Friday, September 27th, 2013

Illustrator – Create a Vector Swatch from a Madpattern Template

Learn how to make a vector repeating pattern swatch from a pattern created using a MadPattern template.

The Madpattern Illustrator templates include instructions for saving swatches as bitmap files but most users will want to create vector swatches. How to do this is not either clear or intuitive. This video shows you how to make a vector pattern swatch and how to save and open it so you can use it again in future.

Video covers downloading and opening a MadPattern template. How to create a pattern and then how to save a vector repeating pattern swatch. It also shows how to save the swatch and how to load it to use it again in future. Also covered is how to recolor the pattern and resize it.

Transcript:

Hello, I’m Helen Bradley.

Welcome to this video tutorial.

In this tutorial I’m going to show you how you can create a vector pattern swatch using Mad Pattern templates for creating repeatable patters.

Before we get started making our vector pattern swatch let’s have a look and see what we’re aiming at.

This is a vector pattern swatch that I created earlier using the Mad Pattern templates and all I need to do is to open the swatches library they’re saved into and add it as a fill to a shape such as this one here.

It can be scaled and colored and we’ll see that again in a short period of time.

But for now we need to go and have a look and see where we’re going to get these Mad Pattern templates from.

You’ll find the Mad Pattern templates at madpattern.com.

They’re said to be compatible with Illustrator CS4 and 5.

They’re also compatible with 5.

Click here to download them.

On my website at projectwoman.com you’ll see that I have a link from my Home page to Mad Pattern template images.

These show you the series of templates that you’re being given and how they repeat.

It’s pretty critical once you get into this to know exactly which one you need to get the repeating style that you want.

We’re actually going to use P3M1 here in just a minute.

Now once you’ve downloaded and extracted the files you can open them in Illustrator.

You can choose File, New from Template but I’m actually just going to open the template itself and this is the P3M1 template.

Now when you open these templates the first thing you’ll want to do is to show your layers palette because that will show you what’s going on.

Every template will have a layer that has the exact same name as the template itself.

It will also have a small amount of information which you can turn off by clicking the Info icon here.

If you read the info it does tell you a little bit of what you need to do to actually start creating the illustration for the template and also it will tell you how you can save this for web and devices.

Now the swatch saved for web and devices is a raster swatch so it won’t be scalable to a really high degree.

It would of course be a document that you could use in Photoshop but if you want a vector swatch then that’s what I’m going to show you how to do.

So we’re going to turn off the Info and we’re going to turn off the template elements and we’re going to click in here in this clipped elements area because that’s where we’re going to create the pattern itself.

I’m just going to zoom in here, make this a lot larger to that we can see the area that we’re going to be working.

I’m going to create a simple heart for my pattern swatch so I’m just going to quickly with the Pen tool draw a heart shape.

I’m not worried too much about how it looks.

I’ve got my handles turned off so I’m just going to make sure I turn them on and let’s just call that good for my heart.

Now I am going to color it so I’m just going to get my color swatches.

I’m going to fill it with a pink color and around the edges I’m just going to make it a navy blue.

Now I’d like my stroke to be a little bit bigger so I’m just going to grab my Appearance panel because I often find that stroke and things are a little bit easier to manage in the Appearance panel.

So we’ll give it a nice wide stroke.

Now before we leave here we can also grab the Ellipse tool and we’ll drag out a couple of circles.

So I’m just going to click on the edge here of this triangle.

So I’m looking for the anchor point.

I’m going to hold Alt and Shift so I can grab and drag a circle.

I’ll just reverse the colors here.

I’ll choose my Move tool, click on the object, choose Edit, Copy and then Edit, Paste in Place.

So that gives me a duplicate of this which then I can move over the very edge of this end of the triangle.

I’m going to do the same thing with Edit, Copy, Edit, Paste in Place and this time I’ll put mine at the very bottom of the triangle.

So this is what we have so far as our pattern.

Oops, let’s just grab that there.

So this is our pattern.

And having created the pattern we’re now in a position where we can go and save it as a vector swatch.

Now to do this we need to understand a couple of things about these Mad Pattern templates and one is that this is the area in which we draw our shape.

But this is an art board and this art board is fairly critical because it tells us how big our pattern repeat is going to be.

So I’m going to click here on this Art Board tool here and I just want to click on Art Board too because I want to select it because I want to read off a little bit of information about it.

To do this I’m going to click Art Board Options and this opens this Art Board Options dialog.

And these are the two measurements I’m interested in.

I want to know the width and the height of this art board and I need to know it exactly.

So this .21 pixels, that’s critical too.

So it’s 300 x 173.21 pixels.

