Sunday, June 5th, 2011

Install and use the Droste Filter in Photoshop CS4, CS5 & CS5.5

Photoshop droste effect before after e1317679260206 Install and use the Droste Filter in Photoshop CS4, CS5 & CS5.5

I an earlier blog post I introduced Pixel Bender a new extension for Photoshop CS4 and CS5 from Adobe Labs. In this month’s tutorial I’ll show you a great filter which lets you create a Droste effect with an image. The filter is free to download and once it is installed you can apply it from inside Pixel Bender. It was created by Tom Beddard who is author of a lot of really wonderful filters – you can see more of them here: http://www.adobe.com/cfusion/exchange/index.cfm?event=authorExtensions&authorid=14858639

The Droste effect is an image effect named after a Dutch cocoa company called Droste. In 1904 it produced packaging for its cocoa product showing a woman carrying a tray with a box of cocoa and a cup on it. A small version of the package appeared on the cocoa box on the tray and so on – each version of the image being successively smaller than the last.

To create the Droste effect you must first have Pixel Bender installed so, if you don’t, visit my earlier post to learn where to find it and how to install it. Then, you’ll need to download the Droste filter from: http://tinyurl.com/pbdroste.

PS droste effect step1 Install and use the Droste Filter in Photoshop CS4, CS5 & CS5.5

Unzip the folder and copy the .pbk file to your Program Files\Adobe\Adobe Photoshop CS5\Pixel Bender Files folder. Restart Photoshop and the Droste filter will be in place.

PS droste effect step2 e1317679356870 Install and use the Droste Filter in Photoshop CS4, CS5 & CS5.5

 

Start with an image that is square with some element of interest centered in the middle of the image. I chose a flower against a neutral background – start with something simple as you learn how the filter works – then plan to use a more complicated image later on.

Make a note of the size of the image by choosing Image > Image Size and write down the image width and height.

There is a physical limit to the file size of images you can use with Pixel Bender which is 4096 x 4096 so make sure your image is smaller than this. Even smaller images render faster.

To run the filter, choose Filter > Pixel Bender > Pixel Bender Gallery and select Droste from the dropdown list. If you have used the filter previously, hold Alt (Option on the Mac) and click on the Reset button to reset the filter settings.

Set the Size [0] and Size [1] sliders to match the width and height of your image – my image is 530 x 530 pixels.

By default, you should see a typical Droste file image with straight edges.

Photoshop droste effect step3 e1317679517106 Install and use the Droste Filter in Photoshop CS4, CS5 & CS5.5

 

To turn the straight edges into a curved spiral, deselect the TransparentInside checkbox.

Photoshop droste effect step4 e1317679503637 Install and use the Droste Filter in Photoshop CS4, CS5 & CS5.5

If the image is off center, the spiral will look askew at this point. To change the center point of the image and align it with the center of the spiral, adjust the centerShift [0] and [1] sliders – each of these operates in a different dimension. Adjust the center of the image until the spiral looks correct.

To adjust the center of the image itself, use the Center [0] and [1] sliders.

If you do not have an image spiral that completely fills the image area you will see some black background color outside the spiral. You can control the color used for this background by setting the BackgroundRGBA values. The [0] setting controls the Red value, [1] controls Green, [2] controls Blue and [3] controls the opacity of the background. The default is that all sliders are set to 0 and the Opacity slider to 1 which gives the black color. You can view the current background by setting Levels to 2 and the LevelsStart value to 1. Then create your own background color and, when you’re done, increase the Levels value to back up again to around 7.

Photoshop droste effect step5 e1317679484876 Install and use the Droste Filter in Photoshop CS4, CS5 & CS5.5

To make the spiral tighter or looser, adjust the RadiusInside value. Set it to a very small value to get a small number of loops and to something like 50 to get one with lots of loops. The default setting is 25.

Photoshop droste effect step6 vertical Install and use the Droste Filter in Photoshop CS4, CS5 & CS5.5

Decreasing the OutsideRadius twists the spiral more tightly. The default value of 100 makes the spiral looser.

Periodicity is the number of times the image repeats in each loop of the spiral. If you set this to 2 the image will be repeated twice per spiral – the Default value is 1.

Photoshop droste effect step7 e1317679446154 Install and use the Droste Filter in Photoshop CS4, CS5 & CS5.5

The Strands value sets the number of loops in the spiral. If you set this to 2 you will have two interlocking spirals and if you set it to three you’ll get three strands/spirals  and so on.

Photoshop droste effect step8 e1317679430270 Install and use the Droste Filter in Photoshop CS4, CS5 & CS5.5

Other interesting effects include using the RotatePolar value. By setting it to, 90 as shown here you will get different spiral loops on the screen. Having done this, you can then select RotateSpin to adjust the effect.

Photoshop droste effect step9 e1317679411327 Install and use the Droste Filter in Photoshop CS4, CS5 & CS5.5

If you enable HyperDroste then adjust the FractalPoints value, you will create an image that is reminiscent of a fractal style image.

If desired adjust the Zoom value to zoom into the design.

