Thursday, January 31st, 2013

57 Secrets for Working Smarter in Photoshop

 

57 Secrets guaranteed to help you work smarter and faster and more effectively in Photoshop – what’s not to like about that?

Yeah! At last my new book is out. 57 Secrets for Working Smarter in Photoshop. It is updated to Photoshop CS6 and covers all the recent Photoshop versions.

The book is available as an e-book or a printed book from Amazon here or for the Kindle here. It is chock full of secrets you can put to work every day from making fixes without making selections to saving details of all the work you do in Photoshop so you can recreate an effect on an image. If you’re new to Photoshop or a seasoned user there is something in this book for you.

Everything is provided in a step by step format so you know not only what to do but you can follow the steps to do it.

 

Helen Bradley

Tuesday, January 29th, 2013

Make time to Photograph – the only thing holding you back is yourself

If you think you have to ‘go’ somewhere to get great pics, you don’t – you just need to look around you and start shooting – every day

I met this guy in London recently when I was photographing around Brick Lane. That area of London is famous for its graffiti and I had the rare pleasure of meeting some of the graffiti artists there including Stik. But I digress. The reason this guy is so interesting is that he photographs – nearly every day. He works in the area and he heads out at Lunchtime to take photos.

You might be prepared to shrug off his enthusiasm for his craft because of where he lives and works. Let’s face it –  he gets to shoot some pretty awesome stuff. But so do any one of us if we look around us. Anywhere you live will give you fodder to shoot – you just have to go looking for it. Some of my best images have been shot within a mile of my house and sometimes just a few hundred feet. I know that because I walk the same route most mornings from Starbucks to my office. I carry my camera and I shoot whatever I see that captures my eye. So too does this guy.

If you feel frustrated you can’t get out to shoot often enough, I challenge you to go out during lunch time. Spend half of it eating and half photographing and you will end up with an hour or more shooting time each week. It’s not hard, it just takes commitment. So that’s why I take my hat off to this nameless London worker/photographer. He’s working a 9-5 but he’s still indulging his passion!

 

Helen Bradley

Saturday, December 22nd, 2012

Wedding Photography – How to

 photo credit: arki www.sxc.hu

Here’s what to do when a friend asks you to photograph their wedding.

If you’re even a passable photographer, chances are that one day, someone will ask you to photograph their wedding. Before you take the plunge, here are some things to think about when shooting a big event like a wedding.

The demands of wedding photography

Photographing a wedding is different to just about any other photography you’ll do. You only get one chance at it and you run the risk of severely disappointing everyone if you don’t pull it off.

Wedding photography is a job that professional photographers charge a lot of money to do and, for good reason. So, it’s not a task you should take on lightly – if you really don’t feel up to the task say no rather than doing a bad job of it.

However, that said, it can be a rewarding experience if you get it right. And the key to getting it right is preparing well and having a well thought out and practiced plan.

Scoping the job

Talk to the bride and groom well before the wedding. Ask how many photographers there will be, if there are a few, determine who will be responsible for what so you aren’t tripping over each other on the day and missing out on key shots because you thought someone else was taking them.

photo credit: Mike Clarke
Wedding photography involves photographing everything from reception guests to decorated tables.

Make a list of the photographs that the couple want taken. Have a detailed checklist printed up with the images they want you to capture. If you order this in the approximate order of the ceremony and reception it will be easier to make sure you get everything you need.

There are some good web sites that have information on wedding photo lists including this one: http://spreadsheets.google.com/pub?key=ppuF_0dv6H8zTjdPjs4D4MQ

Enlist the help of a skilled assistant. You need someone to help you organise group pictures and run around getting batteries and holding things for you. Your assistant can also double check to make sure you don’t miss any photos on your list.

Before the wedding visit the locations that will be used such as the church and the venue for the reception. Check these at around the same time of the day as the wedding will take place so you can get an idea as to what lighting will be available.

Finding a location in the shade saves the effort of having to diffuse the sunlight when it is very bright.

If possible, place your assistant where the bride and groom will stand and shoot some sample images to check the lighting and your camera settings.

Photo credit: theswedish www.sxc.hu

Also check locations inside the church and the reception venue where you can take photos, particularly places with clean or interesting backgrounds. If you can’t find clean backgrounds to work with, plan to use a wide aperture lens so the background won’t be in focus.

If you’re not able to use a flash such as in a church, you will need to use a fast lens and you will need to know how to use it before the day. If you don’t have a lens, consider borrowing or renting one but test it thoroughly before the big day.

You need to be very familiar with how it performs and how to configure it for best results. However, that said, avoid changing lenses too often as you risk getting dust into the camera which can ruin your photos or cause you a lot of work cleaning them up.

Photo credit: www.sxc.hu

Checklist of kit

Make a checklist of the kit that you will need. This includes cameras, batteries, memory cards, tripod, computer, diffusers and so on. If you will be shooting out of doors a diffuser will help to control bright light and your assistant can hold it for you.