I’m just going to cancel out of here because I just need that information, nothing more.

Now I’m going to select and create a rectangle but I’m just going to click once on the background here because I want to type in those measurements that I just got, 300 x 173.21 pixels and click Ok.

Now this is my shape but as you can see it’s got a blue fill and a pink outline.

We just can’t see that because the shape is not in the area in which the repeat pattern is being created.

If I do move it into that area you can see that it does have that fill and that edge to it.

Now it’s critical that it doesn’t have any of those features so with it selected I’m going to turn off the stroke and I’m going to turn off the fill.

So this is now an empty rectangle.

If you’re familiar with working with repeating patterns in Illustrator CS5, 4 and earlier then you’ll know that you need this unfilled rectangle to actually select and create a repeating pattern.

Now I’ve just opened my clipped elements group here.

I’m just going to drag the path all the way down to behind the background.

I just want to tuck it away for now.

And now what I want to do is to expand this layer P3M1.

Now I can’t expand it right now with this clipping mask and also this dummy path that are here with lock icons on them so I need to go in and unlock these two icons.

And then I’m going to select P3M1, the layer that corresponds with the template name, and click on all of these layers here so that everything is selected.

Now I’ll choose Object, Expand Appearance.

If you don’t see Expand Appearance here, if it’s grayed out, then you’ve done something or left something unselected or selected when it shouldn’t be.

So just exit out of this menu and go back and check that these lock icons are deselected and that you have P3M1 or whatever the layer is that corresponds with the template name selected and that these are all selected here because you absolutely have to have Expand Appearance available.

So I’ve clicked Expand Appearance and now you can see that I’ve got this very interesting sort of pattern of things happening in the background.

That’s exactly as it should be because I did need to expand the appearance of all these shapes.

So now I’m going to go back and reselect here the rectangle shape and then I’m going to select all these other objects as well.

So I’ve got everything selected here that makes up the swatch that I want to save.

And having done that I’m going to go and grab my Move tool and drag from the middle of this rectangle so that I’m dragging and dropping it into the Swatches panel.

And this then becomes my swatch.

So to test it before we leave here I’m going to turn off all these layers.

I’m going to click the topmost layer and I’m going to add a brand new layer so that I can add a filled rectangle over the tops.

I’ve just dragged out a rectangle here.

Now we can’t see it.

But you can now see it has a border and we want to select Fill and we want to drop our pattern fill in there so that we can check to make sure that everything looks perfect.

And I suggest you go one step further and that you actually resize this pattern.

So again, making sure that we have this rectangle selected let’s go to Object, Transform Scale and let’s make sure that we’re not transforming the object ourselves but that we are transforming the pattern.

And now we’re reducing it to 25 percent and we can see that this is a perfect pattern.

It’s repeating exactly the way it should be.

It’s looking absolutely perfect.

And if it looks perfect then you’re right to go.

If it isn’t perfect then just turn off this layer, get rid of this layer and just step back and recreate your pattern.

But we’re ready to go.

Now the problem with this is if I get rid of this document as I’m tempted to do I’m going to lose this pattern swatch and it’s not coming back any time soon.

I would have to recreate it.

So I need to save it.

So I’m going to click the dropdown list here now and chose Save Swatch Library as an Eye.

This is the one you want, the one at the very bottom.

And I’m going to call this heart2 mad pattern because I’ve got a heart1 already there just so that we know that this is the pattern swatch we just created.

I’m going to click Save.

So having done that I can now get rid of this image.

I don’t need it any longer and while I might usually save it in case I want to come back and make alterations to it today I’m just going to trash it.

So I’m just going to close it.

And now let’s go and test our pattern swatch.

I’ll choose File and New because I’m going to create a brand new landscape orientation document.

I’m going to drag out a rectangle on that document and if we go to the swatches palette you’ll see that our swatch has gone.

And that is to be expected.

We have to go and grab it.

We have to go and load it.

So from the swatches palette I’m going to choose Open Swatch Library and we’re going to choose User Defined and then heart2 mad pattern because that’s the one that I just saved.

Here is my pattern swatch.

I’ve got fill selected so I’m just going to click here and the object is now filled with my pattern.

And again we can test this by choosing Object, Transform, Scale.

Now this pattern can be scaled as big or as small as you like because it is a vector pattern.

So I’m just going to scale it here.

Now not only can we scale it we can also recolor it.

So if all you wanted to know was how to create a vector pattern for a Mad Pattern template then you’re off and running now.

But if you want to know how to recolor this hang around and we’re going to have a look at this too.

So to recolor it I’m going back to my swatches here.