Photoshop droste effect step10 e1317679394714 Install and use the Droste Filter in Photoshop CS4, CS5 & CS5.5

Use RotateSpin and RotatePolar with FractalPoints and HyperDroste to fine tune the effect.

When you have a design you like, click Ok button to apply the Droste effect to your image.

Once you know how the controls in the Droste filter work you’re ready to apply it to a more complex image.

To get best results, start with a square image with something of interest in the center and make sure to set the image dimensions in the filter before working with the other sliders.

Photoshop droste effect step11 e1317679375166 Install and use the Droste Filter in Photoshop CS4, CS5 & CS5.5

 

Wednesday, February 2nd, 2011

Photoshop: High Pass Softening

high pass softening before after Photoshop: High Pass Softening

You may already know that it is possible to sharpen an image using the High Pass Filter. But did you know it’s possible to use the filter to soften an image?

To see this at work, start with an image open on the screen.

Step 1

Duplicate the image background layer or if you have an image that has adjustments in it, create a flattened version of the image on a new layer at the top of the layer stack. To do this target the topmost layer and choose Layer > New > Layer.

Target this new layer and press Ctrl + Alt + Shift + E (Command + Option + Shift + E on the Mac) to create a flattened version of the image on this new layer.

high pass softening step2 Photoshop: High Pass Softening

Step 2

You will apply the High Pass Filter to this layer.

To do this, you can convert the layer to a Smart Object by choosing Filter > Convert for Smart Filters.

If you’re working on a version of Photoshop earlier than CS4, you can still use this process without converting the layer to a Smart Object.

Choose Filter > Other > High Pass and set the High Pass filter Radius to a value that shows gray and white lines on the image. Stop short of the image showing too much color. The larger the radius value, the more the softening effect although too large a Radius will be counter-productive. Click Ok to apply the filter to the image.

high pass softening step2 Photoshop: High Pass Softening

Step 3

In the Layers palette, set the Blend Mode of the top layer to Soft Light.

To soften the image, select the High Pass filter layer and choose Layer > New Adjustment Layer > Invert. You’ll need to create a Clipping Group between the Adjustment Layer and the High Pass Filter layer by selecting the Adjustment Layer and choose Layer > Create Clipping Mask.

high pass softening step3 Photoshop: High Pass Softening

Step 4

Create a black filled mask on the High Pass Filter layer by Alt + Clicking on the Add a Layer Mask button at the foot of the Layer palette (Option + Click on the Mac).

Set the Foreground color to white and paint on the mask with a soft round brush in the areas that you want to soften the image such as the skin tones here. This image shows the masked area – you won’t see this as you work.

high pass softening step4 Photoshop: High Pass Softening

Step 5

If you created a Smart Object the High Pass Filter can be adjusted by double clicking on the filter in the Layers palette and adjust the Radius value.

You can use a different blending mode on the masked layer such as Overlay if that gives results you like better and you can also change the opacity of the layer to reduce the intensity of the effect.

high pass softening step5 Photoshop: High Pass Softening

Wednesday, December 16th, 2009

10 things for your camera bag

 10 things for your camera bag

Regardless of where you are travelling to this holiday season here are my top 10 things to have in your camera bag:

  1. 3 sets of batteries – one in the camera, one in the charger and one in your pocket
  2. Battery charger and a power cable suitable for use wherever you’re travelling
  3. Spare memory stick or smart card for extra storage on the road
  4. Cooler to put the camera in if it’s hot where you are headed (leave the ice behind)
  5. Polarizing filter to suppress reflected light for more color in your images
  6. Tripod for capturing panoramas, macro shots and for longer exposures
  7. Camera manual to refer to if you have questions that you can’t resolve
  8. Lens cleaning cloths, cleaning fluid and a brush to blow dust from the lens (not your shirt tail – please!)
  9. A variety of lenses including a macro lens if your camera takes interchangeable lenses
  10. Underwater camera housing for your digital so you can take it swimming with you

Friday, September 18th, 2009

Understanding filters in Photoshop and PS Elements

filter before after 758645 Understanding filters in Photoshop and PS Elements
When I was young, my dad told me that if at first you don’t succeed you should try and try again until you do. In today’s post, I am going to tell you why this adage relates to editing photos by working with filters in Photoshop Elements and in Photoshop.

filter1 735910 Understanding filters in Photoshop and PS Elements
Not good! start with the wrong colours and filters suck, big time!

Step 1
Start by opening an image that you like, set the foreground color to white and the background color to black and choose Filter > Distort > Diffuse Glow. When you do this, the image will take on a rather nasty dark glow. There is pretty much nothing that you can do to this image that is going to make it look good. You can try to remove the graininess and glow and increase the clear amount to 20 but if you do that, you’ve effectively removed the filter effect. The short answer is it looks ghastly and you might be wondering just what you did wrong?

filter2 735942 Understanding filters in Photoshop and PS Elements
Same image, better result, it’s the colors that are the difference

Step 2
Exit the Filter Gallery, switch the foreground and background colors so that black is now the foreground color and white is the background color. Reapply the filter using Filter > Distort > Diffuse Glow. This time the filter looks very different.

