Thursday, April 8th, 2010

My 5 coolest Lightroom commands

 

There is so much of Lightroom that’s not apparent when you first begin using it and that takes time to discover and explore. Here are my five cool Lightroom techniques that you might want to add to your Lightroom toolkit.

Shortcuts

There are a lot and lots of keystroke shortcuts in Lightroom, and it takes time to learn them all. It’s also harder still to find them so you can learn them all! That is unless you know this one keystroke shortcut. Press Ctrl + / (Command + / on the Mac) to display an overlay of shortcuts over the top of your Lightroom window.

The list is module specific so check it in the Develop module for shortcuts for that module and in the Library for Library shortcuts and so on.

Go solo

If you find that opening panels in Lightroom clutters your screen with lots of open panels why not have Lightroom automatically close each panel as you open a new one. This is called Solo Mode.

To change the panel behaviour, right click on one of the panel names and choose Solo Mode from the small dropdown menu which appears. With this enabled the disclosure triangles change appearance to show as a series of small dots instead of being filled with solid colour. This indicates that the panel is operating in Solo mode.

You can also enable this by Alt + Clicking (Option + Click on the Mac), on the panel name (not the disclosure triangle). The selected panel will open and the mode will toggle between Solo mode being selected and not.

Note that some items like the Navigator and the Histogram are not part of this behaviour so even if you have solo mode operating these panels won’t close down.

 

Colour your life

If you find the colour labels; Red, Yellow, Green, Blue and Purple just a little short of useless, why not customise them to suit your own needs. To do this, redefine what each stands for by switching to the Library mode, choose Metadata > Color Label Set > Edit and edit the colour labels to make them stand for whatever you like.

Type your own description for each colour and from the preset dropdown list, select Save Current Settings as New Preset and give the preset a name.

Alternatively, you can use one of the two other sets provided, Bridge Default, which matches the colour settings used in Adobe Bridge or Review Status, which is another option with preset descriptions for each colour.

When you choose either your own set or one of the other shipped presets and hold your mouse pointer over one of the colour labels you will see the custom description appear making colour coding images way more useful than before.

 

Faster Ranking

Until I discovered what was happening I used to find ranking photos a bit of a hit or miss affair. Sometimes when I pressed a number 1 to 5, to rank the image as a 1 – 5 star image the image would be ranked and Lightroom would progress to the next image. Other times Lightroom would rank the image but stay with the current image still selected.

The key to controlling this behaviour is to enable AutoAdvance mode. There are multiple ways to do this, and the simplest may be to set the Caps Lock key on. Then when you press a number to rank an image, Lightroom will automatically rank it and progress to the next image. You can also enable this option by selecting Photo > Auto Advance in Library mode.

Of course, it’s also possible to use Shift + one of the numbers 1 to 5 to do this too, but I prefer a single key solutions that do not require me to use two hands.

Before/After alternative

Often when you’re working in the Develop module you’ll want to see the effect of applying a single change to the image. This is most particularly the case when you are sharpening the image, and you want to see the result before and after sharpening.

If you use the backslash key (\) you’ll see the Before and After view where the Before view shows the image as it was when you imported it into Lightroom. If you want to see just the Sharpening effect you can use the On/Off switch at the top left of the Detail panel.

This switch turns Detail panel settings on and off so you can see the results of just removing and reapplying your sharpening with all other changes to the image still in place – even if you applied them before the sharpening.

This gives you additional flexibility in determining whether the edits that you’ve made to the image are those that you want to use.

So, these are my five cool Lightroom techniques and now it’s over to you. If you were to share with someone your favourite (and not so obvious), Lightroom tips or tricks, what would they be?

Helen Bradley

Thursday, April 1st, 2010

Create a Lightroom Slide Show

 

One of the really handy features of Lightroom is its ability to create web slideshows quickly and easily. There are various options you can use and I’ll show you how to use the SimpleViewer slideshow which is good looking and very functional.

