Friday, July 26th, 2013

Photoshop – Create Art from Photos using Textures

Here I show you how to create works of art using your images in Photoshop. Included is how to find and select texture images to use, how to blend these into the image and, how to add a lightening effect to highlight areas of the image to draw attention. Also, included is one method of adding a vignette to an image.

Transcript:
Hello, I’m Helen Bradley. Welcome to this video tutorial. In this tutorial I’m going to show you how you can make art from your photos using textures in Photoshop. Before we get started with this video tutorial let’s have a look and see what we’re aiming for. This is the image that we’re aiming for. And quite often when I’m doing these tutorials I’ll play around with a few images before I come up with something that I really want to share. But today it was just this one image, this one texture and the whole thing just blew my mind. So here it is in video form.

To start off with I’m going to show you where I got my textures because these textures are totally awesome and I love this guy’s work and I want to introduce it to you. So this is a Flickr photo stream and the guy is called Skeletal Mess. And he has a whole lot of textures that you can download. Now I downloaded this one. It’s very big but I just want to show you his set that he has on Flickr so you can see the sort of potential for what there is available. Now with this particular image I was having a look through his sets and just having a look to see what I might use. And this one really spoke to me and I’m going to show you why because we’ll go back to the image that I have and we’ll see why blue worked particularly well for this image. So let’s just wind back what I’ve done.

So I’m just going to the layers palette for this image and let’s go and create a brand new image. Okay, so here’s our duplicate image that we’re going to work with. That was what we were aiming for so now I’m going to take away the pieces that went to make up this image. Now you’ll see why I thought that that blue texture would work particularly well here because this image has no sky and if we can borrow the blue from this texture then that would give us an awesome result. We could have used this one too or this one and perhaps just rotated them. But this one really spoke to me so I downloaded that. So I’m just going to grab it now because whenever I download an image even though I can just drag and drop it into Photoshop I’ll also save it just in case I want to use it again later on.

So I’m just going to bring it in here. It’s a whole lot smaller than my image but because it’s a texture that doesn’t really matter. So now I’m going to grab the move tool and just size it to fit all the way across my image. And again because it’s a texture it doesn’t matter that it’s pulled a little bit out of square. So it’s been pulled a little bit wider than it was tall. The next thing I’ll do is just run down these blend modes and just see what it gives me because this is like totally the most exciting thing that you get to do. So I’ll just select Dissolve and then we’ll just run down these blend modes until we get what we’re looking at. And Multiply I think is probably the one I’m going to come back and use but let’s just see what there is in this list. And it was at the point at which I got to that Multiply blend mode that I thought I actually had something I really wanted to work with but you might find other things here that are speaking to you. There’s a whole lot of potential. I usually run down the list and then come back up and by then I’ve pretty much made my choice as to what is working for me. This one possibly but it’s not nearly as good as the Multiply one. So here’s the Multiply blend mode applied to this image.

Now having achieved that I thought in actual fact the middle of the image could be a bit lighter. So what I did was I added a brand new layer and from my tools palette which has gone walkabout here I just grabbed the elliptical marquee tool and just dragged out an oval on that image. I switched so that white and black would be my colors and I also added a feather to this. So I’ll choose Select and then Modify Feather. This is not a very sophisticated feather option but I’ll just add a 100 pixel feather radius to it. That just really softens this edge so now when I fill it by pressing Ctrl Backspace, Command Backspace on the Mac, it’s going to have this feathered soft edge. So now Command or Ctrl D to deselect the selection.

Now I have a big white splat right in the middle of image. That’s obviously not going to work but what I’d want to do then is to blend it in so again I’ll just select the first blend mode in the list and then just run down until I find something that works for me. And here’s Overlay blend mode. That’s lightening that image really well in the area where the lightening effect was. I’m thinking that’s probably the blend mode of choice. But let’s just go and check these others particularly in this lighter area with soft light, hard light, vivid light and pin light. You’re never really sure that they’re not going to give you something so I always run through those just in case one is better than the other. So we’re pretty much to the end and Overlay is going to be our choice. So I’m going back up to pick up Overlay. Now this is too white for me so I’m just going to drag down on the opacity of that layer just to make it a little less opaque. I’m also going to test around this area. I’m thinking that some of this lightness is coming through from this layer and it’s probably a bit more than I want.

So again I’m going to add a layer mask to this layer, go and grab a paintbrush and just paint with black with a very small opacity brush, you can see it’s only 26 percent opacity, just to knock out the bits where I think the lightening effect is too much. I really just want it on the front part of this boat. So once I’ve neatened that effect up now I’m thinking a vignette around the edge. Now there’s umpteen ways of adding vignettes. I’m just going to show you one of them. So a brand new layer, I’m going to go back to my marquee tool, this time the rectangular marquee, I’m just going to drag in around about probably an inch into the image and then I’m going to invert the selection, select Inverse so everything that was selected is now not selected.