If you’re shooting indoors you’ll need an off-camera flash if not a special lighting rig. Make sure that both you and your assistant know how to use every piece of equipment. A second camera body is essential as a backup if something happens to your main camera.

photo credit: Alexey Ivanov

A large aperture lens throws the background into soft focus minimising its impact.

Photographers are never late!

Arrive in plenty of time to set up before the wedding. In many cases you will be expected to photograph the bride as she and her attendants get ready and leave her house.

You may also be asked to photograph the groom and his groomsmen before the ceremony. Make sure you have scouted an appropriate location and you have sufficient time to do everything required of you.

If you’re the sole photographer, don’t expect to see any of the ceremony or to enjoy the reception – you’ll be working pretty much full time capturing images. Carry plenty of bottled water if it is a hot day and some energy bars too.

At the reception, move around the guests capturing a good range of photographs both candid and posed images as well as small detail images such as those of the table settings and the cake and so on.

Check your camera settings regularly throughout the day and every time you change locations. Check the camera’s white balance setting, check the image size and compression and exposure compensation and ISO to make sure nothing has altered.

If possible, shoot RAW and process the images into JPEGs later on. Take lots of photos – it’s too late at the end of the day to realise you should have shot more ‘film’. Count on taking anywhere between 500-1000 photos so you have plenty of images to choose from. Avoid setting any fancy in camera settings and shoot in colour knowing you can always convert to black and white later on.

Post Processing

After the wedding download all the photos to your computer and, if possible, don’t delete them from the camera cards until you have them checked and backed up. If you are giving the photos to the bride so she can print her own album, you should still perform some basic image editing tasks.

Check each image and only give the bride the best of them culling the bad ones. If the images need lightening or contrast enhancement, do this. Rotate the photos so they are so all in the correct rotation, and crop away any obvious problems.

Burn the images to a DVD and make a backup copy of these disks too. Do this before removing the images from your PC or from the original memory cards, if possible just to be safe.

If you’re well prepared and focused on the task at hand you have a good chance of doing a good job.

Helen Bradley

Tuesday, December 18th, 2012

Trevor’s Quick Word Tip – Quick Bold, Italics and Underline

When you want some text to stand out by being bolded you can press Ctrl + B and then type the text. To turn bolding off, press Ctrl + B again. This also works to bold already typed text – select the text and press Ctrl + B to bold it. The keyboard shortcut Ctrl + I can be used to italicize text and use Ctrl + U to underline it.

Helen Bradley

Wednesday, December 12th, 2012

Trevor’s Quick Illustrator Tip – Duplicate, Drag, and repeat

When you need to make a duplicate of an object without copying and pasting it you can do so. With the object selected hold down Alt as you click and drag to where you want the copied object to go. To do it again without having to click and drag, press Ctrl + D on a PC or Command + D on a Mac – it’s the command to repeat the previous action. Repeat as often as required.

Helen Bradley

Tuesday, December 11th, 2012

Trevor’s Quick Word Tip – Open, New Document

You can bypass the Open and New document dialogs in Word using shortcut keystrokes. To start a new blank document from inside the document you are working on now, press Ctrl + N. To open a document that already exists to reference or edit it press Ctrl + O and browse to locate and select the document to open and click Open.

Helen Bradley

Friday, December 7th, 2012

Trevor Quick Photoshop Tip – Duplicate a Layer

Original photo by: Falk Schaaf

Need an exact copy of a layer? Select the layer – click the layer in the Layer palette – not the thumbnail and press Ctrl + J on a PC and Command + J on a Mac. The new layer will appear above the original layer and will have “copy” added to the original layer name.

Helen Bradley

Wednesday, December 5th, 2012

Trevor’s Quick Illustrator Tip – Rotate Objects

Angle of your object not right?  You can rotate it by selecting the object, hover just outside one of the bounding boxes corners. Your cursor will change to a curved double headed arrow and when it does you can rotate the object by clicking and dragging it until you get the perfect rotation..

Helen Bradley

Tuesday, December 4th, 2012

Trevor’s Quick Word Tip – KeyTips on the Ribbon


Navigating the Ribbon in Microsoft Office applications using the mouse can be tedious. You can navigate the Ribbon using the keyboard by pressing Alt. This displays what Microsoft calls KeyTips which are letters and numbers overlaid over each available option. Press the letter or number that corresponds to the command to select.

Helen Bradley

Friday, November 30th, 2012

Trevor’s Quick Photoshop Tip – Entire Layer a Selection

original photo by: Gisela Royo

To select the content on just one layer of your image to work on it or to make a mask from it, Ctrl + Click on the layer thumbnail on a PC (Command + Click on the Mac). Once the contents of that layer is selected you can work with it.

Helen Bradley

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