Step 1
To get started, prepare all your images and save them as a collection. Use a Collection rather than a Smart Collection so you can arrange the images in the order that you want to see them in the slideshow by dragging them into position using either the grid or the filmstrip.

To create a collection, select the images to use, click the (+) plus symbol to the left of the Collections panel and choose Create Collection. Type a name for it, enable the Include Selected Photos checkbox and click Ok. You can then drag and drop additional images into the collection and order them as desired.

 

Step 2
In Library view add a caption to each image so you can include the caption in the SimpleViewer slide show. To do this, open the Metadata panel and locate the Caption box. Type a caption for the first image, move to the next image and type a caption for it and so on.

 

Step 3
Click to open the Web module and, from the Engine options in the top right of the screen, choose Airtight SimpleViewer. This is an attractive and functional slideshow tool. From the options across the bottom of the screen choose All Filmstrip Photos.

 

step 4
In the Site Info area type the title to use for your slideshow, this is the page title and it appears in the browser title bar. In the Color Palette options, set a background color and border color for your images and a text color. In the Appearance Options select the position of the thumbnails and the number of rows and columns of thumbnail images. You may find that by increasing the number of rows beyond 3 you will lose the captions so it is best to use a smaller number of rows so you have the benefit of including captions.

Step 5
In the Image Info panel select the Caption checkbox and then from the dropdown list, select what you will use as captions. If you followed step 2 and typed caption information in the Metadata then chose Caption for this option.

Step 6
In the Output Settings panel, specify the size of the larger images which is the size of the selected image in the slideshow. You can also specify the quality of that image. The Photo Borders option controls the size of the border around the images, which by default is set to 20, but which you can increase or decrease as desired. The Padding Value controls the offset of the image from the remainder of the page. You can enable or disable the option to allow the viewer to right click to view a photo.

Step 7
In the Upload Settings area select the FTP server dropdown list click Custom Settings > Edit and enter the details for the ftp account for your website. You must type your server name, your user name and password – you can, if desired, include the password in the preset so that you won’t have to type it each time. Include the server path for storing the files and, if necessary, adjust the protocol port and the mode used for data transfer although these defaults should work in most circumstances.

Once you have created your settings, from the Preset dropdown list, select Save current settings as new preset so that these will be available next time you use the program.

Step 8
By selecting a subfolder, you can separate the slideshow and its files from other files on your server. This is a good idea as it will eliminate any possibility that files that you upload will overwrite or conflict with files used elsewhere on your website.

Step 9
Click Preview in Browser in the bottom left of the screen to preview the slideshow or simply click the Upload button and upload the files to your server.

Step 10
When the upload is complete, launch the slideshow by pointing your browser to your website to the folder that you created and to the file index.html.

Step 11
Once you have checked your slideshow and if it is all working correctly you can save the template by clicking the plus sign opposite the Template Browser and create a new template in your User Templates folder. This will automatically give you access to your preferred slideshow setup at any time in the future. All you will need to do is to change the Slide Title and the Folder in which the images should be saved on your server.

Helen Bradley

Monday, March 29th, 2010

Flash movies and Windows 7

Internet Explorer 32 bit browserToday I had a particularly annoying half hour. It was a simple enough scenario, I wanted to play a Flash videos on my 64 Bit Windows 7 computer. Internet Explorer – Nada! Firefox – Nada! My Conclusion – this is not good…

For reasons better known to the folks at Adobe, the company has not yet updated its Flash player to support 64-bit browsers on 64-bit operating systems. The key to the problem is the combination operating system and browser you’re using.

A 64-bit browser on a 64-bit operating system won’t play Flash movies, but a 32-bit browser running on a 64-bit operating system will – with some tweaking.

So what do you do? The solution with a Windows 7 machine is deceptively simple. Select the Start button, choose Programs and then look for Internet Explorer. You will find there are two versions of Internet Explorer installed: Internet Explorer and Internet Explorer (64-Bit). Internet Explorer is the 32-bit browser so, if you run that and not the 64 bit version you’re half way to the solution.