So I’ve got this outside edge selected. Now I’m going to sample a color from the image by clicking the eyedropper. I’m thinking one of the colors around here is kind of pretty good. It’s sort of dark but not really, really dark. I’m thinking that color was pretty good. And now I’ll Alt Backspace, Option Delete on the Mac, to create that as my fill color. Now I can deselect my selection with Ctrl or Command D. Now this is not looking like a vignette but that’s fine because we’re going to again run down our blend modes and look for something that is going to give us a darkening effect at the edge. Things you would look for are going to be in this light field. Obviously Overlay is going to do it. Multiply will do it as wells. That will always darken everything up a little bit.

So they’re the ones to look out for but also look out for any surprises as you run down. You might see something that gives you an effect that makes you go oh, wow, that is just too amazing. So I’m headed towards probably Overlay. So now it’s still not the vignette effect that I want but I’m going to blur this. So with that layer selected I’m going to go Filter > Blur > Gaussian Blur. Gaussian Blur is an awesome blur for just blurring things to almost oblivion. So here it is at zero radius effectively and now we’re just going to wind it up to soften this edge and pretty much just blend it into the image. And at some point it just becomes a really, really nice soft vignette effect for our image. So I’m just going to click Ok.

So there we have the effect. It’s very, very simple. This is a throwaway image. It’s just the sky is gone. It’s Hong Kong. It’s smoggy. It’s an overcast day. The sky is just nonexistent and I really wouldn’t have given this image a second look except that I was looking for a challenge. Add a really nice texture from Skeleton Mess free online textures from Flickr, add a bit of a highlight in the middle and then add this vignette effect and we’ve got an image that is now a keeper.

I’m Helen Bradley. Thank you for joining me for this video tutorial. Look out for more of my tutorials on this YouTube channel. Please subscribe and also visit my website at projectwoman.com for more tips, tricks and tutorials on Illustrator, Photoshop, Lightroom, iPad and a whole lot more.

Helen Bradley

Tuesday, May 28th, 2013

Photoshop – 3 Blend Modes you MUST KNOW

Learn three must know blend modes for Photoshop and in particular for editing photos in Photoshop. Covers how to use Screen, Multiply and Overlay blend modes.

Transcript:
Hello, I’m Helen Bradley. Welcome to this video tutorial. In this tutorial I’ll introduce you to the three must know blend modes in Photoshop. I’ll explain how they work and how you might put them to use.

There are three blend modes that it’s really handy to know how to use in Photoshop, and we’re going to look at those three blend modes in this video tutorial.

In this particular image I have a picture of a building in Darwin and over the top of it I have a second layer. And on the right hand side is the exact duplicate of the layer below. And on the left hand side is just the color pink because we’re going to have a look and see how these blend modes work not only with images where you’ve got two layers that are identical but also what happens when you have for example a layer that is different. And the three blend modes that are really handy to use are got to by clicking this blend mode dropdown list in the layers panel in Photoshop.

If you can’t see your layers panel choose Window and then Layers and that will show you your layers panel. When you’re using blend modes you’ll always use the blend mode on the topmost layer or the layer that you want to affect. And it will affect how this particular layer blends in with the layer or layers below.

The first blend mode we’re going to look at it is this one here. It’s Screen. Now you’ll see that the blend modes here are grouped together. The blend modes in this particular group are the lightening blend modes. They are lighten, screen color, dodge, linear dodge and lighter color. And we’re going to look at screen in this particular group. And screen always lightens an image. So you can see here that the image is lighter than it was in the original. Here it’s colored this sort of pink tone. And here we’ve just got the original image over again, but it’s a lighter version. This is a blend mode that you can use to salvage an underexposed image. If you’ve got an image that doesn’t have enough light in it, you could use the image on each of the layers and then blend the top one into the bottom using the screen blend mode. And that will lighten the image and bring detail out of it.

The next blend mode we’re going to look at is similar but works in the opposite way. This is a darkening blend mode. And it’s accessible from this darken group of blend modes: darken, multiply color burn, linear burn and darker color. And in this case the one we’re going to use is multiply. And multiply darkens the image. You can see that we’ve got a darker version of the image with this sort of pink overlay. But here where we had the image on the two layers, the exact same image on each of the two layers, you can see that we’ve got a darkening of the image. This would be useful if we had an overexposed image. If we put the overexposed image on two layers and then blend them together with the multiply blend mode, we’ll bring back some of the detail in the overexposed image.