I’m going to grab my color swatches and I want to create this color scheme here as a new swatch.

So I’m going to click here for new color group and I want to use the selected artwork and I’ll click Ok.

And so now these are here as global colors.

I’m going to select over that and click here the Edit or Apply Color Group button and this opens this color dialog.

Now I can use this color dialog to make changes for example I can say I don’t like this blue for example and I want to make it a sort of aqua color.

And that will make it aqua.

But I can also click the Edit button here and individually change these colors by dragging on the slider.

So I can drag around and the two colors maintain the same distance from each other but I can make them less saturated or more saturated by just dragging in or out on either of these sliders.

Now I can also unlock the slider here so that they’re now independent of each other.

So I can select whatever colors I want for the fill and for the stroke color on the pattern that is being used to fill this rectangle.

So when I’m done I’ll click Ok and I do want to save the changes and so they’re now saved as a swatch.

So you have all sorts of options here using the Mad Pattern templates and there are some really, really good patterns there.

And we’ll have a look at some more things that you can do with these Mad Pattern templates in upcoming videos.

But for this video I just wanted to make sure that you were able to save your patterns as a vector swatch because that’s going to be critical in being able to resize these patterns to any size and particularly very, very large sizes without losing details in your patterns.

I’m Helen Bradley.

Thank you for joining me for this video tutorial.

Look out on this YouTube channel for more YouTube videos on Illustrator, Photoshop, Lightroom and a whole lot more.

And also visit my website at projectwoman.com.

Helen Bradley

Sunday, September 1st, 2013

Create ornate circles with shapes and color in Photoshop

See how to turn simple shapes in Photoshop into ornate circles. The process is simple and you can source the elements to use from the web as free shapes – I tell you where to get them from.

Transcript:

Hello, I’m Helen Bradley.

Welcome to this video tutorial.

In this tutorial I’m going to show you how you can make circular ornaments in Photoshop.

Before we get started with this tutorial let’s have a look and see what we’re aiming for.

This is one of the floral ornament shapes that I’ve created and I’m going to show you how you can create this quickly and easily in Photoshop.

And I’m using Photoshop CS6 for this technique.

If you’re using an earlier version you may need to adapt parts of the tutorial but you can still do it.

So let’s just close this down and let’s create a new document, File, New.

And it doesn’t really matter too much.

I’ve just got a 600 x 600 RGB document with a white background.

You can create pretty much anything.

Now before we actually start making our shapes we’re going to need to find some things to make them with and what I’ve done is I’ve located some places on the web that you can get these from.

So I’m going to this particular site here which is all-free-download.com.

It’s all-free-download.com.

And if you go searching for vector floral clipart you’ll be able to find this file here.

And this is the one that I’ve used so you just click it and then go ahead and download it.

And once you’ve downloaded it you can open it.

And I’ve got it open here now in Windows Explorer and I’ve actually gone ahead and extracted all the files.

And in this particular file there’s a floral clipart AI which is an Illustrator file and there’s also a CSH file.

And the CSH file is a Photoshop one so you can use that.

And what I did was I put the shapes in Photoshop’s shapes collection.

So I’m going to show you how you can do that now.

I’m just going to size the Photoshop screen down so that I can see the Photoshop screen as well as my Windows Explorer screen here.

And I’m going to grab the tools and I want the Shapes tool because I want the Shapes panel here.

So I’m going to open this up here and click this icon here which opens up the Shapes fly out menu.

And I’m going to choose Load Shapes because when I do that Photoshop takes me to the custom shapes location.

So this is where it expects the custom shapes to be.

So what I’m going to do is show here my Windows Explorer folder and I’m just going to drag and drop floral clipart into here.

In fact I’ve already done it.

You can see it’s here so I’m not going to drag it in a second time.

But you would drag the floral clipart CSH or the shapes file which is a Photoshop file into this custom shapes folder.

And when you do the custom shapes are now available inside Photoshop.

So you can close everything down.

I’ll just close this for now.

Okay, let’s go back to our document untitled2.

I’m going to make this screen, Photoshop screen, the full screen size.

So now we’re ready to go to our shapes.

I’m going to click here.

This is the Shapes collection.

Usually you’ll see the Rectangle tool but we’re actually going for the Custom Shape tool.

And because my image is 600 x 600 in size I’m going to put a couple of guides in here.

So I’m going to choose View, New Guide and I’m going to put a vertical one at 300 pixels, that’s 300 px, and click Ok.

And I’m going to go ahead and put a horizontal one in, click Horizontal, type 300 px and click Ok.

So now I have my center point marked and that’s just going to make things a whole lot easier in a minute.

