Sunday, June 3rd, 2012

Edit and Create on the go with Adobe Photoshop Touch

By Helen Bradley

On Monday, Adobe launched its Photoshop Touch application for the iPad. This long sought after app runs on the iPad 2, and not on the iPad 1, and it requires that you have iOS 5 installed. The app costs $9.99 which is at the high end of the price range for photo-editing apps in general but Photoshop Touch seems to have got the feature set about right so most people will probably consider it worth the money.

I use the iPad a lot for working with photos I’ve shot using a digital SLR camera in raw and which I’ve resized, converted to jpeg and downloaded to the iPad. Those images I have on the iPad are there because they are funky or because they lend themselves to some artistic play. So, I looked at Photoshop Touch in this light – I wanted to see if it would be part of my iPad image creative workflow. For heavy duty work, Photoshop and Lightroom will remain my tools of trade.

When you launch Photoshop Touch you get two options, viewing the tutorials or doing some work.

There are 10 tutorials that you can work through each of them is project based so you learn the program by learning a technique not by learning how individual tools work. These are text and image tutorials and not video ones, but they are interactive so you can learn as you go.

The second option is Begin a Project which is where I’ll start. You get the choice of adding an image from your iPad, the Adobe Creative Cloud, the Camera, Google or Facebook. I chose Local Photos then the Photo Library and an image from my iPad.

In the main editing area you’ll find the tools on the left, layers on the right and menus across the top. The program pays lip service only to Photoshop.  Some icons are familiar but others are more iPad than Photoshop so Photoshop users may find it a bit confusing where iPad artists will find it more familiar.

You can add multiple images and multiple layers. I wanted to texture this image so I clicked the Add Layer button and selected Photo Layer.

Once you select a second photo you get to size it as you import it – you can also rotate, flip or skew it too. Click Done to proceed to the editing area.

Now, with the layer selected, you can apply adjustments to it.

I chose Curves as this was a texture and I wanted more contrast. There are no adjustment layers so the Curves adjustment is being applied just to the targeted (top) layer. As you can see, you can adjust the RGB composite channel or the individual red, green and blue channels.

With the texture layer still targeted you can apply a filter to it by clicking the FX button. There is a range of filters including Basic, Stylize, Artistic and Photo. Some add things like drop shadows, blurs and glows and others are more artistic.

I chose Stylize > Old Photo, configured the settings and tapped Apply. Unlike Photoshop where the foreground and background colors need to be selected before you run a filter, here you can select the colors to use in the filter settings – this really is a feature that Photoshop should have.

To blend the layers you click the Layer icon and you get a choice of blend modes and the chance to adjust the layer opacity.

There are no masks but you can use a gradient to fade the effect – when you do the gradient is applied to the layer and you can only undo it by tapping Undo – you can’t go back and edit it.

You can also add a new Empty Layer and fill it with a gradient.

And then blend it using a layer blend mode as I have done here.

I finished by cropping the image and then saving it.

You can then email it or send it to the Camera Roll or upload the project to the Adobe Creative Cloud so you can access them from there.

There are limits to Photoshop Touch and one is the 1600 x 1600 pixel image size limit. The text tools are rudimentary and, as a long time Photoshop user, I’d like to see editable masks and editable text. That said, for fixing photos and tinkering with creative projects this program is a welcome addition to the Adobe family.

This app will appeal to a range of users. There are plenty of basic tools that are easy to use but also some more advanced features for working with images. The Scribble Extract tool does a reasonable job of extracting a subject from a background and you can tinker with gradients and fades to get some interesting effects. You don’t need to know how to use Photoshop to use the app but your knowledge won’t go astray.

Helen Bradley

Friday, April 13th, 2012

iPad Photo editing and sharing with Instagram

Download: Instagram on the iPad – Free

Instagram is more about a photo sharing community than fixing photos per se. It is also an iPhone app so it’s tiny and runs in portrait orientation on the iPad.

Instagram crops everything to a 1:1 crop and offers 13 filters with a range of removable borders.

There is a one click contrast enhancement and you can apply a soft focus effect or a faux tilt shift and that’s about the sum of it.

