(photo by: Benjamin Earwicker)
Would you like more precise control when using the Brush Tool? You can change your Brush cursor to show as a crosshair by pressing the Caps Lock key on the keyboard. Repeat this to reset it.
Wednesday, September 26th, 2012
Trevor’s Photoshop tip of the Week – Precision Painting with Caps Lock
Labels: caps lock, how to, percision, Photoshop, tip, tip og the week, trevor adobe, trevor payne
Categories:photoshop, trevor tip
Monday, September 24th, 2012
Photoshop CS6 Shapes, Paths, Vectors and Selections
Photoshop CS6 has new tools for working with Paths and Shapes. Learn how to use these and how to turn shapes into paths and how to fill and stroke paths and shapes.
Check out all our tutorials on our YouTube channel.
Complete transcript of this video:
Hello, I’m Helen Bradley. Welcome to this video tutorial. In this tutorial we’re going to look at the new vector tools in Photoshop CS6. And we’re going to answer questions like what’s a path, how do I find it, how do I turn a path into a selection, how do I make a path from a selection, and how I can work with the new vector tools.
Photoshop CS6 has some new vector tools and we’re going to have a look at those in this video. And we’re going to work out how you can use those tools to do exactly what you want to do.
Now the Custom Shape tool is in the position it always used to be and it’s sharing a toolbar position with things like the Rectangle, Rounded Rectangle, Ellipse, Polygon and Line tool. And all of these are Path tools. But we’re going to select the Custom Shape because it’s a little bit of an interesting tool.
And here are my Custom Shapes so I can select any of these custom shapes to draw on my space. Now I’m going to choose a filled shape such as this one here and just click it so it is selected. Now I can draw it on my workspace, but the way I draw it depends on what I have chosen here.
And I can choose a shape, a path or pixels, and we’re going to look at the shape and path options. So let’s start with shape. And let’s select some colors for this shape because when you’re working with shapes color is important. Now I have a shape selected I’m just going to drag this flower shape into my workspace.
If I hold the Shift key it’s going to be constrained to the shape of a flower that was originally drawn. If I don’t hold the Shift key you can see that I can make it wide or tall. And if I draw it with the Alt key pressed it’s going to be drawn around my initial starting point. Let’s just let go of that for now and let’s click and drag here to start drawing my flower.
Now if I want it placed around the initial starting point I’m going to press the Alt key and you can see that it jumps back into position. If I add the Shift key I can get it constrained to the right shape. And only when I let go the left mouse button does anything happen.
So what’s happening is I’m getting a filled flower. And we can see up here that the fill is the current foreground color, but it can be changed. While this shape is selected we can select a different fill for it. You can see that blue is now its fill but that’s not the foreground color for our workspace. And you can see that it has no stroke but we can add a stroke if we want to.
So let’s add a pink stroke to this shape. At the moment the Stroke is 3 points but we can increase that so we can make it thicker or thinner. And we can also change the nature of the stroke. For example we could have a dashed stroke or a dotted stroke. And there are other options that we’ll look at in future videos. But this shape is a path, so we can actually make changes to it.
I’m going to grab here the Direct Selection Tool because that allows me to select points on this path. And you can see by dragging over these points I can select anyone of these points. I’m just going to turn the stroke off for the moment because I think it might be easier to see the points without the stroke in the way.
When one of these points is filled and the others are empty this is the one that we’re going to affect. So let’s just drag out on that. And you can see that my shape has now changed shape because I have altered that point. So it is a path that is able to be adjusted. But still we can change the fill. And when we change the fill the fill of the entire shape is affected.
When we add a stroke back onto this the stroke of the entire shape is being affected by our choices. Now there are some other things that we can do with shapes. I’m just going to add a new layer to this image, just put it at the top, and I’m going to fill it with the red.
Now let’s consider the situation where we may want to for example cut out a shape from inside this red selection. So let’s go back and grab our custom shape tool. And we have our same flower shape selected. And I’m going to draw the shape onto my area. And because I was working with a red fill it has a red fill. But let’s just color it green so that we can see it clearly.