So I’m going to create a new layer by just clicking the Create New layer icon here at the foot of the Layers palette because I want to work on an empty layer.

Now I used Kuler a little bit earlier to get my color scheme and I have a video on using Kuler in Photoshop that you may want to look at on this YouTube channel.

But basically what I did was I went to Window Extensions, Kuler and I launched Kuler.

Well, that’s just hidden it, hasn’t it.

So here’s Kuler and I went looking for flowers and I searched for flowers and I located a flower color scheme that I really like.

So I just clicked here and choose Add to Swatches Panel.

And here are the flower colors added to my Swatches panel so I thought we’d choose a different color flower this time.

So I can just tuck Kuler away because I don’t need it anymore.

I do need my Layers panel.

I do need my tools and I will like my swatches to be open.

So with the custom shape selected I’m going to go and first show you how you would add these shapes in because I’ve already done that.

But you’ll click the fly out menu and you should see your shapes in here.

They should be listed.

If they’re not then you can click Load Shapes and go and load the floral clipart shapes and click Load and then they’ll be loaded into your panel.

So they’ll be here.

Now I’ve got two sets of them but that doesn’t matter too much.

Now the first thing I’m going to do is choose one of these shapes to work with and the ones that I worked with were the fairly small ones, things like this or this that had sort of nice floral elements.

But they were fairly simple.

So I think we’re going to start with something a little bit more complex this time.

So let’s select this one.

I’m just going to click it.

And on the toolbar here I want to be working in shapes so I want this to be shape not path or pixels.

In earlier versions of Photoshop you will need to select an icon here.

It won’t be on a dropdown menu and you won’t have these features here for fill and stroke.

But you’ll be able to select the fill color and I don’t want a stroke on this at all.

But I do want a fill color and I’m going to select one of my floral colors that I used or grabbed from Kuler.

So now I’m going to make a blue shape with no stroke and I’m just going to draw it out here.

And I’m going to hold the Shift key so it’s constrained to its original proportions.

I’m just going to let go.

So you can see now I have this shape on a new layer and it’s just a blue shape.

I’m going to drag it into position.

Now I think in actual fact that I would like the bigger end on the outside so I’m going to drop it down here because that means that this bigger end is going to be on the outside of the circle as I work.

And now I’m going to press Ctrl or Command T because this gives me my Transform tools.

And what I want to do first of all is find this little marker that’s in the very, very center of the image.

And I’m going to drag it around and I’m going to pop it just right over the middle the image.

And then I’m going to set this option here this angle option to how many degrees I want to transform this image in.

And there is 360 degrees in a circle so we need something that will divide into 360 equally.

So for example if we want 10 shapes around it we could do 36 degrees.

Numbers like 30, 60, 45, 10 are good values.

I’m going to choose 30.

So I’m going to type in 30 here and you can see that the shape has started to rotate.

And I’m going to click the checkbox.

So it’s started its rotation and to complete the rotation all the way around the circle I’m going to hold Ctrl and Shift and Alt all at the same time.

So I’m going to press Ctrl, Shift, Alt on the Mac, that would be Command, Shift, Option and then the letter T for Transform.

And every time I press the letter T because I have Ctrl, Shift and Alt held down you can see that it’s adding another shape.

So all I have to do is to press the letter T enough times that my shapes creates an entire circle.

And here is my shape here.

Now you can leave it as a shape layer if you want to.

You can resize it if you want to by holding Shift and Alt as you drag in or out on the handles.

I’m going to drag mine out a little bit.

I think this is going to be the larger of the shapes and I’m going to click the checkmark to confirm it.

Now so that my computer doesn’t get stressed out with having such a large shape I’m going to rasterize this.

So I’m going to right click and just rasterize the layer.

But you could leave yours as shapes if you wanted to.

Now I’m just going to click Create a New Layer.

And we’re just going to repeat this over and over again.

So I’m going to choose my Shape tool, my Custom Shape tool.

I’m going to choose a different shape this time.

So I’m looking for something interesting that will complement the shape that I have here.

And last time I used this shape as my final shape so I think I’m going to do that again.

So we’ll wait for a minute before we use that.

But let’s go and get this one that’s sort of like a leaf shape.

I’ll click on it.

And now on a new layer I’m going to turn this layer off for a minute so that I can see what I’m doing here.

I’ve got no stroke.

I’m going to change my fill this time to a green color and I’m going to just drag out my leaf shape.

I’m going to hold the Shift key so it’s constrained to its original size and dimensions and I’m going to position it pretty much over the center of the image.

And I’m doing that by holding the Spacebar down as I drag it into position.