This app is ridiculously popular with iPhone users and probably better used on the iPhone where you’ll be able to share images online from there and where the tiny interface makes more sense.

Behind Instagram is a web site for sharing Instagram photos. You can share your images so others can view them and you can view other people’s photos too.

If you are into photo sharing this is a great app. If you love the Instagram look then this is the app that gives it to you.

If you want to be more creative with your images then look elsewhere – this app is free and it is good but it is far from great as a photo enhancing tool.

Helen Bradley

Wednesday, April 11th, 2012

Photo editing with Photoshop Express on the iPad

download: Photo Express on the iPad – free

When it comes to apps sometimes you get great value in free apps and other times you get rubbish. Photoshop Express falls somewhere between the two extremes – it isn’t rubbish but it’s far from great.

Photoshop Express has a very strange interface which left me tapping furiously on the screen trying to get it to do something – anything!  The problem is you have to swipe the screen to adjust the intensity of the edit? So, to increase saturation you choose the Saturation option then swipe across to the right to increase it or to the left to decrease – Ok – where exactly did that interface metaphor come from? I feel like I missed class that day and there is nothing  on the screen that makes this behaviour easy to discover.

Interface complaints aside this app lets you crop and fix your images and apply some effects to it.

Here is the crop/straighten/rotate/flip options:

Here is the image with contrast and saturation improved:

The noise reduction tool requires you to buy an add-in – OMG Adobe just gets some things sadly wrong and this is one of them! Either give the program away or don’t but why do they make one fix a pay for feature? It makes no sense – and they could just have easily left out noise reduction altogether. If you want this feature, expect to pay a hefty $4.99 for it.

In the border area there are a handful of free borders and others you can buy but which you can preview on your image first – this is useful so you get to see how they look before you commit to buying them. They come as an all in pack of 22 borders for $1.99.

There is also a small range of effects you can apply by selecting the effect to add to the image.

A lot of folks will download this app because it is from Adobe. Lots of these same folks will be wondering why they bothered to do so. This app is competent but it is hard to look past the silly in-app purchases and the screwball interface – Adobe is better than this – this app damages the company’s reputation – why not do something like they have at photoshop.com?

You don’t have to reinvent interfaces for the iPad and you don’t have to make up new interface gestures for adjusting images when a slider will do just fine – if you use sliders folks can see the slider and work out quickly how to use it – instead here with the swiping you really have to guess how to make the thing work and you shouldn’t have to do that.

Helen Bradley

Wednesday, April 4th, 2012

Photo-editing in Photogene

Download: Photogene for the iPad $2.99

I have had Photogene now for a while but just cranked it up today to see just how it performs. I have to say it has some cool features – sort of an all-round app that could be all things to some people but which hasn’t a huge amount of depth.

It doesn’t have layers but it does have a mask you can paint on to paint on features such as the dodge and burn fixes. I got a bit confused with the presets – they are great for applying effects but they seem to have been added on rather than integrated with the program itself. It’s a minor complaint but you feel like filters and frames appear  in two different places – as regular tools and as presets. Problem is that if you use the presets you get access to some frames that you can’t get to elsewhere – which is a little frustrating if you are a DIY person and like to have better control over your images.

This image was shot in NY and I shot it specially to use for iPad editing. Here I gave it the treatment in Photogene. The image wasn’t perfectly straight so I started with the rotate tool and straightened it.

I cropped it using a 1:1 crop with the Crop tool.

Then I added a vignette using the Burn brush which is a Retouching tool. The built in vignettes didn’t give me the control I wanted and being able to paint the vignette on is great.

When you are dodging and burning you can change from paint to erase by tapping twice on the screen and there is an Intensity slider you can use to dial down the effect.

You can also choose to see the mask overlay which helps you when you’re trying to work out where you painted.

I used the Dodge brush retouching tool in the middle to lighten the image and then applied an effect from the effects collection.

Then I applied a cross process effect. You can do this to the entire image or it can be painted on using the retouch tools.

To finish some adjustments were made to the image saturation, vibrance and clarity.

This was the end of the process in Photogene but I felt the image needed a little something extra. I saved it out of Photogene to the Photo Library.

Then took it to Scratch Camera to add the final touches you see here.

Helen Bradley