Now let’s consider the situation where really what we wanted to do was to create a path from this. Well, we don’t have to undo it and start all over again, particularly if this is a complex shape because what we can do is go to the paths palette. And here is our shape path, and we can do with that anything that we could do with a path originally in Photoshop.
One of the things that we can do is click on it and load that path as a selection. Now if that path is a selection then we can do things with it. For example we could come down to this red filled layer and we could poke a hole in this layer by just pressing Delete. And that will delete the contents of the layer where this selection is made.
One of the other things that we can do, I’m just going to Ctrl Z to undo that, one of the other things that we can do with selections is we can stroke them. So we could choose Edit Stroke and we could stroke this selection with a different color. So let’s stroke it around its inside.
Let’s press Ctrl D to undo the selection, and you can see that now we have a stroked flower because we’ve been able to stroke that selection. I’m just going to undo this again. And let’s go back to our shape up here. I want to just make sure that we just have a red filled layer here and we have our shape up here.
And here it is as a shape. And it can be moved around because it is a shape. So we can move it around the workspace. Let’s go back to the Path’s tool and there’s something else that we can do with shapes. What we can do in addition to loading the path as a selection is that we can stroke it with a brush. But to do this we’re going to have to make a work path out of the shape.
So what I’m going to do is with the shape selected I’m going to choose Edit Copy so I’ve copied the shape onto the clipboard. And now I’m just going back to this layer here and I’m going to do Edit Paste. And look what happens in my Paths palette. This time I have a Work Path. And a work path not only can be turned into a selection and not only can be filled with a foreground color, but I can also stroke it with a brush.
Let’s go and get my Brush and let’s go and get a brush to use. Now I’ve got lots of brushes here, but let’s create something like this particular little leaf brush. And I’ve got it at a fairly small size. I’m hoping that this is going to work just fine here for this particular image.
We’ve got a foreground color so I’m going to click Stroke Path With Brush. And what that does is it applies that brush to the current path. But we need to of course make that into a work path before that’s going to work. Now let’s have a look at how we can turn a selection into a path. Let’s just go and get another filled layer. I’m just going to get rid of everything that I have here right now.
Let’s fill this with white, and then we’ll just get rid of the Work Path as well. So I’m going to press Alt Backspace on the PC, Option Delete on the Mac, and I’m going to make up a selection here. So I’m going to make a rectangle, and then I’m going to go and grab the elliptical marque, and with Shift held down I’m going to add to that. So this is now my selection.
Now let’s say I want to make this into a shape that I can use over and over again. Well with the Paths palette open I can create a work path from this selection. So I’m just going to click to Make Work Path From Selection. And now this is a path. Now because it’s a path we can do all sorts of things with it.
For example we can click on it to select it and we can change its points. And we can also do things like turn it back into a selection, stroke it with a brush and fill it, and we can make it a shape. Let’s choose Edit and then Define Custom Shape. And this now becomes a custom shape in my shapes collection. I’m going to call that a Tab shape and just click Ok. Let’s get rid of our Work Path.
And now let’s go back into our shapes collection. So I’m going to click on Custom Shapes. And this time I’m going to make it a shape and I’m going to give it a fill and I’m going to give it a stroke. And let’s go into our shapes collection and let’s go and grab our new custom shape.
And now when I drag it onto the workspace it’s going to behave like any of the custom shapes inside Photoshop. It has this stroke and we can adjust the stroke size. We can adjust the type of stroke that it has. We could fill it with everything that we can fill a regular shape with.
So there’s the basic introduction to some of the new shape and path features of Photoshop CS6. My name is Helen Bradley. Thank you for joining me for this video. You’ll find more of my video training sessions on my YouTube channel.
Labels: Adobe, Adobe Photoshop, cs6, Helen Bradley, how to, paths, Photoshop, selections, shapes, stroke, vectors, video tutorials, YouTube
Friday, September 21st, 2012
Photoshop Stitches and Dashes with Brushes
Learn how to make dashes and stitches in Photoshop using brushes and then how to paint with them and use them to stroke shapes.