What I’ve done is to replace the link to the Internet Explorer (64-Bit) browser on my system everywhere it appears such as in the Start menu and the Quick Launch Bar with the 32-bit version. I can live without the ‘benefits’ of a 64-bit browser if I can view Flash movies the way I expect them to play.

If you find the movies do not play or stop part way through, as I did, right click the movie and see which version of Flash Player you’re using. If it is version 10 then uninstall it (using Control Panel > Programs), and go find version 9 and install it in its place. You can download version 9 from here:  http://kb2.adobe.com/cps/142/tn_14266.html – this is a source of archived older Flash Players.

So, if anyone from Adobe is listening, please can you get us a 64-bit Flash Player? While there is one available at labs.adobe.com for Linux there is nothing yet available for 64-bit browsers running on 64-bit operating systems for Windows or Mac. Given that so many people are switching to 64-bit operating systems, if only because it allows you to address great wads of memory, it really is time that the big name companies came to the party and provided basic tools compatible with these systems.

Helen Bradley

Saturday, March 27th, 2010

Thank you Kevin Ames

fantasy portrait collage

I have just returned from Photoshop World in Orlando and I am full of inspiration for upcoming projects. However one of the classes just inspired me so much that I had to start playing with the concept first. The idea is from Kevin Ames who taught it as a class called Fantastic Portraits…It’s Smoke, Mirrors & Photoshop.

The starting point is half a face, mirrored and stuck back together and then it’s up to you. This is my finished project – it’s a tiny file as I did it on the plane home and I really wanted to conserve battery but still get a reasonable result. With smaller images in Photoshop, of course everything goes much faster but the downside is that the final image is less useful because it is very small.

Here in addition to mirroring the face, I replaced the lips, pupils and part of the nose to get the face I wanted. I used the liquify filter repeatedly to reshape the face and the dodge and burn tools to add highlights and shadows – my additon to the basic concept. Then I brushed on the dots, added lots of backround interest and fashioned her a gold necklet. It helps if you have lots of textures and other interesting elements to use – for example, her hat is a fancy street light from a local park and there is a metal grate, a stairwell and a rusty texture making up the background.

It is a fun way to blow a few hours.

If you’re interested, here’s my starting image (courtesy of my friend Brenda), as you can see, the journey from start to end gave me something totally unrecognizable.

Helen Bradley

Friday, March 26th, 2010

Faux panos in Lightroom


Lightroom finished panorama of Cam River Cambridge, Uk

Ok, so I am using Lightroom for this but seriously you can do this in Photoshop or any application you like. It’s a faux panorama and you do it with one image by simply cropping the image to a long width and a small depth. You need the right image – it needs to have plenty of data across the middle of the image but it does have so much punch that it can turn a ho hum snapshot into something that looks so much more.

Lightroom crop to create a panorama

So, in Lightroom, select your image, move to the Develop module, crop the image to as wide as you can and a small height/depth and then Export it. This one I framed in the Lightroom Print module before printing to a file and posting it. All too simple really and everyone will think you’ve been snapping panos instead of infusing your images with a little creativity.

Oh, and for a tip in a tip, press Control + ‘  (Command + ‘ on the Mac) to make a virtual copy before cropping so you still have your original visible in Lightroom.

Helen Bradley

Wednesday, March 17th, 2010

Photoshop: High Impact Sharpening

after image high radius low amount sharpening

There’s a lot been written about sharpening your images and traditionally when you sharpen you’ll choose a low radius value. In fact, Photoshop will let you choose really large radius values when sharpening even though, for correct sharpening what you need is a Radius of around 0.5 – 1 for a sharp image and just a little larger for an image that lacks sharpness.

before high radius low amount sharpening

So what is the value of being able to select really large radius values? The answer lies in a technique known as high radius low amount sharpening. It’s a way to add a huge visual impact to your images.

To see it at work, choose Filter > Sharpen > Unsharp Mask. Reduce the Amount to around 30 and push the Radius value up very high. You’ll need to keep the Threshold amount very low.

