Saturday, March 17th, 2007

Soft Focus Portrait in Photoshop

softfocus 796882 Soft Focus Portrait in Photoshop

Portraits typically look much more flattering when they have a soft focus look. This is a fix that will give even a so-so portrait a lift. The colors in the image will be more muted and softer and more flattering to the subject. And, when you’re done, crop the final result very tightly to get that professional look.

Start by duplicating the background layer on the photo – choose Window, Layers to view the Layers palette, right click the background layer and choose Duplicate Layer and then Ok. Click the top layer and choose Filter, Noise, Median to smooth the image on this layer – choose a value of around 5 for the radius. Now apply a slight aging effect to this top layer by choosing Image, Adjustments, Hue/Saturation and reduce the saturation and use the Hue slider to create a slightly aged yellowing of this layer I set Saturation to -50 and Hue to -10 and click OK. Now experiment with the layer opacity of this top layer to vary the result – you want something softer than the original.

To finish, make a elliptical selection around the subject, invert the selection using Select, Inverse and add a feather using Select, Feather and add a large feather to the selection. Blur the result to soften the area around the subject and then crop the photo to size to finish.

Wednesday, February 14th, 2007

5 Hot ways to make grayscale images in Photoshop

There are lots of differnt ways to convert a photo into a grayscale image and each of them offers different benefits such as speed or the ability to customise the results.

Here are five great ways (and one cool extra tip) for making a grayscale image in Photoshop:

(Hot tip) Before you convert an image to black and white, adjust it to ensure there is a good tonal range in the image. Choose Image, Adjustments, Levels and make sure the markers are under the ends of the chart. Adjust the midtones slider (the middle one), until you have a good result. An image with good contrast and a pleasing tonal range will give better results in the steps that follow.

Grayscale – Version 1
The simplest method of converting to Grayscale is to choose Image, Mode, Grayscale. When you do this, you create a grayscale image and color cannot be added back into it unless you convert it back to a color mode. To do this, choose Image, Mode, RGB Color if you plan to do more work with the image. Convert to CMYK color mode only if you intend to send the image for commercial printing.

Grayscale – Version 2
A RGB color image is made up of three color channels Red, Green and Blue. These channels are grayscale images displaying the relative amount of that color in the image at any point. To see the channels, display the Channels palette and click on the channel to view, hiding the others. If you like the grayscale representation of a particular channel display it, hide the rest, and choose Image, Mode, Grayscale and you’ll be asked if you want to discard the remainder of the channels – this turns the current channel into the grayscale image. Answer Yes to do so. To work on the image again in color, choose Image, Mode, RGB Color.

Grayscale – Version 3
Another method of converting an image into grayscale image but which retains the RGB color mode is to choose Image, Adjustments, Hue/Saturation. If you select the Master channel and then drag the Saturation slider to the far left, you’ll remove the color from the image by desaturating it. However, because it is still RGB Color you can add color back without needing to alter the mode.

Grayscale – Version 4
The Channel mixer gives you the opportunity to tweak the final grayscale representation by using more or less of the colors from the image. Choose Image, Adjustments, Channel Mixer and click the Monochrome checkbox. Now adjust the Red, Green and Blue sliders until you get a result you like. Ideally, you should ensure that your percentages add up to 100% although this isn’t a hard and fast rule.

Grayscale – Version 5
One situation you may encounter is where you want to convert a single layer into grayscale but leave the other layers in the image in color. In this case, choose the layer to convert to black and white and choose Layer, New Adjustment Layer, Hue/Saturation and enable the Use previous layer to create clipping mask checkbox and click Ok. Move the Saturation slider to the far left and click Ok.

So, there you have it – more ways to convert an image to black and white than you ever thought possible?

Monday, February 12th, 2007

Create a winning smile in GIMP

Shiny white teeth look great but, let’s face it, not all of us have the benefit of expensive orthodontics. Luckily, armed with some graphics software you can give yourself or your best friend a professional whitening job in seconds.

To whiten teeth, in GIMP, click your favourite selection tool and make a selection around the teeth. Take care to select all the tooth area but avoid including any of the gum line or lips. You may find the “Select contiguous regions tool” is the best to use. Set a feather by choosing Select, Feather and set a feather value of 1 or 2 if the image is large.

Choose Tools, Color Tools, Hue-Saturation and click the option button for the Yellows so you’ll adjust only the yellow coloring in the selected area. Reduce the intensity of the yellow by dragging the Saturation slider a little to the left. Check the Green and Red channels to see if altering their saturation has an effect and repeat as needed. Click on the Master button and drag the Lightness slider to the right to lighten the entire selection.