Check out all our tutorials on our YouTube channel.
Complete transcript of this video:
Hello, I’m Helen Bradley. Welcome to this video tutorial. In this tutorial I’m going to show you how you can make dash lines and stitches using brushes in Photoshop. And this is going to allow you to not only paint with stitches but also to use these to stroke things. One of the really nice effects that you can achieve in Photoshop is the idea of having dash lines that might show as for example faux stitching on an object. I’m going to show you the basics of doing that now. The first thing I’m going to do is create a really small document. So I’m thinking about 300 x 300 because I want to create my stitches. It’s going to be transparent. Now stitches are a brush so the first thing I’m going to do is go and grab my brush. And I’m going to use a rounded rectangle for this. So I’m just going to select the rounded rectangle tool, and I’m going to draw something that I can use as a stitch. Now I’ve drawn it as a shape. So let’s just undo that and let’s go and draw this as just pixels. It’s a much better option. And I’m just going to call that my brush shape. Now you can get into more detail with your brush shape. What I’m going to do is just show you how you can use this to create stitches. So now that we have this shape I’m just going to Ctrl Click on it so I have a selected. I’m going to make it a brush by choosing Edit Define Brush Preset. I’m just going to call this Stitch and click Ok. And now I can get rid of that document. So now we’re ready to use of the stitches to draw around this shape and perhaps across it as well. So I’m going to select my Brush tool and I’m going to select the very last of my brushes which is my new stitch. And right now it’s not going to do really very much of what I want it to do. But we’re just going to undo that and let’s go and set it up to be a bit more friendly. We’re going to open the Brushes Panel to do this. And this is my brush. And this is the reason why it’s painting the way it is is because that’s the way it’s set up to paint. So I’m going to adjust its spacing so it looks a little bit more like stitches. And I can make them close together or far apart. I can also change the size of them because they’re pretty large right now. But I could make them considerably smaller if I want to. Now I can adjust Shape Dynamics as well. And we’ll just see right now how this brush is going to paint and see if we need to make some changes to it. Now I’m going to add another object to this design. Let’s just add a shape up here. Let’s go and fill it with a darker orange color, Alt Backspace, Option Delete, Ctrl D or Command D to deselect the selection. And now with my brush I’m going to paint with white, and I’m going to paint some white stitches across this shape. So I can either paint with my paintbrush or I can click once up here to start my painting and then Shift Click across the other side so that I get evenly placed stitches, Click once, Shift Click on the other end. Now as you can see the brush is not really following the shape of my painting so I want to change the way that this brush is behaving. But to do that I’m going into shape dynamics. And I’m going to make sure that Size Jitter is disabled because I don’t want it to change size. And I don’t want the diameter to change either so I’m going to remove that. I don’t want the Angle to change so I don’t want it to change as I paint. But I do want it to follow the direction of my brush. And I also do not want any Roundness Jitter. So I’m going to make sure that everything is disabled except that the controls are for the Angle is now following the direction of the brush. And now look how it’s painting. Wherever my brush goes it’s starting to follow that brush. So that’s a lot more of the way I want that brush to be painting. Okay, let’s face the problem of this circle. I’m going to actually just increase the size a little bit for this circle. Let’s turn that off. So now I have my brush selected and I want a stroke around the circle. So let’s just go and get this layer. And I can Ctrl Click on this layer to make a selection but I want a stroke inside the shape. So I’m going to choose Select Transform Selection because that allows me to transform this selection. And provided I now hold Shift and Alt as I drag in I’m going to actually drag in on the shape so that it now becomes a concentric circle inside the original circle. I’m going to click the checkmark here. So now I have a strokeable selection. But I want to stroke it so I’m going to choose Window and then Paths, and I’m going to turn it into a Work Path. And when it’s a Work Path it can be stroked with a brush. And this is the option here. So I have my brush selected, my color, my stitch, and it’s all set up. I’m going to click here to Stroke Path With Brush. And we’re seeing not only the path but also the brush so let’s just trash the path for now. And you can see that I now have a stitching line inside the shape. And because I have the angle correct the stitching line is going around the shape as if that shape were actually stitched. So there you have a way of creating brushes in Photoshop that you can use for stitching. You know how to make straight stitching lines and you know how to make stitching lines that follow your brush. And you also know how to stitch a shape by creating a path and then stroking that path so that you have this really nice effect. I’m Helen Bradley. Thank you for joining me for this video training session. Look out for more of my video tutorials on my YouTube channel.