What Amount does is adjust the amount of sharpening so you don’t want a lot of this type of sharpening. By setting the Radius to a high value you’re pushing the sharpening halos away from the edges in the image into the image content areas so that everything is being given a significant contrast boost.

The Threshold setting is an amount representing the difference between pixels on the edges that you want to effect. It works the opposite to how you might think it would work – a small value gives you much more impact than a large value. So a value of 1 or 2 up to 10 is sufficient.

Once you have a high Radius and low Threshold value set, adjust the Amount to suit your taste.

While this feature works really well on color images particularly busy color images, it also gives black and whites a really big shot in the arm.

Apply high radius low amount to a black and white photo of london

And while you’re in Photoshop, know that this is the only place you can apply this fix. You cannot do this in Lightroom or in Camera RAW. The reason is that both Lightroom and Camera RAW allow a maximum radius setting of 3.0 and here, because we want to crank up the radius really high, Photoshop is our only option.

Helen Bradley

Thursday, March 11th, 2010

Photoshop – Copy and Invert Masks

Photoshop copy and invert a mask

This is totally cool. I was playing around in Photoshop the other night and needed to duplicate a mask and then invert it. I remember that you can copy a mask using two fingers and the mouse button so that means it’s some combination of the Control, Alt and Shift keys – that’s all you really need to remember – the rest is experimentation.

Well, I did the two finger drag using Shift and Alt and this must be a keystroke combination I haven’t used before because lo and behold! it not only copies the mask but it inverts it too!

So, to copy a mask, drag it using Control + Alt (Command + Option on the Mac). To copy and invert the mask, Shift + Alt (Shift + Option on the Mac).

Helen Bradley

Wednesday, March 10th, 2010

Step 9 Photo-editing workflow – Fixing imperfections

If you have a photograph of someone who has blemishes on their skin you can remove these by using the Spot Healing Brush tool.

Select the Zoom tool and zoom in onto the areas that require fixing.

Click the Spot Healing Brush tool and adjust the brush size so it is just big enough to cover the problem area.

Click once on the area and the blemish will disappear. If the fix is not perfect choose Edit > Undo Spot Healing Brush, adjust the brush size and try again.

Helen Bradley

Thursday, March 4th, 2010

Step 7 Photo-editing workflow – Fixing colour problems

Whenever you believe that there is something wrong with your photo’s colour or tonal range a good place to start fixing it is with your software’s automatic fix options.

In Photoshop Elements choose Enhance > Auto Smart Fix and preview the result. If you do not like it choose Edit > Undo and try one or all of the Auto Levels, Auto Contrast, Auto Colour correction options under the Enhance menu.

Each of these adjusts the image in a different way and if they work on your image then they’re a simpler way of fixing it than having to do it manually.

Helen Bradley

Wednesday, March 3rd, 2010

Photoshop – Cut Text from an Image

This is a cool effect that you see quite a lot in advertising and elsewhere. It involves cutting some text out of an image so you see an image in the text shape.
Step 1
To begin, open an image to use and then use the Type tool to type some text over the top of it. Make sure that the type is very large and that it covers a lot of the image so choose a thick font.
Step 2
You can adjust the Tracking and Font size of the text in the Character palette to ensure that the text is large and so that you do not have excessive spaces between characters.Step 3
Double-click on the background layer of the image and click Ok to convert it to a regular layer. Drag the image layer on top of the text layer in the layer palette.Step 4
With the image layer selected, choose Layer > Create Clipping Mask to clip the image to the shape of the text on the layer underneath. Step 5
To add some extra dimension to the effect, duplicate the image layer by selecting it and choose Layer > Duplicate Layer and click Ok.

Drag this layer containing a second copy of the image to the bottom of the layer stack. Select the text layer again and add layer style such as a Inner Glow or a Drop Shadow to finish the effect.

Photoshop, Photoshop Creative, clipping mask, text effect

Helen Bradley