The explanation is that Photoshop Elements (and Photoshop) use the foreground and background colors when applying the filter. This time go ahead and crank up the Graininess and adjust the Glow Amount until you get a nice glow on your image. Adjust the Clear value to suit and click Ok. Now you have a very different looking result.

filter3 701584 Understanding filters in Photoshop and PS Elements
Understanding colors and filters
There are many of Photoshop Elements Filters that work differently depending on the current foreground and background colors settings. The Halftone Filter is one of these so, for example, if you have red and green selected the halftone pattern will appear in red and green – not always the desired look.

filter4 701627 Understanding filters in Photoshop and PS Elements
Instead, set the foreground to black and the background to white and apply the Halftone Filter using Filter > Sketch > Halftone Pattern. This time you’ll get something more like the result that you are looking for.

filter5 755834 Understanding filters in Photoshop and PS Elements
Switch black and white in the color swatch and try again – and the result is different and not so appealing.

What you need to know
The short lesson to take away from this post is that when you are applying filters in Photoshop Elements or in Photoshop the foreground and background colors that you have selected will have a big impact on how some of the filters work. In most cases the filters affected are the Sketch filters but others use the colors too.

Select the right color mix and the result is pleasing to the eye. Select the wrong color mix and you could be excused for thinking filters just aren’t for you.

Tuesday, September 1st, 2009

Capturing Autumn Colours

colour3 750116 Capturing Autumn Colours
With cool autumn days comes a change in colour in many of the trees around us. While here in California we don’t have the great swashes of autumn colour that they enjoy on the east coast there are still patches of colour to capture that you won’t encounter any other time of the year.

So, it’s time to grab your camera and head out to make the most of the season. If you’ve got little people in your life (or you’re just a big kid yourself), you’ll find piles of golden leaves that just beg to be rolled in or thrown high in the air!

The best time to capture the colours of autumn is when the colours start appearing. The time frame between the best of the autumn colour and bare branches can be very short. A brief thunderstorm or burst of strong wind is all that separates a beautiful tree laden with autumn colour from being a pile of leaves on the ground. It’s all too easy to wait too long for the perfect day that never comes and, along the way, miss out on some great shots.

colour1 794790 Capturing Autumn Colours
When capturing autumn colour look for contrasts such as the play of a golden tree against a bright blue sky. While banks of yellow and gold make great photos, a sharp contrast between two colours can make for a great image.

If you miss the best of the colour, and if there aren’t a lot of leaves around – get up close and shoot those leaves that you can find. Even a few splashes of colour can capture the feel of the season.

Use a filter
If you’re using a SLR (single lens reflex) camera with removable lenses you will be able to purchase and use filters with your camera. In addition, some point and shoot cameras can also take these filters. If yours can, then consider investing in a Polarizing filter. There are two types of polarizing filters, for a film SLR camera you will use a linear polarizer and for a digital SLR or point and shoot, you use a circular polarizer. These filters screw into the front of the lens and they work in a similar way to your polarized sunglasses by cutting the glare and giving you better and more intense colours particularly when the sun is very bright.

Don’t forget to remove the polarizer when you have finished shooting – you won’t want to use it indoors, for example or in low light conditions. Of all the filters you can purchase, a polarizing filter will give you results you can’t duplicate using software fixes.

filters 750219 Capturing Autumn Colours
The Digital SLR on the left has lenses that take filters like the polarizing filter shown. You can buy the special adapter shown for some point and shoot digital cameras such as the one on the right – you simply screw the filters on to the adapter.

Finding good shots
The sun in autumn is lower in the sky than it is in summer when it is almost overhead. This low angle of light makes for long shadows which give you great photo opportunities.

Also look out for autumn colours reflected in still water or buildings. The contrast between the autumn colours and other objects in the water or the angular shapes of a building are an interesting contrast.

If you live in the city, chances are that your local park has trees that will change colour with the season so look for opportunities to capture the colours there. If you’re shooting the kids as they play among the leaves, get down to their level so you’re looking directly at them and not at the top of their heads. Alternately, capture them as they gather up leaves and throw them into the air. To get best results with action shots like this, use your camera’s sports mode so the action is frozen. If your camera has a burst shooting mode this is handy too as it will fire off a series of shots in quick succession so you capture all the action. You can also simply use the autumn colours to provide a background to your portraits. If you use a large aperture setting of around f2 the background will be blurred and the subject will be in sharp focus. Smaller aperture settings will give you more of the photo in focus.

colour2 795010 Capturing Autumn Colours
When you’re shooting in autumn, remember that all the standard techniques for taking great photos apply. You should compose your images carefully so it’s clear what the subject of the photo is. Avoid placing the horizon directly across the middle of the photo and, instead move it up or down to create a more interesting shot. Make sure to check the background of your photos so you don’t capture light poles and other distractions that will ruin the shot.

Autumn is all about looking for the opportunities that the season provides and taking advantage of them.