Labels: Adobe, adobe photosop, brushes, cs5, cs6, dashes, Helen Bradley, how to, Photoshop, stiches, video tuto
Wednesday, September 19th, 2012
Trevor’s Photoshop tip of the week – Filling in with Background Color
(photo by: Anita Levesque)
Want to fill your selection or layer with your current background color? Simply press Ctrl + Delete or Ctrl + Backspace on a PC or Command + Delete on a Mac and your background color will completely fill your selection.
Labels: background color, fill in, how to, Photoshop, tip, tip of the week, trevor adobe, trevor payne
Categories:photoshop, trevor tip
Thursday, September 13th, 2012
Photoshop make brushes from photos
Learn how to make your own brushes from your photos in Photoshop and a trick to make sure brushes paint correctly with light paint on a dark background and vice versa!
Check out all our tutorials on our YouTube channel.
Complete transcript of video:
Hello, I’m Helen Bradley. Welcome to this video tutorial. In this tutorial I’m going to show you how you can create your own photo brushes in Photoshop, and this works in practically any version of the Photoshop. For the brush that we’re going to create today I’m going to use a photograph. And I shot this in Singapore and we’re going to use this god shape as our brush. So the first thing I need to do is to make my selection. And I’m going to use the Quick Selection Tool because that’s going to work reasonably well here. And what I want to select at this stage is either the statue itself or anything that’s not the statue. And it’s actually going to be easier for me to select the not a statute pieces. So I’m going to start with those. And then I’m going to fine-tune it a little bit because I can see that there are areas here where I have captured part of the statute and not the other bits. So I’m going to add back in the statute bits that I’m missing here by just selecting over these at a bigger zoom. And anything that’s been selected that shouldn’t be selected I can remove. So I’m going to work around this shape and just make sure that everything that should be selected is selected. You can see that there are some missing bits here as well. With the Quick Select Tool I can switch between selecting and not selecting by holding down the Alt key so that effectively reverses the tool that lets me work very quickly through this shape to make sure that I’ve got everything I want and nothing that I don’t want. I’ve got some small problems here. But really the Quick Select Tool does a really good job of making your selection for you. I think I’m just going to remove this bit here. Again, it’s taken too much so we’re just going to go back and just fine-tune around the edges to make sure that we’ve got the bits that we want. So let’s call that done. And let’s just zoom out again. So now I have selected the bits that I don’t want, and I don’t have selected the bits that I do want. So I’m going to choose Select and then Inverse and that’s going to give me my shape. So this is the area that I want to convert into a brush. Now a brush is a grayscale shape, but that’s okay because Photoshop is going to take care of that for us. So to convert this into a brush all I need to do right now is to choose Edit and then Define Brush Preset. And here you can see that the brush preset is created for us. Now I’m a little bit worried because it doesn’t look like there’s quite enough contrast in that. So I might just cancel out for a minute. We might build a little bit more contrast into our brush. Perhaps Levels will help us. And yes it certainly will. Let’s just lighten this. And I’m not worried about the background because I don’t intend using that for the brush. What I am interested in is a little bit more contrast in the shape itself. I don’t mind that I’ve got some black blacks but I do definitely want some contrast and a bit more lightness in this brush. So let’s click Ok and now lets recreate out brush, Edit Define Brush Preset. You can see it looks a bit better now. So I’m going to call this Hindu 1. Now the reason why I’m going to call it Hindu 1 is because I’m going to need Hindu 2 in just a minute. Let’s put that to one side and let’s create a new document. This is 3,000 x 3,000 pixels in size, and I’m just going to flood it with black. Now let’s go and get white paint and go and get our brush. So I’m going to click the brush preset here and go down to the very last brush because that’s my brush, and I’m going to just size it up nice and big and just paint with it. And you can see that