And now I’ve got my green shape.

I’m going to select the Move tool so I can now rotate it and press Ctrl or Command T.

I’m going to drag this little indicator into the very middle of the intersection where those two gridlines are.

So I’m going to rotate around that location and I’m going to select the amount of rotation.

And I’m going to use 30 degrees again so I’ll type 30 and then I’m going to press the checkmark here to accept that transformation.

Now I’ll press Ctrl, Alt, Shift T to repeat that transformation and copy that shape.

And I’m going to do that until I get all the way around the circle.

So this is my second shape and if I click to show my first shape I can see the two shapes as they’re interacting.

I think I want to change the size of my top shape so I’m going to select that layer and with Shift and Alt held down I’m going to size it so that it appears as a much smaller shape here.

And I many also want to rotate it for example because I initially set 30 degrees as my rotation.

If I rotate this through 15 degrees it’s going to be slightly offset.

And I think that will be a good choice here.

So now let’s go ahead and make a third shape, again creating a brand new layer, selecting the Custom Shape tool and this time I’m going to go for this sort of filler shape.

I think this one here is going to be a good choice although this leaf could be used as well.

I’m going to select it and select a different color to use.

This time I think I’m going to choose this very light green color.

I’m on a new layer.

I’m going to drag out my shape.

I’m going to hold the Spacebar to move it into position and perhaps even hold the Shift key so that it’s constrained to its original proportions the way it was drawn originally.

And then I’m going to let go the Mouse button and then let go the Shift key so that it is now drawn on this new layer.

Now this is really quite a big element so I’m not going to need to have too many of them.

I’m just going to use the Move tool to line it up very neatly here.

I’m going to press Ctrl or Command T to get into free transform mode.

I’m going to move its little indicator all the way down to the middle here so that it is going to rotate around the circle and this time I only want a small number.

So if I rotate it through 90 degrees I’m going to get four of these shapes on the screen.

And that will be plenty.

I’m going to press the checkmark here to confirm this transformation and then let’s go back and press Ctrl, Alt, Shift T to make the additional shapes.

I’m going to press that three times so that we get this finished shape.

Now I’m thinking this particular shape might look better with a border on it so I’m going back to the Shape tools and this time I’m going to select a stroke.

And I’m going to add a lighter green stroke around it.

I’m going to make it a single line stroke and I’m just going to make sure that the size of the stroke is correct or sufficient for my needs.

I’m thinking probably about a 2 point stroke will be nice.

And I’m going to again make this into a rasterized layer by right clicking and choose Rasterize Layer.

And so there’s my additional shape.

I’m now going to drag on my greenery layer and move it on top of the original layer and I can also resize this layer if I want to make it smaller or larger or even moving it behind everything else.

Now one of the things that you can do then is to make the background layer a different color such as black.

I’ve selected the background layer and I’m pressing Alt Backspace to fill it with black.

I can also add effects to these layers.

Let’s go to this greenery layer and let’s add an outer glow.

So I’m choosing the Add Layer Style icon here and I’m going to add an outer glow.

At the moment it’s a white glow.

So I’m just going to increase its spread a little bit.

You can see it’s some dimension and a little bit of a glowing effect here.

And then let’s go and get a green color from the underlying image and use that as our glow.

Now we may not want it to be quite as feathered and we may just want it to a more harsh sort of glow which is quite possible and just click Ok.

And then we can do the same for this shape here and we could add a glow to it, again, Outer Glow.

Again, I’m going to sample a color.

I’m actually going to sample this blue color and then use something in that sort of same color range perhaps a bluey green for my outer glow.

I’m going to increase the spread and also soften it up a little bit so it really looks like a glow.

Perhaps we could use a different blend mode such as lighten or we could play with overlay or color dodge.

Some of these will work and some of them may not.

But you can certainly experiment with how these interact with not only the black layer but also the green sort of colored layer below.

And I’ll click Ok and then I’m going to press Ctrl and the semicolon to turn off the gridlines.

Now this shape is very different from the shape we saw earlier.

It’s created in exactly the same way but you can see the color scheme and the actual elements that I used to create these shapes are quite different.

But I’ve got two very interesting shapes that I could now use as backgrounds or elements in a collage or for some other purpose.

It’s very easy to create these rotated shapes and lots of fun.

I’m Helen Bradley.

Thank you for joining me for this video tutorial.

Look out for more tutorials on this YouTube channel and follow me at projectwoman.com where my blogs include tips and tricks on Lightroom, Photoshop, Illustrator, Photoshop Elements and a whole lot more.

Helen Bradley

Helen Bradley