The other of the blend modes that you’ll typically use in Photoshop is overlay. It’s in this group of blend modes, and it’s one of the contrasty blend modes. What this does is it lightens everything that is lighter than a mid-gray and it darkens everything that is darker than mid gray. So it’s a nice contrasty blend mode. Let’s have a look here at what it’s doing to the image on the right. You can see that this is a flatter sort of image. And when I turn on this layer we’re getting a lot more contrasty image. And that’s what’s happening on the left too is we’re getting a contrasty, a colored version, of the original image. Anytime you want to boost the contrast in an image you can use the overlay blend mode.

So the three blend modes that I suggest that you look at using with your photos in particular are multiply to darken, screen to lighten, and overlay to add some contrast and punch. Now if you find that a certain blend mode is too much let’s just get rid of this particular layer and let’s duplicate the image itself. And let’s go and use the overlay blend mode. And if this is too much of a contrast enhancement to the image all you need do is to back off the opacity of this layer. This will give you some of the layer below and some of this additionally contrasty layer so that your image gets more contrast but perhaps not as much as it would have if you’d had this layer at 100 percent opacity.

I’m Helen Bradley. Thank you for joining me for this video tutorial. Look out for more of my tutorials on this YouTube channel. Comment on the video and like it if you like it. And look out for more tips, tricks and tutorials on Photoshop, Lightroom, Illustrator and a whole lot more at my website projectwoman.com.

Helen Bradley

Thursday, November 22nd, 2012

Photoshop Landscape Glow Effect

Quickly learn how to create a Landscape glow effect in Photoshop to give your photos a dreamlike quality.


Transcript:

Hello, I’m Helen Bradley. Welcome to this video tutorial. In this tutorial I’m going to show you how to apply a landscape glow effect.

Before we get started with creating this landscape glow effect let’s have a look and see what it is that we’re aiming for. This is the original image that I’m starting with. It’s from sxc.hu which is a stock image site and this is just a little house in the middle of a paddock. And this is the result of applying my landscape glow effect to it. The image has a bit more of a glow to it and a slightly more painterly look. I have another image that I’ve applied it to. Let’s just hide that one for now. Let’s have a look and see what this image looked like before. Again it’s a stock image and this is what it looks like after we’ve applied the effect.

So let’s get started creating this effect. I’m just going to remove these three layers from this image, and let’s see how we would do the effect ourselves. We’re going to start on the background layer of the image. And we’re going to choose Select and then Color Range because this allows us to pick out the darker areas of the image without having to make a selection which is really nice because they would be really hard to identify otherwise. So I’m just clicking to select shadows. And Photoshop has automatically selected all the shadow dark areas of my image so I’m just going to click Ok. And this is the selection it has made.

Now I’m going to put this on a new layer so I’m going to choose Layer, New, Layer via Copy. And that’s going to copy the blacks onto their own layer. So you can see this is what we’ve got. I’m actually going to hide that layer for now. Now I’m going to make two additional copies of the background layer. I’m going to right click it and choose Duplicate Layer and click Ok and then do that again. With the topmost of these duplicate layers I’m going to set its blend mode to Screen and that will lighten the image considerably. And then I’m going to merge this layer into the layer below by choosing Layer, Merge Down.

Now I have a lighter version of the image on top of the original. And I’m going to duplicate this so I have two light versions of the image on top of each other. And I’m going to set the blend mode for this particular top layer to Multiply and that will darken it all again. Now with this darkened layer I want to blur it so I’m going to choose Filter, Blur, and then Gaussian Blur. And I’m going to set my blur to a quite high value, something like sort of 9 or 10 but in that sort of higher value area so I’m going to get this sort of glow look to my image and click Ok.

So there’s my blurred darkened layer, my light layer underneath and my original layer below. And now that I’m ready to do so I’m going to make the top layer this dark tree visible again. And you can see that in actual fact the pixels in that layer are really quite light in comparison now to the rest of the image underneath. And I can even make it lighter by blending this particular tree back in in Screen mode and then just adjust the opacity down to suit. So that’s giving my landscape a very sort of glow look. It’s a lot richer color and a lot more of a glow look to it.

So I hope you’ve enjoyed this video tutorial. Thank you for joining me for it. If you liked the tutorial please like it on YouTube and subscribe to my YouTube channel to be advised when new videos are released which is a couple of times a week. You can also visit projectwoman.com for more tips, tricks and tutorials on Photoshop, Photoshop Elements, Lightroom, Illustrator and others.

Helen Bradley