the problem is that I’ve got a negative brush. Now that wouldn’t be an issue if we were painting on a white background. So let’s just create a white background. And now let’s go and switch colors, and this time I’m painting with a black brush. And you can see that that’s just fine for a white background but as soon as I try to paint light on dark I have some issues. That’s why I left this image open still because if I invert this I can now create a second brush. So let’s just go back to something that’s not a brush here, and what I’m going to do is invert the image. So I’m going to choose Image Adjustments Invert. And that turns it into a negative of itself. And now if I create a brush from it, I’m going to call this Hindu 2, and click Ok, we’re going to get a very different brush. Let’s go back now, add a new layer, fill it with black, again because black is the foreground color, just Alt Backspace on the PC, Option Delete on the Mac, switch to white as my foreground color, pick up my brush, go and get my new second version brush to size it up nice and big for my image here, and click once. And you can see now I’m getting a positive brush so I have a positive and a negative version of this image that I can use as a brush from now on in Photoshop. There is one thing to be aware of with brushes and that is that you’re going to lose this brush if you reset your Photoshop preferences. So for any brushes once you’ve created them from time to time you should come in here and choose Edit and then Presets and Preset Manager. What you want to do is go to brushes. Although there are presets for everything that you can create in Photoshop go to your Brush. And I’ve got two of them here, actually I’ve got a third one that I created earlier today. So I’m just going to select all three of these brushes and I’m going to save these. And I’m going to call them Helen set. They’re save as ABR files, and I’ll click Save. Now not only are they saved to disk but they’re also now in a format that I could share with others. So there you have photographic brushes in Photoshop. Don’t forget to make a positive and a negative one so that you can paint with any color on any color background in future. I’m Helen Bradley. Thank you for joining me for this Photoshop video. Look out for more of my video training on this YouTube channel.
Labels: Adobe, brushes, brushes from photos, cs5, cs6, Helen Bradley, make brushes, Photoshop, video tutorials, YouTube
Wednesday, September 12th, 2012
Trevor’s Photoshop tip of the Week – Quick Color Switch
(photo by: Jenny Kennedy-Olsen)
Working with two colors in Photoshop? We can switch between them by simply hitting the X key on the keyboard.
Labels: color, color change, how to, Photoshop, tip, tip of the week, trevor adobe, trevor payne
Categories:photoshop, trevor tip
Monday, September 10th, 2012
Photoshop – make a Kaleidoscope
Learn how to create a Kaleidoscope in Photoshop. Video includes tips for a shortcut for copying and rotating a layer.
Check out all our video tutorials on our YouTube channel and subscribe to receive all of our tutorials as soon as they come out.
Transcript for video:
Hello, I’m Helen Bradley. Welcome to this video tutorial. In this tutorial I’m going to show you how to create quick and easy kaleidoscopes in Photoshop. Before we begin let’s have a look at the sort of thing that we can create. This is the kaleidoscope I created earlier from the image that we’re actually going to use. And as you can see I’ve layered various copies of the same kaleidoscope on top of it, changed some of the colors to create an even more distinct pattern effect. This was my original kaleidoscope. This is a second version of it on top and this is another version of it in the middle. So let’s get started with our image. This is an image I shot at the Neon Bone Yard in Las Vegas. The first thing I’m going to do is to convert this background layer into a regular layer just by dragging and dropping the lock icon into the trashcan. Then I’m going to move this image. So I’m going to first of all zoom out a little bit so I can see where I’m going. Then I’m going to select the Move Tool and I’m going to start transforming this shape. And what I want to do is to transform it through 60 degrees, some sort of 60 degrees, minus 60 plus 60. And what I’m going to do is drag this shape over the edge of the image here. I can resize it if I want to but I want it to only go over two edges of this image because I want to use the 60 degree angle that we have. So I’m going to save