more tutorials on my YouTube channel and visit projectwoman.com for more tips, tricks and tutorials for Photoshop, Lightroom, Illustrator, Photoshop Elements and more. And if you liked this please click Like and comment on it and think about subscribing to my YouTube channel.
Learn to add a texture to an image in Illustrator using an Opacity mask – also often called a Transparency mask.
This method is fool proof and it works – it’s also pretty simple… which is good!
Transcript:
Hello, I’m Helen Bradley. Welcome to this video tutorial. In this tutorial I show you how to add a bitmap texture overlay over an image in Illustrator CS6. To see how we can use a transparency mask on an image to give it a sort of grunge or a slightly distressed look.
Let’s start off with a rectangle. So I’m going to create a rectangle the shape and size of my art board. And I already have it filled with a pattern here. This is the pattern that I’m using. It’s a pattern that we created earlier in another video. I’m going to choose Object and then Transform and then Scale because I want to scale the pattern down to around 75 percent of its original size. So I’ll just type 75 percent and in this case I’m transforming the patterns only. Actually that’s still a bit on the big side so let’s go back and scale this down to say 50 percent, again, just the pattern and click Ok.
So here is my pattern and I want to add a sort of grunge overlay effect to it so I’m going to choose Window and then Transparency because this is going to give me my transparency mask. And I’m going to double click here to create and edit my mask. So I have the mask selected here. This is my image selected. This is my mask selected and I’m going to add a file to it by choosing File Place and we’re going to select the sample that we created earlier and click Place. And here it is over the image. Now right now it’s fairly intense but I can invert it to reverse the colors from black and white to white and black so I get a different effect.
Now this particular mask is really quite a bit larger than the image so I’m thinking that if I scale it down to probably around 30 percent and fix the proportions of this it gets pretty near right here. So I’m just going to scale the original image to the size. Well maybe just a little bit smaller so that we can see that we’ve actually got this transparency mask effect on our image. This is the original look of our image and this is the mask version. Now again we can click Invert if we want to use the white areas of the image or here to use the black areas of the image as our mask. When I’m done with that I can just click back on my image to continue to work with it.
So here is my image or the original filled rectangle. As you can see the mask is applied to that filled rectangle and it’s going with it wherever it happens to go. So wherever I move my rectangle to three quarters or most of it is covered with this transparency mask. Just this bit is not covered. I wanted to show you that the transparency mask is only going to work on the areas of the image that we actually selected for it to work on. And it’s actually attached to this shape so it will travel with it.
So anytime you need to give an image a grunge or a distressed sort of look, head to Photoshop, grab a nice texture, turn it into as close to a black and white of an image as you can or even convert it to black and white. That’s fine too and then just bring it in onto a transparency layer as a transparency mask to give your underlying shape a more grunge look.
I’m Helen Bradley. Thank you for joining me for this video tutorial. Look out for more tutorials on my YouTube channel and visit projectwomam.com for more tips, tricks and tutorials on Photoshop, Photoshop Elements, Lightroom and Illustrator.