it. That’s good because I’ve got some nice texture in here and I’m just going to click the checkmark. So if we had a really good look at this we would see that there’s some anti- aliasing down here on this edge. So to get rid of it I’m going to click the Magic Wand Tool here. I’m going to click on this side of the image. And you see perhaps even on the video that there’s a little bit of a gap between the selected area and the image itself. So I’m going to choose Select Inverse to inverse the selection so I have only my corner piece selected and then I’m going to bring it in by choosing Select Modify Contract. And I’m going to bring it in one pixel and that should make it just a little bit smaller. And then so that I get just that piece I’m going to choose Image and then Crop. And this is the piece that I’m going to use to create my kaleidoscope from. So we have it on its own layer. But we need a bit more area to work in. So I’m going to select the Crop Tool. And if you didn’t know that you can do so you’re going to find out now that you can actually crop in a negative direction. So you can use the Crop Tool to add space to your image. So I’m just going to add a little bit of extra space around my image so we have a bit of a better area to work with. I’m going to select my layer with my shape and I want to flip it. So I’m going to choose Layer New Layer via Copy. And with this shape I’m going to transform it. So I’m going to choose Edit and then Free Transform. And I want to transform it around this side. So I’m just going to click on this side so it’s anchored here so that when I flip it over it doesn’t move. And I want to flip it over so it’s exactly mirrored which means that it’s negative 100 percent. So I’m just going to make that negative 100 percent and then I have an exact duplicate of this shape. And this is the piece that I’m going to rotate around to create my kaleidoscope so I’m going to merge these two layers together. I can do that by selecting both layers and choose Layer Merge Layers or Merge Visible, either of those would work. So too would Flatten Image or I could just press Ctrl E. But let’s choose the menu option. Now that we have our basic shape I’m ready to rotate it. And I’m going to do this the smart way so I don’t have to do every single one of them. I just want to do it once, Layer New Layer via Copy, Edit Free Transform. I’m going to anchor it at its bottom center point. And I’m going to rotate it around 60 degrees, and I’m going to click the checkmark here. And having done that once I’m now going to get Photoshop to do it automatically for me. And all I need to do to do that is to press these keys, Ctrl Shift Alt T, and that’s Command Option Shift T on the Mac. So I’m going to press all these keys and every time I do it Photoshop duplicates the layer and rotates it. So with four keystrokes I’ve now got the rest of my kaleidoscope. Again I’m going to select all these layers and Ctrl or Command E to merge them into one. And now I’ve got one layer I can make a duplicate of it. And then I can size it as we saw earlier. If I want to size it around its center point I’m going to hold Alt and Shift as I resize it. And now I can also rotate it. So I might rotate it for example 15 degrees. And then I might make another duplicate of this and do something similar to this duplicate layer, again holding down the Shift and Alt so I’m rotating or sizing around the middle point, place my shape in and then rotate it. This time I might choose say let’s go 30 degrees. And then for each of these I could add a hue/saturation adjustment. And that will allow me just to recolor the shape and perhaps get a more interesting effect in doing so. I’ll do that and just click Ok. So there is the basics of creating a kaleidoscope in Photoshop. Now you could use a different measurement than the 60 degrees that I used. You might want to try it with 30 degrees to get a more complex kaleidoscope. But basically once you get your flipped shape and you merge it you can get Photoshop to do all the copying and rotating work for you. I’m Helen Bradley. Thank you for joining me for this video tutorial. Look out for more of my Photoshop video training on my YouTube channel.
Labels: abobe, copy, Helen Bradley, how to, kaleidoscopes, layer, Photoshop, Rotate, video, video tutorial
Thursday, September 6th, 2012
Photoshop Repeating Pattern
Learn how to create a half drop repeating pattern in Photoshop. Also see how to fill a layer with a pattern and how to scale a pattern in Photoshop.
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Complete transcript from video:
Hello, I’m Helen Bradley. Welcome to this video tutorial. Today I’m going to show you how to create half-drop repeating patterns in Photoshop. To create a repeating pattern I’m just going to create a new document of a fixed size. So I’m going to make mine 100 x 100 pixels in size, RGB color with a transparent background and I’ll click Ok. I’m going to zoom in here so we can see it a little more clearly on the screen. And I’m going to use a path for mine but you could start with anything you like at all. And I’m just going to click and drag and then click and drag in this direction because I want to make a sort of boomerang shape and click back over the starting point. Now I’m going to select my Direct Selection Tool, click on this point because I want to adjust it and Alt drag to split these two handles from each other, Alt drag again so that I can create this sort of boomerang shape. And I’m thinking that that looks pretty good. So now I’m going to turn this path into a selection by clicking here on the Load Path as Selection. I’m going to display my Layers palette so we can see what’s going on here. I have a color already selected so I’m just going to Alt Backspace Option Delete on the Mac to fill this shape with my color. Now I’m thinking I would like a stroke around this as well so I’m just going to stroke it. I could stroke it from the work path but it’s easier just to stroke this selection. So I’ll choose Edit and then Stroke and then let’s select a darker version of this color for the stroke. And we’ll stroke it in the center. And we’ll stroke it by 2 pixels and just click Ok. So there’s my shape and now I can deselect my selection using Ctrl D or Command D on the Mac. So now I have my shape I’m ready to create my half-drop repeat. To create a half drop repeat I have to break this up into four pieces and put it in the corners of the image. Luckily Photoshop can do that for me. So I’m going to start by making a duplicate of this layer and I do that by dragging and dropping it onto the New Layer icon. So I now have two copies of the image. I’m going to turn off the background copy so I have only the top version visible. And now I’m going to choose a filter that’s going to do all the splitting work for me, Filter Other Offset. And the offset filter will break the shape up for me. All I need to do is to tell it what half the distance is of the vertical and horizontal size of this image. Now I set up my image to be 100 pixels by 100 so half of that is 50 x 50. And all I need to do is type 50 and 50 into these boxes. And you can see that Photoshop has now broken this image up into the required pieces. I set the undefined areas to wrap around and just click Ok. And there is the breakup for my half drop repeat. And all I need to do now is to drop this middle shape back into position. And this is exactly the pattern I need for a half drop repeat. So I’m going to choose Select All and then Edit Define Pattern. And I’m just going to click Ok. I could call it something if I want to. I’m not going to bother at this stage. Let’s hide this. And now let’s create an image with that half drop repeats in it. So I’m just going to get rid of these tools over here and let’s create a brand new image File New. Let’s choose a US paper, let’s do it letter size. But I’m going to do it landscape. No background, we’ll just do a transparent background and click Ok. And here’s our image that we’re now going to fill with our half-drop repeat. And we do that using Edit Fill. And here we have in the Fill dialog the option of choosing a Pattern. And your pattern is always going to be the very last one in the list. It’s the last one because you just created it and click Ok. And here’s our half-drop repeat. Now I’m just going to drop a layer in behind this and we’ll fill it with white so I’ll just make white my foreground color, Alt Backspace or Option Delete on the Mac. And there we have our shape filled with our half drop repeating pattern. Now if that’s not the half drop repeat that you wanted but it’s too small or too large we could use a different way of doing this. I’m going to choose Layer New Fill Layer Pattern. I’m going to create it just as pattern fill layer, just click Ok. And now what we’re doing is we’re filling it with our pattern. But since we decided our pattern was either too small or too large, let’s say it was too small, we can now scale it up to 200 percent by typing 200 percent in here and click Ok. And now we have a pattern that is much larger than the original. So there are different options that you have for using your half-drop repeat pattern once you’ve created it in Photoshop.
Labels: Adobe, Adobe Photoshop, cs5, cs6, Helen Bradley, pattern, Photoshop, repeating pattern, video, video tutorial, YouTube
Wednesday, September 5th, 2012
Trevor’s Photoshop tip of the Week – Resetting Color Palettes
(photo by: Leroy Skalstad)
Want to quickly switch the colors you’re working with back to the default black and white? All you have to do is hit the D key on the keyboard and the color palette will be reset to the default black foreground and a white background.
Labels: color, palettes, Photoshop, reset, tip, tip of the week, trevor adobe, trevor payne
Categories:photoshop, trevor tip
Thursday, August 30th, 2012
Illustrator – recolor spirals and shapes part3
Learn how to find pieces of shapes and to fill with gradients and solid colors. Covers using the Layers panel to isolate shapes within a larger shape.
See all our tutorials on YouTube.
Text from video:
Hello, I’m Helen Bradley. Welcome to this video tutorial. In this video I’m going to show you have to recolor spirals in Illustrator and we’re going to do it the easy way. Before we start this tutorial I want to show you what we’re going to end up with. I have a shape here that I have been creating in the last few video tutorials. And I’ve showed you how to turn an oval and a circle into a shape like this using Pucker and Bloat and then Transform. And in this video tutorial I’m going to show you how we can recolor this shape. It may not be easy to see unless I point it out but this basic shape actually has a gradient fill in it. It’s a yellow to orange gradient. But the center of each of these flowers is colored orange. And some of these petals have been individually colored with solid colors. And I’m going to show you how you can create not only this Gradient Fill effect but also isolate different areas in this shape to apply different effects to them. So let’s get started. And here I have the basic shape that we’re going to work on. The trick with working with a shape like this spiral here which hasn’t been expanded so right now if I affect the colors on this particular shape I’m going to affect the colors in the entire spiral. The trick is being able to isolate the component parts. We’re going to start by applying our gradient. So I’m going to select the foreground fill and click Gradient. I’m actually going to select one of the built in gradients and we’re going to use orange to yellow gradient. Now it’s not working particularly well. But that’s fine because I’m just going to hide that dialog and go back to the Gradient Tool because now I can drag over the shape to apply the gradient the way I want it to be. If I drag from the outside across the shape the inside of the spiral becomes red and the outside is yellow. If I go the other way the outside of the spiral is red and the inside is yellow. And I just need to pick exactly what I want this shape to be. And by dragging smaller gradients I can affect more of the shape with red and less with yellow or drag the other way to add more yellow and less red. So I’m just going to find a sort of good intermediate position and call that good. The next thing I want to do is to isolate the middle of the shape and then isolate some of these petals. The easiest way to do that is to go to Window and then Layers. Now you may find that the Layers palette is a little bit confusing but it’s actually going to help us a lot here. So this is our main layer and it contains a group and the group has lots of little bits in it. So I’m just going to click these fly out menus so that I can see exactly what’s in my shape. And the thing I’m interested in right now is this bit because it’s the bit in the middle of my flower. So if I click this icon here I’ve isolated just that middle shape. And now I can fill it with whatever I like. So I’m going to choose green because it’s going to be really obvious that it’s happening. And this color is changing throughout the entire shape. Now I can isolate individual bits of my shape so I can select for example this piece here. And this is going to be this object. So I could apply a solid fill to it. I could also apply a gradient fill if I wanted to but I just want to isolate a few of these petals and just change their colors. Let’s have a look at this one. This is two around the path and that’s a good area for me to affect. I’m going to make that blue. And let’s have a look and see which this one is. It’s again two more around and I’m going to make it red. And now that I’ve finished with my layers I can just hide it. And let’s just click outside the shape and this is what we came to do. You can see that we have our gradient fill across the flower. The center of the shape is green and some of these petals have been refilled with solid colors. In future if I want to affect this shape I’m now going to have to be a little bit more discreet. If I want to affect my gradient I can come back in here, target my shape, go back to Window and then Layers and this time I’m going to hide the pieces that I don’t want to affect. So I’m going to hide the blue and the red and the green pieces. Now I have selected only the objects that are filled with the gradient fill. And now I can go back and grab my Gradient Tool and try and build up a different gradient effect for the image. I could even change the entire gradient, change the colors in it. And then when I’m ready to go back I can just redisplay these other pieces so that they are now visible. But you can see that because they weren’t visible when we applied the gradient they’re not actually being affected by it. So there we have our recolored shape. I hope you’ve enjoyed this video tutorial. I’m Helen Bradley. Look out for more of my Illustrator tutorials on this YouTube channel.
Labels: Adobe, Helen Bradley, how to, Illustrator, part3, Tutorial, video, video tutorial, YouTube